Author: Manfred Clynes
Publisher: Springer Science & Business Media
ISBN: 1468489178
Category : Medical
Languages : en
Pages : 431
Book Description
There is much music in our lives -yet we know little about its function. Music is one of man's most remarkable inventions - though possibly it may not be his invention at all: like his capacity for language his capacity for music may be a naturally evolved biologic .function. All cultures and societies have music. Music differs from the sounds of speech and from other sounds, but only now do we find ourselves at the threshold of being able to find out how our brain processes musical sounds differently from other sounds. We are going through an exciting time when these questions and the question of how music moves us are being seriously investigated for the first time from the perspective of the co-ordinated functioning of the organism: the perspective of brain function, motor function as well as perception and experience. There is so much we do not yet know. But the roads to that knowledge are being opened, and the coming years are likely to see much progress towards providing answers and raising new questions. These questions are different from those music theorists have asked themselves: they deal not with the structure of a musical score (although that knowledge is important and necessary) but with music in the flesh: music not outside of man to be looked at from written symbols, but music-man as a living entity or system.
Music, Mind, and Brain
Author: Manfred Clynes
Publisher: Springer Science & Business Media
ISBN: 1468489178
Category : Medical
Languages : en
Pages : 431
Book Description
There is much music in our lives -yet we know little about its function. Music is one of man's most remarkable inventions - though possibly it may not be his invention at all: like his capacity for language his capacity for music may be a naturally evolved biologic .function. All cultures and societies have music. Music differs from the sounds of speech and from other sounds, but only now do we find ourselves at the threshold of being able to find out how our brain processes musical sounds differently from other sounds. We are going through an exciting time when these questions and the question of how music moves us are being seriously investigated for the first time from the perspective of the co-ordinated functioning of the organism: the perspective of brain function, motor function as well as perception and experience. There is so much we do not yet know. But the roads to that knowledge are being opened, and the coming years are likely to see much progress towards providing answers and raising new questions. These questions are different from those music theorists have asked themselves: they deal not with the structure of a musical score (although that knowledge is important and necessary) but with music in the flesh: music not outside of man to be looked at from written symbols, but music-man as a living entity or system.
Publisher: Springer Science & Business Media
ISBN: 1468489178
Category : Medical
Languages : en
Pages : 431
Book Description
There is much music in our lives -yet we know little about its function. Music is one of man's most remarkable inventions - though possibly it may not be his invention at all: like his capacity for language his capacity for music may be a naturally evolved biologic .function. All cultures and societies have music. Music differs from the sounds of speech and from other sounds, but only now do we find ourselves at the threshold of being able to find out how our brain processes musical sounds differently from other sounds. We are going through an exciting time when these questions and the question of how music moves us are being seriously investigated for the first time from the perspective of the co-ordinated functioning of the organism: the perspective of brain function, motor function as well as perception and experience. There is so much we do not yet know. But the roads to that knowledge are being opened, and the coming years are likely to see much progress towards providing answers and raising new questions. These questions are different from those music theorists have asked themselves: they deal not with the structure of a musical score (although that knowledge is important and necessary) but with music in the flesh: music not outside of man to be looked at from written symbols, but music-man as a living entity or system.
The Mind and the Machine
Author: Matthew T. Dickerson
Publisher: Wipf and Stock Publishers
ISBN: 149820385X
Category : Philosophy
Languages : en
Pages : 229
Book Description
Are humans just complex biochemical machines, mere physical parts of a causally closed materialist universe? Are we approaching the so-called "Singularity" when human consciousness can (and will) be downloaded into computers? Or is there more to the human person--something that might be known as soul or spirit? As this book makes clear, the answers to these questions have profound implications to topics such as heroism, creativity, ecology, and the possibility of reason and science. In exploring this important topic, Dickerson engages the ideas of some well-known twentieth- and twenty-first-century espousers of physicalism, including philosopher Daniel Dennett (Consciousness Explained), biologist Richard Dawkins (The God Delusion), futurist-engineer Raymond Kurzweil (The Age of Spiritual Machines), psychologist B. F. Skinner (Beyond Freedom and Dignity), and mathematician-philosopher Bertrand Russell (Why I Am Not a Christian). Through a careful reading of their works, Dickerson not only provides a five-fold critique of physicalism, but also offers a Christian alternative in the form of "integrative dualism," which affirms the existence of both a physical and spiritual reality without diminishing the goodness or importance of either, and acknowledges that humans are spiritual as well as bodily persons.
Publisher: Wipf and Stock Publishers
ISBN: 149820385X
Category : Philosophy
Languages : en
Pages : 229
Book Description
Are humans just complex biochemical machines, mere physical parts of a causally closed materialist universe? Are we approaching the so-called "Singularity" when human consciousness can (and will) be downloaded into computers? Or is there more to the human person--something that might be known as soul or spirit? As this book makes clear, the answers to these questions have profound implications to topics such as heroism, creativity, ecology, and the possibility of reason and science. In exploring this important topic, Dickerson engages the ideas of some well-known twentieth- and twenty-first-century espousers of physicalism, including philosopher Daniel Dennett (Consciousness Explained), biologist Richard Dawkins (The God Delusion), futurist-engineer Raymond Kurzweil (The Age of Spiritual Machines), psychologist B. F. Skinner (Beyond Freedom and Dignity), and mathematician-philosopher Bertrand Russell (Why I Am Not a Christian). Through a careful reading of their works, Dickerson not only provides a five-fold critique of physicalism, but also offers a Christian alternative in the form of "integrative dualism," which affirms the existence of both a physical and spiritual reality without diminishing the goodness or importance of either, and acknowledges that humans are spiritual as well as bodily persons.
Musical Networks
Author: Niall Griffith
Publisher: MIT Press
ISBN: 9780262071819
Category : Music
Languages : en
Pages : 422
Book Description
This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution. The collection combines journal papers on connectionist modeling, cognitive science, and music perception with new papers solicited for this volume. It also contains an extensive bibliography of related work. Contributors Shumeet Baluja, M.I. Bellgard, Michael A. Casey, Garrison W. Cottrell, Peter Desain, Robert O. Gjerdingen, Mike Greenhough, Niall Griffith, Stephen Grossberg, Henkjan Honing, Todd Jochem, Bruce F. Katz, John F. Kolen, Edward W. Large, Michael C. Mozer, Michael P.A. Page, Caroline Palmer, Jordan B. Pollack, Dean Pomerleau, Stephen W. Smoliar, Ian Taylor, Peter M. Todd, C.P. Tsang, Gregory M. Werner
Publisher: MIT Press
ISBN: 9780262071819
Category : Music
Languages : en
Pages : 422
Book Description
This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution. The collection combines journal papers on connectionist modeling, cognitive science, and music perception with new papers solicited for this volume. It also contains an extensive bibliography of related work. Contributors Shumeet Baluja, M.I. Bellgard, Michael A. Casey, Garrison W. Cottrell, Peter Desain, Robert O. Gjerdingen, Mike Greenhough, Niall Griffith, Stephen Grossberg, Henkjan Honing, Todd Jochem, Bruce F. Katz, John F. Kolen, Edward W. Large, Michael C. Mozer, Michael P.A. Page, Caroline Palmer, Jordan B. Pollack, Dean Pomerleau, Stephen W. Smoliar, Ian Taylor, Peter M. Todd, C.P. Tsang, Gregory M. Werner
Music, Mind, and Embodiment
Author: Richard Kronland-Martinet
Publisher: Springer
ISBN: 3319462822
Category : Computers
Languages : en
Pages : 492
Book Description
This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.
Publisher: Springer
ISBN: 3319462822
Category : Computers
Languages : en
Pages : 492
Book Description
This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.
The Artist in the Machine
Author: Arthur I. Miller
Publisher: MIT Press
ISBN: 0262042851
Category : Computers
Languages : en
Pages : 429
Book Description
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends. But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.
Publisher: MIT Press
ISBN: 0262042851
Category : Computers
Languages : en
Pages : 429
Book Description
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends. But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.
Music: A Mathematical Offering
Author: Dave Benson
Publisher: Cambridge University Press
ISBN: 0521853877
Category : Mathematics
Languages : en
Pages : 426
Book Description
This book explores the interaction between music and mathematics including harmony, symmetry, digital music and perception of sound.
Publisher: Cambridge University Press
ISBN: 0521853877
Category : Mathematics
Languages : en
Pages : 426
Book Description
This book explores the interaction between music and mathematics including harmony, symmetry, digital music and perception of sound.
Music, Mind and Machine
Author: Peter Desain
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
Book Description
Are You a Machine?
Author: Eliezer J. Sternberg
Publisher: Rlpg/Galleys
ISBN:
Category : Philosophy
Languages : en
Pages : 180
Book Description
Right now, someone in an artificial intelligence lab is fusing silicon circuitry in an attempt to engineer the human mind. In a hospital, a neurosurgeon is attempting to influence a patient's emotions by firing electrical impulses into his brain. In a classroom, a teacher is explaining how neurons in the brain interact to generate thoughts, feelings, and decisions. The question of where consciousness comes from and how it works is likely the greatest mystery we face. Despite progress in our knowledge of the brain, we still don't know how it allows us to do things like enjoy a sunset, solve a math problem, or use our imagination. For those of us who have ever thought about issues of the mind or free will, these developments pose provocative questions. What would happen if those mysterious processes could be understood? Would a scientist be able to know everything about our minds just from studying the systems in our brains? Could he predict how we will think and act? After all, the brain is an organ just like the heart or stomach, and scientists can figure out when the heart will beat and when the stomach will release bile. If such a thing could be accomplished, would that make me a machine? There are those who approach this question from a technological perspective. Someday, an engineer might be able to build a robot with my memories, opinions, and behavior. Would that make me a machine? This concise, lucid primer on neuroscience and philosophy of mind takes the reader to the very depths of the mystery of consciousness, exploring it through the eyes of key philosophers, neuroscientists, and technologists. Avoiding jargon and oversimplification, author Eliezer J. Sternberg illuminates baffling questions of the brain, mind, and what it means to be human.
Publisher: Rlpg/Galleys
ISBN:
Category : Philosophy
Languages : en
Pages : 180
Book Description
Right now, someone in an artificial intelligence lab is fusing silicon circuitry in an attempt to engineer the human mind. In a hospital, a neurosurgeon is attempting to influence a patient's emotions by firing electrical impulses into his brain. In a classroom, a teacher is explaining how neurons in the brain interact to generate thoughts, feelings, and decisions. The question of where consciousness comes from and how it works is likely the greatest mystery we face. Despite progress in our knowledge of the brain, we still don't know how it allows us to do things like enjoy a sunset, solve a math problem, or use our imagination. For those of us who have ever thought about issues of the mind or free will, these developments pose provocative questions. What would happen if those mysterious processes could be understood? Would a scientist be able to know everything about our minds just from studying the systems in our brains? Could he predict how we will think and act? After all, the brain is an organ just like the heart or stomach, and scientists can figure out when the heart will beat and when the stomach will release bile. If such a thing could be accomplished, would that make me a machine? There are those who approach this question from a technological perspective. Someday, an engineer might be able to build a robot with my memories, opinions, and behavior. Would that make me a machine? This concise, lucid primer on neuroscience and philosophy of mind takes the reader to the very depths of the mystery of consciousness, exploring it through the eyes of key philosophers, neuroscientists, and technologists. Avoiding jargon and oversimplification, author Eliezer J. Sternberg illuminates baffling questions of the brain, mind, and what it means to be human.
Music
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 207
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 207
Book Description
Music, Mind and Structure
Author: Eric Clarke
Publisher: Taylor & Francis
ISBN: 9783718648795
Category : Music
Languages : en
Pages : 252
Book Description
First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9783718648795
Category : Music
Languages : en
Pages : 252
Book Description
First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.