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Author: Harry Colin Slim
Publisher:
ISBN:
Category : Canons, fugues, etc. (Instrumental ensemble)
Languages : en
Pages : 184
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Book Description
Author: Harry Colin Slim
Publisher:
ISBN:
Category : Canons, fugues, etc. (Instrumental ensemble)
Languages : en
Pages : 184
Get Book Here
Book Description
Author: H. Colin Slim
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 188
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Book Description
Author: Cristle Collins Judd
Publisher: Cambridge University Press
ISBN: 9780521771443
Category : Music
Languages : en
Pages : 370
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Book Description
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Author: Amy C. Beal
Publisher: Univ of California Press
ISBN: 9780520932814
Category : Music
Languages : en
Pages : 372
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Book Description
New Music, New Allies documents how American experimental music and its practitioners came to prominence in the West German cultural landscape between the end of the Second World War in 1945 and the reunification of East and West Germany in 1990. Beginning with the reeducation programs implemented by American military officers during the postwar occupation of West Germany and continuing through the cultural policies of the Cold War era, this broad history chronicles German views on American music, American composers’ pursuit of professional opportunities abroad, and the unprecedented dissemination and support their music enjoyed through West German state-subsidized radio stations, new music festivals, and international exchange programs. Framing the biographies of prominent American composer-performers within the aesthetic and ideological contexts of the second half of the twentieth century, Amy C. Beal follows the international careers of John Cage, Henry Cowell, Earle Brown, Morton Feldman, David Tudor, Frederic Rzewski, Christian Wolff, Steve Reich, Pauline Oliveros, Conlon Nancarrow, and many others to Donaueschingen, Darmstadt, Cologne, Bremen, Berlin, and Munich.
Author: Karol Berger
Publisher: Cambridge University Press
ISBN: 9780521543385
Category : Music
Languages : en
Pages : 296
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Book Description
Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.
Author: Johannes Ciconia
Publisher: U of Nebraska Press
ISBN: 9780803214651
Category : Music
Languages : en
Pages : 546
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Book Description
Johannes Ciconia (ca. 1370?1412) is well known today as a composer both of sacred and secular music, but his theoretical works, probably written in Padua during the first decade of the fifteenth century, have until now been available only in manuscript form. This is the first complete edition of both of Ciconia?s theoretical works: the Nova musica, with its attendant De tribus generibus melorum, and the shorter De proportionibus, itself a revision of the third book of the Nova musica. ø The Nova musica is unique as the only only large-scale speculative work of the period known to have been written by an accomplished composer. The purpose of the work, clearly stated by Ciconia in the prologue, is to return to the writings of earlier authors (through the eleventh century) and, with their material as a basis, to redefine the scope of the discipline of music so that is may be classified and may function as one of the literary arts, in addition to its usual standing as a mathematical discipline. ø The first three books consist largely of quotations from earlier authors, covering the topics of consonance (intervals and the scale), species (modes), and proportions. Much of this material parallels large sections of the famous Lucidarium of Marchetto of Padua. ø In the fourth and final book, Ciconia demonstrated how, by means of the material already presented, chants can be classified and declined or parsed according to the principles of grammar. This new view of music can be regarded as a clear indication of the new humanistic approach to the arts. ø Two plates and more than one hundred figures illustrate the edition. The plates provide representative and contrasting examples of the handwriting and format of the illustrations in two of the principal sources.
Author: Scott McGill
Publisher: Createspace Independent Publishing Platform
ISBN: 9781723238642
Category :
Languages : en
Pages : 462
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Book Description
A unique look into the creative world of studying with legendary Jazz Teacher and Theorist Dennis Sandole who is perhaps best known as John Coltrane's Theory and Improvisation teacher as well as being the teacher of James Moody, Benny Golson, McCoy Tyner, Jim Hall, Joe Diorio, Pat Martino, and Randy Brecker to name a few. Guitarist Scott McGill's text is over 400 pages of scans of his original assignments compiled while working with Sandole and includes Technical, Compositional and Improvisational studies applying Sandole's principles to Jazz Standards, an in-depth study of four note Guitar Chords with melody on every string, Exotic and Synthetic Scales and Arpeggios up to Twelve Notes and their application to Jazz improvisation, Classical and Jazz Transcriptions of works by Bartok, Debussy, Tatum, Tyner, and more. Invaluable to the serious advanced Jazz or Fusion Guitarist and useful for other instrumentalists as well.
Author: Susan Lewis Hammond
Publisher: Routledge
ISBN: 1135966990
Category : Music
Languages : en
Pages : 376
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Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Author: Susan McClary
Publisher: Univ of California Press
ISBN: 0520929152
Category : Music
Languages : en
Pages : 388
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Book Description
In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
