Music Journal Songwriting Notebook for Girls PDF Download
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Author: Journal Emporium
Publisher:
ISBN: 9781072338932
Category :
Languages : en
Pages : 118
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Book Description
The songwriting journal contains blank lined pages on the left hand side for writing lyrics and staffed right hand pages for composing music. Portable size makes it easy to keep with you at all times! Jot down all the lyrics in your head before they are gone for good! Music journal is great for kids, adults, songwriters, musicians or music students. Great gift idea for your favorite composer! Details: 6'' wide x 9'' high 110+ pages Blank lined pages Staffed pages
Author: Journal Emporium
Publisher:
ISBN: 9781072338932
Category :
Languages : en
Pages : 118
Get Book Here
Book Description
The songwriting journal contains blank lined pages on the left hand side for writing lyrics and staffed right hand pages for composing music. Portable size makes it easy to keep with you at all times! Jot down all the lyrics in your head before they are gone for good! Music journal is great for kids, adults, songwriters, musicians or music students. Great gift idea for your favorite composer! Details: 6'' wide x 9'' high 110+ pages Blank lined pages Staffed pages
Author: Glenn Fleishman
Publisher: Aperiodical LLC
ISBN: 0999489720
Category : Design
Languages : en
Pages : 118
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Book Description
Author: Max Schweidler
Publisher: Getty Publications
ISBN: 9780892368358
Category : Antiques & Collectibles
Languages : en
Pages : 320
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Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author: James M. Reilly
Publisher: HP Trade
ISBN:
Category : Photography
Languages : en
Pages : 152
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Book Description
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Author: Arianne Faber Kolb
Publisher: Getty Publications
ISBN: 0892367709
Category : Art
Languages : en
Pages : 106
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Book Description
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.
Author: Florian Rodari
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 186
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Book Description
The discovery of the pasted paper technique was a revolution in painting as important for the twentieth century as the discovery of perspective had been in the days of the Renaissance. The astonishment which greeted the sudden appearance of the pasted paper in the field of classical figuration and the speed with which it spread between 1912, the year of its "revelation" to Braque and Picasso, and 1925, when it began to be widely accepted, is eloquent proof that the pasted paper revolution was one of the crucial phases of modernity in art. The practice of borrowing elements from reality -- manufactured items, quotations from printed illustrations, discarded scraps, and even bits of waste -- and including them, just as they are, in works of art, helped significantly to transform prevailing modes of feeling and thinking. Whether it was conceived as a weapon or as an object of fancy, the real material played a tangible role from now on in the viewer's perception of the work. It spoke simultaneously to his mind and to his sense fo touch; it brought art and life closer together. The radical nature of the pasted paper revolution, disrupting the traditional system of pictorial representation, was not at once recognized by art historians. Poets were quicker to discern its significance (first Apollinaire, then Breton, Aragon, Tzara, and Jean Paulhan). But the diversity of uses to which it was put by the avant-gardes of the early twentieth century vouches for the richness, aptness and necessity of this novel technique.
Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
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Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 190
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Book Description
"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
