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Author: Mario Rinaldi
Publisher:
ISBN:
Category : Music
Languages : it
Pages : 362
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Book Description
Author: Mario Rinaldi
Publisher:
ISBN:
Category : Music
Languages : it
Pages : 362
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Book Description
Author: John C. G. Waterhouse
Publisher: Routledge
ISBN: 1134409176
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
In recent years Gian Francesco Malipiero has been recognised increasingly widely as one of the most original and strangely fascinating Italian composers of the early 20th century. He was the teacher of Maderna and Nono, and was revered by (among many others) Dallapiccola, who even called him the most important (musical) personality that Italy has had since the death of Verdi . He was also a key figure in the revival of the long- neglected music of Italy's great past, and himself edited what remains the only virtually complete edition of the surviving compositions of Monteverdi. The present book not only provides the first monographic survey of Malipiero's life, times and music to appear in English, but covers the subject more comprehensively than any previous publication in any language. Dr Waterhouse draws on hitherto unpublished documents, and with the help of numerous musical examples, analyses the composer's works, style and idiosyncratic personality.
Author: Christopher Hatch
Publisher: University of Chicago Press
ISBN: 0226319024
Category : Music
Languages : en
Pages : 577
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Book Description
In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays—written by theorists and musicologists—that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship. In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art.
Author: Robert P Morgan
Publisher: Springer
ISBN: 1349112917
Category : Music
Languages : en
Pages : 474
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Book Description
This volume covers the development of modern music from World War I to the present. Specific musical responses can be identified from the prevailing social, economic and political circumstances. Since World War II musical languages have tended to converge, with developments in technology and communications. Robert P. Morgan is the author of Twentieth Century Music, and co-editor of Alban Berg: Historical and Analytical Perspectives.
Author: Irene Alm
Publisher: Pendragon Press
ISBN: 9780945193920
Category : Juvenile Nonfiction
Languages : en
Pages : 680
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Book Description
Twenty-four essays attest to D'Accone's wide interests and influence on several generations of musicologists. The first three sections-- on the Florentine Renaissance, archival studies, and madrigal and carnival song--deal with subjects central to his research. Subsequent contributions deal with various aspects of Italian opera, performance practice, manuscript studies, and music and image. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Konrad Eisenbichler
Publisher: University of Toronto Press
ISBN: 1442613033
Category : History
Languages : en
Pages : 495
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Book Description
A study of a religious organization for youths (aged 13-14) founded in Florence in 1411 that is firmly grounded on archival and contemporary documents, and covers a variety of fields of interest.
Author: Anna Harwell Celenza
Publisher: Cambridge University Press
ISBN: 1316764095
Category : Music
Languages : en
Pages : 269
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Book Description
Jazz Italian Style explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering.
Author:
Publisher: BRILL
ISBN: 9042027487
Category : Art
Languages : en
Pages : 398
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Book Description
This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.
Author:
Publisher: Mauricio Dottori
ISBN: 8598826197
Category :
Languages : en
Pages : 231
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Book Description
Author: Nicholas Baragwanath
Publisher: Indiana University Press
ISBN: 0253001668
Category : Music
Languages : en
Pages : 439
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Book Description
“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice
