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Author: Jeanette Marie Drone
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 672
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Book Description
There are many reasons for musical artists to write or compose under an assumed name: be it hiding or drawing attention to their ethnicity or gender, pursuing an additional career or genre, or writing a parody or humorous music. Often, nicknames are assigned to composers and lyricists, whether they want them or not. Whatever the reasons for these artists to use assumed names instead of or in addition to their own, this comprehensive resource has amassed and cataloged them. Musical AKAs is a wide-ranging index of assumed names and sobriquets of approximately 9,800 composers, songwriters, lyricists, librettists, hymnists, and writers of music. More than 15,000 assumed names--whether legal name changes, pseudonyms, pen names, or nicknames--have been collected into one easy to reference listing. Author Jeanette Drone has assembled information from numerous music sources--including comprehensive and biographical dictionaries and encyclopedias, biographies, journals, Internet web sites, and print and online copyright sources--and organized them into this extensive four-part volume. Part I alphabetically lists the sources in which assumed names or sobriquets were found for three or more individuals. Part II lists alphabetically the original names of artists from both popular and classical music, detailing their assumed names and sobriquets, dates, occupations, source codes, and complete bibliographic citations for print and Internet sources. The pseudonyms are cataloged alphabetically in Part III, with references to the original names. Musical AKAs concludes with Part IV, offering additional explanatory information on both original and assumed names.
Author: Jeanette Marie Drone
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 672
Get Book Here
Book Description
There are many reasons for musical artists to write or compose under an assumed name: be it hiding or drawing attention to their ethnicity or gender, pursuing an additional career or genre, or writing a parody or humorous music. Often, nicknames are assigned to composers and lyricists, whether they want them or not. Whatever the reasons for these artists to use assumed names instead of or in addition to their own, this comprehensive resource has amassed and cataloged them. Musical AKAs is a wide-ranging index of assumed names and sobriquets of approximately 9,800 composers, songwriters, lyricists, librettists, hymnists, and writers of music. More than 15,000 assumed names--whether legal name changes, pseudonyms, pen names, or nicknames--have been collected into one easy to reference listing. Author Jeanette Drone has assembled information from numerous music sources--including comprehensive and biographical dictionaries and encyclopedias, biographies, journals, Internet web sites, and print and online copyright sources--and organized them into this extensive four-part volume. Part I alphabetically lists the sources in which assumed names or sobriquets were found for three or more individuals. Part II lists alphabetically the original names of artists from both popular and classical music, detailing their assumed names and sobriquets, dates, occupations, source codes, and complete bibliographic citations for print and Internet sources. The pseudonyms are cataloged alphabetically in Part III, with references to the original names. Musical AKAs concludes with Part IV, offering additional explanatory information on both original and assumed names.
Author: Dan Dietz
Publisher: Rowman & Littlefield
ISBN: 153815028X
Category : Performing Arts
Languages : en
Pages : 622
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Book Description
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
Author: Sandra K. Roe
Publisher: Routledge
ISBN: 1317951832
Category : Language Arts & Disciplines
Languages : en
Pages : 394
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Book Description
Examine crucial issues for audiovisual cataloging-from a variety of perspectives! This vital book addresses both current and historic issues related to audiovisual materials and cataloging. It covers the current cataloging rules for sound recordings (popular music and nonmusic recordings), videorecordings (including DVDs), electronic resources (whether accessed locally or remotely), three-dimensional objects and realia, and kits. Three historical articles chronicle the history of audiovisual catalog in general, the history of cataloging computer files, and the history of The Thesaurus for Graphic Materials. A section on audiovisual materials and subject access issues includes a chapter which proposes form/genre terms for moving-image materials and a special library’s creation and use of a new thesaurus and its availability to assist online catalog users. Finally, four contributions examine audiovisual materials and cataloging from the perspectives of different library types: school, public, academic, and special. The Audiovisual Cataloging Current provides case studies that show: how the National Library of Medicine produces, collects, and catalogs non-print materials the differences between the Moving Image Genre-Form Guide and Library of Congress Subject Headings, with recommendations for improving LCSH as a tool and an exhaustive list of LCSH terms how libraries and organized cataloging groups developed the Chapter 9 descriptive cataloging rules in AACR2 how the Westchester Library System created a user-friendly online catalog for audiovisual materials how the Illinois Fire Service Library improved firefighters’subject access to nonprint fire emergency materials how the National Library of Medicine promotes audiovisual formats and much more!
Author: Dan Dietz
Publisher: Rowman & Littlefield
ISBN: 1442260920
Category : Performing Arts
Languages : en
Pages : 529
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Book Description
For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Author: Jim Cox
Publisher: McFarland
ISBN: 1476604517
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
Long before the invention of "talk radio," music was the heart and soul of radio programming--whether standing alone, filling in the time between features, or identifying to widespread audiences the shows coming on and signing off the air. Jim Cox's Music Radio encompasses the entire range of musical programming from the early 1920s to the early 1960s. Jazz, country, classical, gospel, pop, big band, western, and semi-classical forms are covered, as are the vocalists, instrumentalists and disc jockeys who made them available to listeners. Virtually all the major series and artists are explored in depth, and lesser known shows and performers are touched on as well. Some of the series included are The Bing Crosby Show, The Chamber Music Society of Lower Basin Street, The Fred Waring Show, Grand Ole Opry, The Bell Telephone Hour, The Cities Service Concerts, Your Hit Parade, The Kate Smith Show, The Railroad Hour, and The Voice of Firestone.
Author: William Wilberforce Chukudinka Echezona
Publisher:
ISBN:
Category : Igbo (African people)
Languages : en
Pages : 238
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Book Description
Author: Dan Dietz
Publisher: Rowman & Littlefield
ISBN: 1538102773
Category : Performing Arts
Languages : en
Pages : 713
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Book Description
Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
Author: Barry S. Hewlett
Publisher: Transaction Publishers
ISBN: 1412854121
Category : History
Languages : en
Pages : 365
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Book Description
The forest foragers of the Congo Basin, known collectively as "Pygmies," are the largest and most diverse group of active hunter-gatherers remaining in the world. At least fifteen different ethno-linguistic groups exist in the Congo Basin with a total population of 250,000 to 350,000 individuals. Extensive knowledge about these groups has accumulated in the last forty years, but readers have been forced to piece together what is known from many sources. French, Japanese, American, and British researchers have conducted the majority of the research; each national research group has its own academic traditions, history, and publications. Here, leading academic authorities from diverse national traditions summarize recent research on forest hunter-gatherers. The volume explores the diversity and uniformity of Congo Basin hunter-gatherer life by providing detailed but accessible overviews of recent research. It represents the first book in over twenty-five years to provide a comprehensive and holistic overview of African forest hunter-gatherers. Chapters discuss the cultural variation in characteristic features of Congo Basin hunter-gatherer life, such as their yodeled polyphonic music, pronounced egalitarianism, multiple-child caregiving, and complex relations with neighboring farming groups. Other contributors address theoretical issues, such as why Pygmies are short, how tropical forest hunter-gatherers live without the carbohydrates they receive from neighboring farmers, and how hunter-gatherer children learn to share so extensively.
Author: Michael Tenzer
Publisher: Oxford University Press, USA
ISBN: 0195177894
Category : Music
Languages : en
Pages : 451
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Book Description
This text assembles 11 distinguished writers on music to discuss the ingenuity with which sound is organized in musical traditions all over the world. It contains an introductory chapter which proposes ways to think about musical structures cross-culturally.
Author: Suzel Ana Reily
Publisher: Oxford University Press
ISBN: 0199860009
Category : Music
Languages : en
Pages : 745
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Book Description
The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.
