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Author: François Bernard Mâche
Publisher: Psychology Press
ISBN: 9783718654215
Category : Music
Languages : en
Pages : 226
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Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: François Bernard Mâche
Publisher: Psychology Press
ISBN: 9783718654215
Category : Music
Languages : en
Pages : 226
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Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Bob Becker
Publisher: Psychology Press
ISBN: 9783718652860
Category : Music
Languages : en
Pages : 78
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Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ian Cross
Publisher: Routledge
ISBN: 1135305773
Category : Music
Languages : en
Pages : 372
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Book Description
This issue comprises the twenty-five papers presented at the Second Music and the Cognitive Sciences conference held at Cambridge University in 1990.
Author: Gary Montague
Publisher: CRC Press
ISBN: 9783718651160
Category : Technology & Engineering
Languages : en
Pages : 252
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Book Description
Author: I. Sykes
Publisher: Springer
ISBN: 1137455357
Category : Science
Languages : en
Pages : 246
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Book Description
This book examines the striking way in which medical and scientific work on hearing in 18th and 19th-century France helped to shape modern French society and culture. The author argues that of all the senses hearing offered the greatest resources for remodelling the idea of the universal human condition within the modern French historical setting.
Author: Elad Lapidot
Publisher: Rowman & Littlefield
ISBN: 1786604736
Category : Philosophy
Languages : en
Pages : 322
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Book Description
Once a prophet of critical, “other” thought, Heidegger has now for many become the epitome of the unthinkable, in the light of the Black Notebooks controversy. The unthinkable here is anti-Semitism. The encounter between Heidegger and the Jews has thus come to signify – very much in the spirit of Heidegger’s own anti-Judaism – the end of thought. The present volume resists this view by positing not only Heidegger but also the Jewish people as representing thought. The encounter between Heidegger and various traditions of Jewish thought is conceived here as a conversation inter alia, an exchange between real or perceived “others”: others to the philosophical tradition, to mainstream modernity, to Western Christian metaphysics, to each other, and even to themselves. The conversation takes shape in this volume as a symposium of seventeen essays by leading scholars both of Heidegger’s philosophy and of Jewish Studies.
Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566474
Category : Music
Languages : en
Pages : 388
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Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 314
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Book Description
Author: David Froom
Publisher: Psychology Press
ISBN: 9783718655298
Category : Biography & Autobiography
Languages : en
Pages : 214
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Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Eero Tarasti
Publisher: Indiana University Press
ISBN: 9780253329493
Category : Literary Criticism & Collections
Languages : en
Pages : 668
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Book Description
The international research project on Musical Signification, since its founding over ten years ago, has sought to win new scholars to musical semiotics. To that end, the Department of Musicology at Helsinki University has already organized five international doctoral and postdoctoral seminars. They have become something of a tradition. The anthology consists of papers presented in the three first seminars covering areas from music philosophy and aesthetics to the analysis of vocal and instrumental as well as electro-acoustic music, interrelationships of arts, music history, post-modernism, etc.
