Author: Lewis Lockwood
Publisher: Oxford University Press
ISBN: 0199703000
Category : Music
Languages : en
Pages : 425
Book Description
Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.
Music in Renaissance Ferrara 1400-1505
Author: Lewis Lockwood
Publisher: Oxford University Press
ISBN: 0199703000
Category : Music
Languages : en
Pages : 425
Book Description
Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.
Publisher: Oxford University Press
ISBN: 0199703000
Category : Music
Languages : en
Pages : 425
Book Description
Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.
Johannes Ockeghem and Jacob Obrecht
Author: Martin Picker
Publisher: New York : Garland Pub.
ISBN:
Category : Obrecht, Jacob
Languages : en
Pages : 224
Book Description
Publisher: New York : Garland Pub.
ISBN:
Category : Obrecht, Jacob
Languages : en
Pages : 224
Book Description
Josquin Des Prez
Author: American Musicological Society
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 862
Book Description
This volume constitutes the report of the 1971 International Josquin Festival Conference held at the Julliard School of Music in New York City. The papers assembled this collection are an elegant tribute to the study of Josquin and address biographical information, source studies, style and analysis, studies on genres, individual works, performance practice, performance and interpretation, and problems in editing Josquin's music.
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 862
Book Description
This volume constitutes the report of the 1971 International Josquin Festival Conference held at the Julliard School of Music in New York City. The papers assembled this collection are an elegant tribute to the study of Josquin and address biographical information, source studies, style and analysis, studies on genres, individual works, performance practice, performance and interpretation, and problems in editing Josquin's music.
Composing Community in Late Medieval Music
Author: Jane D. Hatter
Publisher: Cambridge University Press
ISBN: 1108628834
Category : Music
Languages : en
Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Publisher: Cambridge University Press
ISBN: 1108628834
Category : Music
Languages : en
Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Miscellanea Musicologica
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
Book Description
The Cambridge History of Fifteenth-Century Music
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Josquin Des Prez
Author: Sydney Robinson Charles
Publisher: New York : Garland Pub.
ISBN:
Category : Music
Languages : en
Pages : 266
Book Description
Publisher: New York : Garland Pub.
ISBN:
Category : Music
Languages : en
Pages : 266
Book Description
The New Grove Dictionary of Music and Musicians: Jennens to Kuerti
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1000
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1000
Book Description
Filippino Lippi's Carafa Chapel
Author: Gail Louise Geiger
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Oxford Bibliographies
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description