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Author: Giulio Cattin
Publisher: Cambridge University Press
ISBN: 9780521284899
Category : History
Languages : en
Pages : 260
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Book Description
A unique history of the vast repertory of monophonic music of the Middle Ages.
Author: Giulio Cattin
Publisher: Cambridge University Press
ISBN: 9780521284899
Category : History
Languages : en
Pages : 260
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Book Description
A unique history of the vast repertory of monophonic music of the Middle Ages.
Author: David Fenwick Wilson
Publisher: New York : Schirmer Books ; Toronto : Collier Macmillan Canada
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphony.--From publisher description.
Author: Suzanne Lord
Publisher: Bloomsbury Publishing USA
ISBN: 0313083681
Category : Music
Languages : en
Pages : 216
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Book Description
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.
Author: John Haines
Publisher: Routledge
ISBN: 1135927693
Category : History
Languages : en
Pages : 248
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Book Description
This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.
Author: Tess Knighton
Publisher: Boydell & Brewer
ISBN: 1783275561
Category : Conductus
Languages : en
Pages : 511
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Book Description
Essays on important topics in early music.
Author: TimothyJ. McGee
Publisher: Routledge
ISBN: 135156272X
Category : Music
Languages : en
Pages : 556
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Book Description
This is a collection of twenty-nine of the most influential articles and papers about medieval musical instruments and their repertory. The authors discuss the construction of the instruments, their playing technique, the occasions for which they performed and their repertory. Taken as a whole, they paint a very broad, as well as detailed, picture of instrumental performance during the medieval period.
Author: Harold Gleason
Publisher: Alfred Music Publishing
ISBN: 9780882843797
Category : Music
Languages : en
Pages : 226
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Book Description
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
Author: Jeremy Yudkin
Publisher: Oxford University Press, USA
ISBN: 9780190206123
Category : Music
Languages : en
Pages : 0
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Book Description
Combines a complete history and score anthology for students of medieval music, Music in Medieval Europe combines a cultural history of the Middle Ages and in-depth scholarship on the music and leading composers active during the period. The text includes an integrated anthology of key works with approachable and enlightening explanations, making it easily accessible to both beginning and advanced students. Its chronological organization, broad scope, and detailed music analyses makes Music in Medieval Europe an ideal introductory text. Features, Covers the major composers, musical styles, and works of the medieval period, An in-text anthology features all of the major works, eliminating the need for a separate purchase, A wide variety of source materials, all translated by Jeremy Yudkin, offers fresh interpretations of classic works, Illustrations of source manuscripts and artwork provide added context Book jacket.
Author: Carl Parrish
Publisher: Courier Corporation
ISBN: 0486171450
Category : Music
Languages : en
Pages : 352
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Book Description
Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
Author: E. Upton
Publisher: Springer
ISBN: 1137310073
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.
