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Author:
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 354
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Book Description
Author:
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 354
Get Book Here
Book Description
Author: Ton de Leeuw
Publisher: Amsterdam University Press
ISBN: 9053567658
Category : Music
Languages : en
Pages : 223
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Book Description
Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: David McCleery
Publisher: Naxos Audio Books
ISBN: 9781843792376
Category : Music
Languages : en
Pages : 224
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Book Description
Free website with music available, to access see page 4.
Author: George Gershwin
Publisher: Alfred Music
ISBN: 1457493438
Category : Music
Languages : en
Pages : 42
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Book Description
To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.
Author: Eduardo de la Fuente
Publisher: Routledge
ISBN: 1136927425
Category : Music
Languages : en
Pages : 376
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Book Description
In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.
Author: Jane Weiner LePage
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
Lepage's latest volume comprises eighteen biographies.
Author: Arnold Whittall
Publisher: Oxford University Press on Demand
ISBN: 9780198166832
Category : Music
Languages : en
Pages : 419
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Book Description
Musical Composition in the Twentieth Century builds on the foundations of Music since the First World War (first published 1977, revised edition 1988). It updates and reshapes the original text and places it in the wider context of twentieth-century serious music before 1918 and after 1975. The focus is on matters of compositional technique, with sections of detailed analytical comment framed by more concise sketches of a range of twentieth-century composers from Faure to Wolfgang Rihm.Extensive music examples reinforce this technical focus. Though in no sense a history of music concerned primarily with the institutional and critical climate within which composers live and work, nor an encyclopedia dealing with every significant composer, Musical Composition in the Twentieth Century offers a critical engagement with that confrontation between tradition and innovation to which twentieth-century composers have responded with resourcefulness and vitality.
Author: James McCalla
Publisher: Routledge
ISBN: 1135887063
Category : Art
Languages : en
Pages : 289
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Bernard Jacobson
Publisher: Phaidon
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 254
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Book Description
Four Polish composers who changed the shape of music in the 20th-century.
