Author: Shaun Hamill
Publisher: Tor Nightfire
ISBN: 1250798876
Category : Fiction
Languages : en
Pages : 16
Book Description
Music of the Abyss
Author: Shaun Hamill
Publisher: Tor Nightfire
ISBN: 1250798876
Category : Fiction
Languages : en
Pages : 16
Book Description
Publisher: Tor Nightfire
ISBN: 1250798876
Category : Fiction
Languages : en
Pages : 16
Book Description
Black Metal, Trauma, Subjectivity and Sound
Author: Jasmine Hazel Shadrack
Publisher: Emerald Group Publishing
ISBN: 178756925X
Category : Music
Languages : en
Pages : 252
Book Description
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing power of performance.
Publisher: Emerald Group Publishing
ISBN: 178756925X
Category : Music
Languages : en
Pages : 252
Book Description
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom. Drawing on her many years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny and the healing power of performance.
My Bright Abyss
Author: Christian Wiman
Publisher: Macmillan
ISBN: 0374216789
Category : Biography & Autobiography
Languages : en
Pages : 194
Book Description
A passionate meditation on the consolations and disappointments of religion and poetry
Publisher: Macmillan
ISBN: 0374216789
Category : Biography & Autobiography
Languages : en
Pages : 194
Book Description
A passionate meditation on the consolations and disappointments of religion and poetry
Of the Abyss
Author: Amelia Atwater-Rhodes
Publisher: HarperCollins
ISBN: 0062562134
Category : Fiction
Languages : en
Pages : 355
Book Description
After decades of strife, peace has finally been achieved in Kavet—but at a dark cost. Sorcery is outlawed, and anyone convicted of consorting with the beings of the other realms—the Abyssi and the Numini—is put to death. The only people who can even discuss such topics legally are the scholars of the Order of the Napthol, who give counsel when questions regarding the supernatural planes arise. Hansa Viridian, a captain in the elite guard unit tasked with protecting Kavet from sorcery, has always led a respectable life. But when he is implicated in a sorcerer’s crimes, the only way to avoid execution is to turn to the Abyss for help—specifically, to a half-Abyssi man he’s sworn he hates, but whose physical attraction he cannot deny. Hansa is only the first victim in a plot that eventually drags him, a sorcerer named Xaz, and a Sister of the Napthol named Cadmia into the depths of the Abyss, where their only hope of escape is to complete an infernal task that might cost them their lives.
Publisher: HarperCollins
ISBN: 0062562134
Category : Fiction
Languages : en
Pages : 355
Book Description
After decades of strife, peace has finally been achieved in Kavet—but at a dark cost. Sorcery is outlawed, and anyone convicted of consorting with the beings of the other realms—the Abyssi and the Numini—is put to death. The only people who can even discuss such topics legally are the scholars of the Order of the Napthol, who give counsel when questions regarding the supernatural planes arise. Hansa Viridian, a captain in the elite guard unit tasked with protecting Kavet from sorcery, has always led a respectable life. But when he is implicated in a sorcerer’s crimes, the only way to avoid execution is to turn to the Abyss for help—specifically, to a half-Abyssi man he’s sworn he hates, but whose physical attraction he cannot deny. Hansa is only the first victim in a plot that eventually drags him, a sorcerer named Xaz, and a Sister of the Napthol named Cadmia into the depths of the Abyss, where their only hope of escape is to complete an infernal task that might cost them their lives.
The Abyss
Author: Eli Avidar
Publisher: Rowman & Littlefield
ISBN: 1442245484
Category : Political Science
Languages : en
Pages : 225
Book Description
Eli Avidar looks into the abyss that divides Israel from its Arab neighbors, in order to understand the inherent flaws, prevailing misunderstandings, and tragic mistakes that characterize the relations and bloodletting, and how, if at all possible, to bridge the differences. In doing so, he offers a new perspective about the reality of the Middle East and all the clichés that have transformed the Hebrew-Arab lexicon into a complex and hopeless minefield. It raises the question of whether the ongoing violent conflict between Israel and its neighbors might also be the result of a serious short circuit in communications. Is it possible that Israel, which has invested efforts and resources in knowing its adversaries, never even bothered to properly understand their language and their culture? Is it possible that Israeli leaders, who made their way to the top through the military and were privileged to know the most deeply hidden intelligence secrets, never learned to send messages of peace and reconciliation that the other side could respect and understand? Spanning six decades, the book explains why the main diplomatic initiatives have so far failed to solve the Israel-Palestinian conflict, and what needs to be done to break out of the vicious circle of ignorance and mutual suspicion that characterizes the conflict. Avidar uses his experience as diplomatic advisor to former foreign minister Ariel Sharon and as head of Israel’s representative office in Qatar to reveal secret diplomatic meetings as well as the dynamics of the unique and complex diplomacy of the Middle East. He also tells about the activities of the 504 division of the Israel Defense Forces Intelligence Unit, in which he served as an operator of agents.
Publisher: Rowman & Littlefield
ISBN: 1442245484
Category : Political Science
Languages : en
Pages : 225
Book Description
Eli Avidar looks into the abyss that divides Israel from its Arab neighbors, in order to understand the inherent flaws, prevailing misunderstandings, and tragic mistakes that characterize the relations and bloodletting, and how, if at all possible, to bridge the differences. In doing so, he offers a new perspective about the reality of the Middle East and all the clichés that have transformed the Hebrew-Arab lexicon into a complex and hopeless minefield. It raises the question of whether the ongoing violent conflict between Israel and its neighbors might also be the result of a serious short circuit in communications. Is it possible that Israel, which has invested efforts and resources in knowing its adversaries, never even bothered to properly understand their language and their culture? Is it possible that Israeli leaders, who made their way to the top through the military and were privileged to know the most deeply hidden intelligence secrets, never learned to send messages of peace and reconciliation that the other side could respect and understand? Spanning six decades, the book explains why the main diplomatic initiatives have so far failed to solve the Israel-Palestinian conflict, and what needs to be done to break out of the vicious circle of ignorance and mutual suspicion that characterizes the conflict. Avidar uses his experience as diplomatic advisor to former foreign minister Ariel Sharon and as head of Israel’s representative office in Qatar to reveal secret diplomatic meetings as well as the dynamics of the unique and complex diplomacy of the Middle East. He also tells about the activities of the 504 division of the Israel Defense Forces Intelligence Unit, in which he served as an operator of agents.
Facing the Abyss
Author: George Hutchinson
Publisher: Columbia University Press
ISBN: 0231545967
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
Mythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.
Publisher: Columbia University Press
ISBN: 0231545967
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
Mythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.
The Music of Theology
Author: Andrew Hass
Publisher: Taylor & Francis
ISBN: 1003852246
Category : Religion
Languages : en
Pages : 130
Book Description
This book reconceives theology as a musical endeavour in critical tension with language, space and silence. An Overture first moves us from music to religion, and then from theology back to music – a circularity that, drawing upon history, sociology, phenomenology, and philosophy, disclaims any theology of music and instead pursues the music in theology. The chapters that follow explore the three central themes by way of theory, music and myth: Adorno, Benjamin and Deleuze (language), Derrida, Rosa and Nancy (space), Schelling/Hegel, Homer and Cage (silence). In overdubbing each other, these chapters work towards theology as a sonorous rhythm between loss and freedom. A Coda provides three brief musical examples – Thomas Tallis, György Ligeti, and Evan Parker – as manifestations of this rhythm, to show in summary how music becomes the very pulse of theology, and theology the very intuition of music. The authors offer an interdisciplinary engagement addressing fundamental questions of the self and the other, of humanity and the divine, in a deconstruction of modern culture and of its bias towards the eye over the ear. The book harmonizes three scholarly voices who attempt to find where the resonance of our Western conceptions and practice, musically and theologically, might resound anew as a more expansive music of theology.
Publisher: Taylor & Francis
ISBN: 1003852246
Category : Religion
Languages : en
Pages : 130
Book Description
This book reconceives theology as a musical endeavour in critical tension with language, space and silence. An Overture first moves us from music to religion, and then from theology back to music – a circularity that, drawing upon history, sociology, phenomenology, and philosophy, disclaims any theology of music and instead pursues the music in theology. The chapters that follow explore the three central themes by way of theory, music and myth: Adorno, Benjamin and Deleuze (language), Derrida, Rosa and Nancy (space), Schelling/Hegel, Homer and Cage (silence). In overdubbing each other, these chapters work towards theology as a sonorous rhythm between loss and freedom. A Coda provides three brief musical examples – Thomas Tallis, György Ligeti, and Evan Parker – as manifestations of this rhythm, to show in summary how music becomes the very pulse of theology, and theology the very intuition of music. The authors offer an interdisciplinary engagement addressing fundamental questions of the self and the other, of humanity and the divine, in a deconstruction of modern culture and of its bias towards the eye over the ear. The book harmonizes three scholarly voices who attempt to find where the resonance of our Western conceptions and practice, musically and theologically, might resound anew as a more expansive music of theology.
Music in the Apocalyptic Mode
Author:
Publisher: BRILL
ISBN: 9004537996
Category : Literary Criticism
Languages : en
Pages : 427
Book Description
In this volume, the first panoramic study of music in the apocalyptic mode, an international and trans-disciplinary array of scholars and composers explore the resonance of the ancient biblical Revelation of John across the centuries in musical works as diverse as El Cant de la Sibil·la, the Dies Irae, cantatas and oratorios by Bach and Telemann, Wagner's Der Ring des Nibelungen, Schoenberg’s Second String Quartet, African American Spirituals, Messiaen’s Quatuor pour la fin du temps, Christian “ApokRock,” Hip-hop, Grimes’s album Miss Anthropocene, and the songs of Bob Marley and Bob Dylan. This innovative volume will engage scholars, students, and all those interested in the intersection of music, religion, history, and popular culture.
Publisher: BRILL
ISBN: 9004537996
Category : Literary Criticism
Languages : en
Pages : 427
Book Description
In this volume, the first panoramic study of music in the apocalyptic mode, an international and trans-disciplinary array of scholars and composers explore the resonance of the ancient biblical Revelation of John across the centuries in musical works as diverse as El Cant de la Sibil·la, the Dies Irae, cantatas and oratorios by Bach and Telemann, Wagner's Der Ring des Nibelungen, Schoenberg’s Second String Quartet, African American Spirituals, Messiaen’s Quatuor pour la fin du temps, Christian “ApokRock,” Hip-hop, Grimes’s album Miss Anthropocene, and the songs of Bob Marley and Bob Dylan. This innovative volume will engage scholars, students, and all those interested in the intersection of music, religion, history, and popular culture.
Queen of the Abyss
Author: Mike Ashley
Publisher: Tales of the Weird
ISBN: 9780712353915
Category : English fiction
Languages : en
Pages : 0
Book Description
It is too often accepted that during the 19th and early 20th centuries it was the male writers who developed and pushed the boundaries of the weird tale, with women writers following in their wake--but this is far from the truth. This new anthology follows the instrumental contributions made by women writers to the weird tale, and revives the lost authors of the early pulp magazines along with the often overlooked work of more familiar authors. See the darker side of The Secret Garden author Frances Hodgson Burnett and the sensitively-drawn nightmares of Marie Corelli and Violet Quirk. Hear the captivating voices of Weird Tales magazine contributors Sophie Wenzel Ellis, Greye La Spina, and Margaret St Clair, and bow down to the sensational, surreal, and challenging writers who broke down the barriers of the day. Featuring material never before republished, from the abyssal depths of the British Library vaults.
Publisher: Tales of the Weird
ISBN: 9780712353915
Category : English fiction
Languages : en
Pages : 0
Book Description
It is too often accepted that during the 19th and early 20th centuries it was the male writers who developed and pushed the boundaries of the weird tale, with women writers following in their wake--but this is far from the truth. This new anthology follows the instrumental contributions made by women writers to the weird tale, and revives the lost authors of the early pulp magazines along with the often overlooked work of more familiar authors. See the darker side of The Secret Garden author Frances Hodgson Burnett and the sensitively-drawn nightmares of Marie Corelli and Violet Quirk. Hear the captivating voices of Weird Tales magazine contributors Sophie Wenzel Ellis, Greye La Spina, and Margaret St Clair, and bow down to the sensational, surreal, and challenging writers who broke down the barriers of the day. Featuring material never before republished, from the abyssal depths of the British Library vaults.
Into The Never
Author: Adam Steiner
Publisher: Rowman & Littlefield
ISBN: 1493050664
Category : Music
Languages : en
Pages : 295
Book Description
Ushering in a new era of confessional music that spoke openly about experiences of trauma, depression, and self-loathing, Nine Inch Nails' seminal album, The Downward Spiral, changed popular music forever—bringing transgressive themes of heresy, S&M, and body horror to the masses and taking music technology to its limits. Released in 1994, the album resonated across a generation, combining elements of metal, industrial, synth-pop, and ambient electronica, and going on to sell over four million copies. Now, Into the Never explores the creation and cultural impact of The Downward Spiral, one of the most influential and artistically significant albums of the twentieth century. Inspired by David Bowie's Low and Pink Floyd's The Wall, the album recounts one man's disintegration as he descends into nihilism and nothingness. Blurring the lines between autobiography and concept album, creation and decay, it is also the story of Trent Reznor (who is Nine Inch Nails) as he pushed himself to the edge of the abyss, trapped in a cycle of addiction and self-destruction. The Downward Spiral also presents a reflection of America and a wider culture of violence, connecting the Columbine High School shooting, the infamous Manson family murders, and the aftermath of Vietnam and the Gulf War. Featuring new interviews with collaborators and artists inspired by the album, Into the Never sets The Downward Spiral in the context of music of the era and brings the story up to date, from Reznor's recovery to his reinvention as an Oscar-winning soundtrack artist.
Publisher: Rowman & Littlefield
ISBN: 1493050664
Category : Music
Languages : en
Pages : 295
Book Description
Ushering in a new era of confessional music that spoke openly about experiences of trauma, depression, and self-loathing, Nine Inch Nails' seminal album, The Downward Spiral, changed popular music forever—bringing transgressive themes of heresy, S&M, and body horror to the masses and taking music technology to its limits. Released in 1994, the album resonated across a generation, combining elements of metal, industrial, synth-pop, and ambient electronica, and going on to sell over four million copies. Now, Into the Never explores the creation and cultural impact of The Downward Spiral, one of the most influential and artistically significant albums of the twentieth century. Inspired by David Bowie's Low and Pink Floyd's The Wall, the album recounts one man's disintegration as he descends into nihilism and nothingness. Blurring the lines between autobiography and concept album, creation and decay, it is also the story of Trent Reznor (who is Nine Inch Nails) as he pushed himself to the edge of the abyss, trapped in a cycle of addiction and self-destruction. The Downward Spiral also presents a reflection of America and a wider culture of violence, connecting the Columbine High School shooting, the infamous Manson family murders, and the aftermath of Vietnam and the Gulf War. Featuring new interviews with collaborators and artists inspired by the album, Into the Never sets The Downward Spiral in the context of music of the era and brings the story up to date, from Reznor's recovery to his reinvention as an Oscar-winning soundtrack artist.