Essential Dictionary of Music Notation (Pocket Size Book) PDF Download
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Author:
Publisher: Alfred Music Publishing
ISBN: 9781457410710
Category : Music
Languages : en
Pages : 372
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Book Description
This pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. A most welcome and beneficial source for every musician, whether using a pencil or a computer.
Author:
Publisher: Alfred Music Publishing
ISBN: 9781457410710
Category : Music
Languages : en
Pages : 372
Get Book Here
Book Description
This pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. A most welcome and beneficial source for every musician, whether using a pencil or a computer.
Author: Michael C. Thomsett
Publisher: McFarland
ISBN: 1476615268
Category : Music
Languages : en
Pages : 288
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Book Description
Noted lexicographer Thomsett here dissects more than 1,400 terms, a buttula to zither, with clarity and precision; 383 high quality original illustrations render concepts that make verbal explanation difficult. Fully cross referenced, this dictionary is an authoritative source for researchers, musicologists, professional musicians, teachers and students of music, and educated members of the public. The richly detailed and comprehensive dictionary proper is followed by a five-language glossary of instruments. An illustrated notation guide provides identification of symbols used in musical scores. The final section comprehensively covers scales, keys and chords.
Author: Karl Wilson Gehrkens
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 188
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Book Description
Author: Dave Black
Publisher: Alfred Music
ISBN: 1457412993
Category : Music
Languages : en
Pages : 357
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Book Description
At last, an orchestration book tailor-made for the classroom musician on a budget. Any teacher, student or professional musician, whether a composer, orchestrator, arranger, performer or enthusiast will find this thoroughly comprehensive dictionary full of the most needed information on over 150 instruments. Designed for quick and easy reference, the Essential Dictionary of Orchestration includes those much-needed instrument ranges, general characteristics, tone quality descriptions, technical pitfalls, useful scoring tips and much more!
Author: Catherine Schmidt-Jones
Publisher: Orange Grove Texts Plus
ISBN: 9781616100667
Category :
Languages : en
Pages : 0
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Book Description
Author: Kurt Stone
Publisher: W W Norton & Company Incorporated
ISBN: 9780393950533
Category : Music
Languages : en
Pages : 357
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Book Description
In this comprehensive and definitive survey of current notation procedures, Kurt Stone has brought order to a field traditionally fraught with confusion and idiosyncrasy. He not only describes and recommends new methods for notating modern music, thereby establishing standard procedures for the present and future, but integrates them with traditional practices still in use. The result is a guide to all forms of notation used in serious music today.
Author: Jonathan Feist
Publisher: Hal Leonard Corporation
ISBN: 1540013006
Category : Music
Languages : en
Pages : 195
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Book Description
(Berklee Guide). Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's music industry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music.
Author: Catherine Schmidt-Jones
Publisher:
ISBN: 9781680921540
Category : Music
Languages : en
Pages : 278
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Book Description
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.
Author: Mark McGrain
Publisher: Hal Leonard Corporation
ISBN: 1476867054
Category : Music
Languages : en
Pages : 220
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Book Description
(Berklee Methods). Learn the essentials of music notation, from fundamental pitch and rhythm placement to intricate meter and voicing alignments. This book also covers the correct way to subdivide rhythms and notate complex articulations and dynamics. An excellent resource for both written and computer notation software!
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
