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Author: Andrew D. McCredie
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 56
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Book Description
Author: Andrew D. McCredie
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 56
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Book Description
Author: Clive O'Connell
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 290
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Book Description
Author: Graeme Skinner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 1162
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Book Description
This study is a first attempt at a history of musical composition in early colonial Australia. It demonstrates that the existing general literature gives an inadequate account of the role of composers, and the function and reception of locally composed music within colonial society. That such a study has not been undertaken earlier is due partly to a lingering historical prejudice that the music itself is not very interesting, and not very good; and partly to the intractability of musical and documentary sources. Since 2005, a National and State libraries initiative has built a freely accessible online archive of around 300 printed early colonial compositions; nevertheless, most of these prints were undated, and few of the works or composers featured in previous literature. Since 2008, another NLA initiative, Australian Newspapers 1803-1954, has solved the documentary problem, with its searchable online archive of the colonial press. Using both new resources, it has been possible for the first time to date almost all of the existing prints precisely, and to identify from press advertisements a further 140 prints that are presumed lost. Systematic searches also identified a large number of unpublished compositions previously unknown. Since manuscripts survivals from this period are rare, almost none of these works is still extant. However, their identification adds greatly to the understanding of the profile of composed music in the era and to the careers of individual composers. Whereas fewer than 50 individual works have been cited in previous literature on the period, an appendix checklist identifies 880. This new data is used to chronicle the early history of compositional activity in Australia, from the European takeover onward. While no attempt has been made to hypothesise prior creative activity, early European transcriptions of Indigenous song, characterised at the time as the authentic "Australian National Music", are one focus of the early chapters. Early colonial composed music, meanwhile, answered the immediate needs of the founding British colonial establishments, and later settler colonial society, mainly in dance music and songs. A first performance by professionals (theatre and concert artists, and military bands) was often followed by publication in sheet music format for the domestic market, complementing a limited supply of imported print music. Composers also regularly arranged and reorchestrated imported theatre music for local forces, and improvised. The press greeted new works as contributing to "colonial production" and social improvement. Contemporary commentators theorised that local conditions - geographic, climatic, social, and economic - would help form an Australian national music distinct from its British and European antecedents. The study argues that, responding creatively to colonial realities, composers indeed produced a body of music locally distinctive, modest in ambition, broad in appeal, and functionally supportive of social and national interests. Insufficient infrastructure to support advanced repertoire and larger forms effectively quarantined Australia from canonic influence until the 1860s, allowing a popular early-Romantic music culture to continue to flourish in isolation. The study provides the first bibliographic apparatus and historical framework to assist researchers, performers, and students in using the online materials. The online format prototypes a novel approach to delivering history in which live links to primary sources allow readers to engage with the author's discussion critically.
Author: David Tunley
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 11
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Book Description
Author: Andrew D. McCredie
Publisher: Canberra : Advisory Board, Commonwealth Assistance to Australian Composers
ISBN:
Category : Composers
Languages : en
Pages : 52
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Book Description
Author: Linda Kouvaras
Publisher: Springer Nature
ISBN: 3030955575
Category : Music
Languages : en
Pages : 450
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Book Description
This book presents accounts of creative processes and contextual issues of current-day and early-twentieth century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work – Then and Now illuminates historical and present-day women’s composition and various iterations and conceptions of the “feminine voice”; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come.
Author: James Murdoch
Publisher: Melbourne : Sun Books
ISBN:
Category : Music
Languages : en
Pages : 174
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Book Description
Author: Dorottya Fabian
Publisher: Cambridge Scholars Publishing
ISBN: 1527520668
Category : Music
Languages : en
Pages : 333
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Book Description
This volume showcases academic research into the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss Western and non-western genres (opera, film, dance, choral, chamber); the history of music-making in particular cosmopolitan and regional centres (Canberra, Brisbane, the Hunter Valley, Alice Springs); old, new, and experimental compositions; and a variety of performers and ensembles active at particular points in time. In addition, cultural tropes and music as social practice are also explored, providing a rich tapestry of music and music-making in the country. The volume thus serves as a model for representing and approaching multicultural musical societies in an inclusive and comprehensive manner.
Author: William Arundel Orchard
Publisher: Melbourne : Georgian House
ISBN:
Category : Music
Languages : en
Pages : 288
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Book Description
Appendix 1: Song of the women of the Menero tribe near the Australian Alps, discovered and published by Dr Lhotsky in 1834 ; Appendix 2: Melody of the Manoora tribe used in a song by Isaac Nathan in 1847 ; Appendix 3 : Description of an Aboriginal corroboree witnessed by Sir Thomas Mitchell in 1836 ; Appendix 4: Summary of article from Oceania recording Aboriginal songs from Yardea, Eyre Peninsula, the Arunta tribe and Hermannsburg in central Australia, Koonibba and Mucumba, South Australia.
Author: David Symons
Publisher: Routledge
ISBN: 1134801033
Category : Music
Languages : en
Pages : 235
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Book Description
John Antill (1904-1986) was one of the foremost composers of Australia's post-colonial period. Although a relatively prolific and much esteemed composer in Australia, Antill's wider reputation is sustained chiefly by his famous ballet Corroboree - a work which was perceived to bring an authentic Australian musical style before both a national and international audience for the first time. Through Sir Eugene Goossens' championship, the work was heard by enthusiastic audiences in Australia, Britain, Europe and the USA, and was, for many years, the best-known work of any Australian-born and resident composer. Indeed it has remained, for both Australian and overseas audiences, an Australian musical icon. David Symons traces Antill's development as a composer from his early, pre-Corroboree works, which display a late Romantic to post-impressionist style, through an analysis of the virile, dissonant, primitivist idiom of his magnum opus, to an examination of his later output of theatrical, orchestral and vocal/choral works. The book provides comprehensive and valuable insight into Antill's musical output, at the same time focussing on more detailed analyses of his major works which have reached public performances and/or recordings. In this way the book not only presents a developmental picture of Antill's works, but also demonstrates why they have made him one of Australia's most prominent musical creators of the post-colonial period.
