Music of the Ottoman Court PDF Download
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Author: Walter Feldman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 568
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Book Description
Author: Walter Feldman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 568
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Book Description
Author: Maureen Jackson
Publisher: Stanford University Press
ISBN: 080478566X
Category : Religion
Languages : en
Pages : 273
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Book Description
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Author: Emine Fetvacı
Publisher: Indiana University Press
ISBN: 0253006783
Category : Art
Languages : en
Pages : 332
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Book Description
Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change
Author: Vedat Kosal
Publisher:
ISBN: 9789759403904
Category : Music
Languages : tr
Pages : 96
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Book Description
Author: Martin Greve
Publisher:
ISBN: 9783956500947
Category :
Languages : en
Pages : 270
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Book Description
Author: Leslie Peirce
Publisher: Univ of California Press
ISBN: 0520228928
Category : History
Languages : en
Pages : 491
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Book Description
Leslie Peirce uses the experience of a village in 16th century Anatolia as a lens to reinterpret major themes in the history of the Ottoman Empire: the conflict between the expanding Ottoman and declining Persian empires, the place of women in Ottoman society, and the clash between Sunni and Shi'a Islam.
Author: Denise Gill
Publisher: Oxford University Press
ISBN: 0190495014
Category : Art
Languages : en
Pages : 289
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Book Description
Denise Gill analyzes how the melancholies intentionally cultivated by Turkish classical musicians, typically dismissed as the remnants of Ottoman nostalgia, emerge as reparative, pleasurable, and spiritually redeeming. Melancholic Modalities intervenes in debates about music and affect, and offers new, innovative methodologies of rhizomatic analysis and bi-aurality for researchers.
Author: Boğaç A. Ergene
Publisher: BRILL
ISBN: 9789004126091
Category : Religion
Languages : en
Pages : 262
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Book Description
This book studies the functions and responsibilities of Islamic courts and explores the processes of adjudication and dispute resolution in the context of the late seventeenth- and early eighteenth-century Ottoman Anatolia.
Author: Esin Atıl
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : tr
Pages : 280
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Book Description
The Suleymanname is an imperial illuminated manuscript, housed in the Topkapi Museum in Istanbul. It was commissioned by the Sultan Suleyman I, who reigned from 1520 to 1566, when the Ottoman Empire was at its zenith. This facsimile edition is printed in four colours plus gold, and in tritone.
Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 0804799652
Category : History
Languages : en
Pages : 505
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Book Description
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
