21st Century Perspectives on Music, Technology, and Culture PDF Download
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Author: R. Purcell
Publisher: Springer
ISBN: 1137497602
Category : Music
Languages : en
Pages : 216
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Book Description
This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
Author: R. Purcell
Publisher: Springer
ISBN: 1137497602
Category : Music
Languages : en
Pages : 216
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Book Description
This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
Author: Anna Brake
Publisher:
ISBN: 9780986329104
Category :
Languages : en
Pages :
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Book Description
A thoughtful, relevant account of our current musical culture, Music Trends of the 21st Century is a must read for anyone who enjoys music. Anna Brake unveils today's musical literacy rate by comparing recent tendencies to the techniques that spawned electronic music, glimpsing into music lessons and classrooms, and observing pop's relation to other genres. This book is chock full of information about how the advancements in technology from the turn of the millennium have impacted composers, songwriters, performers, artists, and audiences/fans, why music should be flourishing in the digital age, and easy and effective ways to get more music in your own life and the lives of others. No matter what your level of musical knowledge, Music Trends of the 21st Century will expand your musical perspective.
Author: Robert Carl
Publisher: Bloomsbury Publishing USA
ISBN: 150135759X
Category : History
Languages : en
Pages : 159
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Book Description
The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression. From pop to classical, the book speaks to the creative ways that new composers mix and synthesize music, creating a music that exists along a more continuous spectrum rather than in a series of siloed practices. It pays special attention to a series of critical issues that have surfaced in recent years, including harmony, the influence of minimalism, the impact of technology, strategies of "openness," sound art, collaboration, and improvisation. Robert Carl identifies an emerging common practice that allows creators to make more informed aesthetic and technical decisions and also fosters an inherently positive approach to new methods.
Author: John Borstlap
Publisher: Courier Dover Publications
ISBN: 0486823350
Category : Music
Languages : en
Pages : 193
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Book Description
Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.
Author: Charles Garrett
Publisher: University of Michigan Press
ISBN: 0472901303
Category : Music
Languages : en
Pages : 367
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Book Description
Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.
Author: Robert Loss
Publisher:
ISBN: 9781501322051
Category : Popular music
Languages : en
Pages : 282
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Book Description
Author: Kun Setyaning Astuti
Publisher: Routledge
ISBN: 0429658451
Category : Business & Economics
Languages : en
Pages : 550
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Book Description
Music is an expression of feelings of the soul conveyed through the medium of sound. But not all sounds are music. It might be said that only an organised sound or series of sounds can be called music. Thus, music is connected to the eternal and constant flow and order of the universe, to the laws and rhythms of nature. It can also be said that musical order is comparable to the natural order of the universe. There are laws of a certain nature in the natural sciences and likewise in music there are structures and procedures, or even rules, that should be followed to produce beautiful music. The International Conference "Innovations for 21st Century Music Education and Research" provided a timely opportunity to take stock of the latest developments in music education and brought together educators, researchers and members of the broader community in a welcoming forum in which they were able to express theoretical and practical views, concepts, research results and principles to help support the further development of music education.
Author: Till Bovermann
Publisher: Springer
ISBN: 9811029512
Category : Technology & Engineering
Languages : en
Pages : 406
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Book Description
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Author: Mimi Mitchell
Publisher: Oxford University Press
ISBN: 0197683061
Category : Music
Languages : en
Pages : 345
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Book Description
This collection about the early music movement will appeal to performers, teachers, academics, instrument makers, amateur musicians, and music lovers. With chapters about new ways to study, teach, perform, and listen to early music, there is something to appeal to everyone. The diverse group of authors--from young to established voices who live across the globe--offer positive, diverse, exciting, and challenging points of view about how the early music movement can go forward into the future.
Author: Shannon Garland
Publisher: Bloomsbury Academic
ISBN:
Category : Business & Economics
Languages : en
Pages : 0
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Book Description
Can music be made "independently" in the 21st century? More than a generation of musicians, music workers, and music companies have now been operating in the context of profound shifts in music dissemination and production in the "digital era." Scholarly focus on musical independence has often been centered on genres, like punk and indie, rooted in the US and UK. This volume, focused outside the Euro-American context, shows the variety of ways musicians, music workers and businesses manage the economic, media and cultural shifts intertwined with digitalization, asking what it means now to say one is "independent." It shows how brands in Indonesia and Brazil sponsor bands, media and festivals; how artists sustain autonomy in the streaming environment; and how labels around the world constitute themselves as cultural associations, diaspora networks, and through offline-social relations. The volume includes birds-eye historical perspectives by important global south scholars seldom read in English.
