Author: Lucy Green
Publisher: Abramis
ISBN: 9781845493141
Category : Music
Languages : en
Pages : 0
Book Description
"Hooray! Professor Lucy Green's classic text is now available, in its second edition, to a new generation. The first edition contributed to the development of a new field, the sociology of music education. But the argument is of wider interest, and has been useful to me in better understanding the mechanics of the professional life as applicable to the working player." Robert Fripp, King Crimson RESPONSES TO THE FIRST EDITION OF MUSIC ON DEAF EARS: "This is a fine book indeed. The clarity of mind shining through the text is apparent, and the concern with music, musical experience and the development of children in our schools is self-evident. . Musicians and educators would do well to reflect upon these ideas and the inherent challenges to our comfortable but essentially problematic ways of thinking about and responding to music." Keith Swanwick, Music and Letters "The argument, necessarily simplified here, is powerfully and cogently made. It not only impinges on educational practice but is one of the best general discussions of musical meaning and ideology I have read." Richard Middleton, Popular Music "This analysis has considerable explanatory power, especially in regard to the response of school pupils to various musical styles. . I recommend this interesting and uncomfortable book not just to music teachers but to all those musicians and music lovers who think at all about the nature of their art." Christopher Small, British Journal of Music Education
Music on Deaf Ears
Author: Lucy Green
Publisher: Abramis
ISBN: 9781845493141
Category : Music
Languages : en
Pages : 0
Book Description
"Hooray! Professor Lucy Green's classic text is now available, in its second edition, to a new generation. The first edition contributed to the development of a new field, the sociology of music education. But the argument is of wider interest, and has been useful to me in better understanding the mechanics of the professional life as applicable to the working player." Robert Fripp, King Crimson RESPONSES TO THE FIRST EDITION OF MUSIC ON DEAF EARS: "This is a fine book indeed. The clarity of mind shining through the text is apparent, and the concern with music, musical experience and the development of children in our schools is self-evident. . Musicians and educators would do well to reflect upon these ideas and the inherent challenges to our comfortable but essentially problematic ways of thinking about and responding to music." Keith Swanwick, Music and Letters "The argument, necessarily simplified here, is powerfully and cogently made. It not only impinges on educational practice but is one of the best general discussions of musical meaning and ideology I have read." Richard Middleton, Popular Music "This analysis has considerable explanatory power, especially in regard to the response of school pupils to various musical styles. . I recommend this interesting and uncomfortable book not just to music teachers but to all those musicians and music lovers who think at all about the nature of their art." Christopher Small, British Journal of Music Education
Publisher: Abramis
ISBN: 9781845493141
Category : Music
Languages : en
Pages : 0
Book Description
"Hooray! Professor Lucy Green's classic text is now available, in its second edition, to a new generation. The first edition contributed to the development of a new field, the sociology of music education. But the argument is of wider interest, and has been useful to me in better understanding the mechanics of the professional life as applicable to the working player." Robert Fripp, King Crimson RESPONSES TO THE FIRST EDITION OF MUSIC ON DEAF EARS: "This is a fine book indeed. The clarity of mind shining through the text is apparent, and the concern with music, musical experience and the development of children in our schools is self-evident. . Musicians and educators would do well to reflect upon these ideas and the inherent challenges to our comfortable but essentially problematic ways of thinking about and responding to music." Keith Swanwick, Music and Letters "The argument, necessarily simplified here, is powerfully and cogently made. It not only impinges on educational practice but is one of the best general discussions of musical meaning and ideology I have read." Richard Middleton, Popular Music "This analysis has considerable explanatory power, especially in regard to the response of school pupils to various musical styles. . I recommend this interesting and uncomfortable book not just to music teachers but to all those musicians and music lovers who think at all about the nature of their art." Christopher Small, British Journal of Music Education
Auditory Neuroscience
Author: Jan Schnupp
Publisher: MIT Press
ISBN: 026211318X
Category : Medical
Languages : en
Pages : 367
Book Description
An integrated overview of hearing and the interplay of physical, biological, and psychological processes underlying it.
Publisher: MIT Press
ISBN: 026211318X
Category : Medical
Languages : en
Pages : 367
Book Description
An integrated overview of hearing and the interplay of physical, biological, and psychological processes underlying it.
Hearing Loss in Musicians
Author: Plural Publishing, Incorporated
Publisher: Plural Publishing
ISBN: 1597567485
Category : Medical
Languages : en
Pages : 185
Book Description
Publisher: Plural Publishing
ISBN: 1597567485
Category : Medical
Languages : en
Pages : 185
Book Description
Hearing Beethoven
Author: Robin Wallace
Publisher: University of Chicago Press
ISBN: 022642975X
Category : Music
Languages : en
Pages : 294
Book Description
Wallace demystifies the narratives of Beethoven’s approach to his hearing loss and instead explores how Beethoven did not "conquer" his deafness; he adapted to life with it. We’re all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven’s response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven’s music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, Wallace’s late wife, Barbara, found she couldn’t hear out of her right ear—the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn’t overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn’t do those things, either. Rather than heroically overcoming his deafness, Beethoven accomplished something even more challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Wallace tells the story of Beethoven’s creative life, interweaving it with his and Barbara’s experience to reveal aspects that only living with deafness could open up. The resulting insights make Beethoven and his music more accessible and help us see how a disability can enhance human wholeness and flourishing.
Publisher: University of Chicago Press
ISBN: 022642975X
Category : Music
Languages : en
Pages : 294
Book Description
Wallace demystifies the narratives of Beethoven’s approach to his hearing loss and instead explores how Beethoven did not "conquer" his deafness; he adapted to life with it. We’re all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven’s response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven’s music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, Wallace’s late wife, Barbara, found she couldn’t hear out of her right ear—the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn’t overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn’t do those things, either. Rather than heroically overcoming his deafness, Beethoven accomplished something even more challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Wallace tells the story of Beethoven’s creative life, interweaving it with his and Barbara’s experience to reveal aspects that only living with deafness could open up. The resulting insights make Beethoven and his music more accessible and help us see how a disability can enhance human wholeness and flourishing.
Gracie's Ears
Author: Debbie Blackington
Publisher:
ISBN: 9780976001195
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
This is the story of Gracie, your everyday fun-loving kid who does everything that you do, but has trouble hearing. It's as if her ears are sleeping! Can anyone or anything wake up Gracie's ears? Based on a true story. Told in rhyme, this uplifting story with gentle illustrations is based on a real little girl who doesn't realize her ears aren't working like most people's do. When her family searches for answers, she discovers the wonder of hearing aids and the sounds of the world. Gracie's Ears introduces what hearing aids are to young children needing help to hear and to their friends who wonder - what are those things in their friend's ears and what do they do?
Publisher:
ISBN: 9780976001195
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
This is the story of Gracie, your everyday fun-loving kid who does everything that you do, but has trouble hearing. It's as if her ears are sleeping! Can anyone or anything wake up Gracie's ears? Based on a true story. Told in rhyme, this uplifting story with gentle illustrations is based on a real little girl who doesn't realize her ears aren't working like most people's do. When her family searches for answers, she discovers the wonder of hearing aids and the sounds of the world. Gracie's Ears introduces what hearing aids are to young children needing help to hear and to their friends who wonder - what are those things in their friend's ears and what do they do?
The Oxford Handbook of Music and Disability Studies
Author: Blake Howe
Publisher:
ISBN: 0199331448
Category : Music
Languages : en
Pages : 953
Book Description
Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability -- culturally stigmatized minds and bodies -- is one of the things that music in all times and places can be said to be about.
Publisher:
ISBN: 0199331448
Category : Music
Languages : en
Pages : 953
Book Description
Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability -- culturally stigmatized minds and bodies -- is one of the things that music in all times and places can be said to be about.
Caesar
Author: Loren Spiotta-DiMare
Publisher: Benefactory
ISBN: 9781882728886
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
The rescue and training of Caesar, a deaf puppy.
Publisher: Benefactory
ISBN: 9781882728886
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
The rescue and training of Caesar, a deaf puppy.
My Words Fell on Deaf Ears
Author: Mary E. Numbers
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Unintentional Music
Author: Lane Arye
Publisher: Hampton Roads Publishing
ISBN: 1612832903
Category : Self-Help
Languages : en
Pages : 264
Book Description
The last time you whistled a tune or hummed a song-why did you choose that one? You may not consider yourself a musical person, but your little act of unintended music may be the key to unlocking within you a wealth of unsuspected creativity-a kind of creativity that goes way beyond music, too. Lane Arye, PhD, a musician himself, focuses on the music that people do not intend to make. Using the highly regarded psychological model called Process Work, developed by Arnold Mindell, PhD, Arye has been teaching students around the world how to awaken their creativity, using music as the starting point, but including all art forms and ways of expression. The unintentional appears at moments when some hidden part of us, something beyond our usual awareness, suddenly tries to express itself. If we start paying attention to what is trying to happen rather than to what we think should happen, we open the door to self-discovery and creativity. Sometimes what we regard as "mistakes" in self-expression are in fact treasures. The book is rich with real-life stories, ideas, and practical techniques for unlocking creativity, which Arye dispenses with humor, insight, and enthusiasm.
Publisher: Hampton Roads Publishing
ISBN: 1612832903
Category : Self-Help
Languages : en
Pages : 264
Book Description
The last time you whistled a tune or hummed a song-why did you choose that one? You may not consider yourself a musical person, but your little act of unintended music may be the key to unlocking within you a wealth of unsuspected creativity-a kind of creativity that goes way beyond music, too. Lane Arye, PhD, a musician himself, focuses on the music that people do not intend to make. Using the highly regarded psychological model called Process Work, developed by Arnold Mindell, PhD, Arye has been teaching students around the world how to awaken their creativity, using music as the starting point, but including all art forms and ways of expression. The unintentional appears at moments when some hidden part of us, something beyond our usual awareness, suddenly tries to express itself. If we start paying attention to what is trying to happen rather than to what we think should happen, we open the door to self-discovery and creativity. Sometimes what we regard as "mistakes" in self-expression are in fact treasures. The book is rich with real-life stories, ideas, and practical techniques for unlocking creativity, which Arye dispenses with humor, insight, and enthusiasm.
Tone Deaf and All Thumbs?
Author: Frank R. Wilson
Publisher: Vintage
ISBN: 9780394753546
Category : Music
Languages : en
Pages : 228
Book Description
This blend of anecdote and scientific analysis is an absorbing study of our innate musical abilities, for both the adult beginner and the serious listener. Anyone who is either a professional or an amateur musician should find instruction and support in this book.
Publisher: Vintage
ISBN: 9780394753546
Category : Music
Languages : en
Pages : 228
Book Description
This blend of anecdote and scientific analysis is an absorbing study of our innate musical abilities, for both the adult beginner and the serious listener. Anyone who is either a professional or an amateur musician should find instruction and support in this book.