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Author: Nick Wilson
Publisher: Oxford University Press, USA
ISBN: 0199939934
Category : Music
Languages : en
Pages : 314
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Book Description
Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Author: Nick Wilson
Publisher: Oxford University Press, USA
ISBN: 0199939934
Category : Music
Languages : en
Pages : 314
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Book Description
Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Author: Raphaël Nowak
Publisher: Springer
ISBN: 1137492562
Category : Music
Languages : en
Pages : 150
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Book Description
This book addresses the issue of music consumption in the digital era of technologies. It explores how individuals use music in the context of their everyday lives and how, in return, music acquires certain roles within everyday contexts and more broadly in their life narratives.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
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Book Description
Author: KatherineA. McIver
Publisher: Routledge
ISBN: 1351575686
Category : Music
Languages : en
Pages : 459
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Book Description
The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.
Author: Andrew Ford
Publisher: Black Inc.
ISBN: 1921870214
Category : Music
Languages : en
Pages : 304
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Book Description
Listen. What do you hear? We are surrounded by sounds all the time, but we tend not to hear them; our brains are very good at editing what our ears pick up. If we stop for a moment to listen, there they are: the ticking clock, traffic noise, fragments of conversation, a passing plane. These are examples of what the American composer John Cage called “illegal harmony”. In response to the noisiest century in history, modern composers have consistently flown in the face of musical orthodoxy. As technology has changed at an unprecedented rate, so have musical styles – sometimes to the dismay of audiences and critics. In Illegal Harmonies, Andrew Ford charts the course of music in the concert hall and opera house over the last hundred years, linking it to developments in literature, theatre, cinema and the visual arts, and to popular music from Irving Berlin to the Beatles to rap. The result is a stimulating, provocative and informative cultural history. This revised third edition includes a new preface and extended epilogue, bringing the story into the twenty-first century. "Modern audiences need to learn how to listen and Andrew Ford might be just the man to do the teaching." - Australian Financial Review
Author: Anselm Hughes
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author: Paul Manning
Publisher: Routledge
ISBN: 113401211X
Category : Self-Help
Languages : en
Pages : 291
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Book Description
The use of illegal drugs is so common that a number of commentators now refer to the 'normalisation' of drug consumption. It is surprising, then, that to date very little academic work has explored drug use as part of contemporary popular culture. This collection of readings will apply an innovatory, multi-disciplinary approach to this theme, combining some of the most recent research on'the normalisation thesis'with fresh work on the relationship between drug use and popular culture. In drawing upon criminological, sociological and cultural studies approaches, this book will make an important contribution to the newly emerging field positioned at the intersection of these disciplines. The particular focus of the book is upon drug consumption as popular culture. It aims to provide an accessible collection of chapters and readings that will explore drug use in popular culture in a way that is relevant to undergraduates and postgraduates studying a variety of courses, including criminology, sociology, media studies, health care and social work. -- Publisher description.
Author: Marc Rotenberg
Publisher: New Press, The
ISBN: 1620971089
Category : Law
Languages : en
Pages : 210
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Book Description
The threats to privacy are well known: the National Security Agency tracks our phone calls; Google records where we go online and how we set our thermostats; Facebook changes our privacy settings when it wishes; Target gets hacked and loses control of our credit card information; our medical records are available for sale to strangers; our children are fingerprinted and their every test score saved for posterity; and small robots patrol our schoolyards and drones may soon fill our skies. The contributors to this anthology don't simply describe these problems or warn about the loss of privacy—they propose solutions. They look closely at business practices, public policy, and technology design, and ask, “Should this continue? Is there a better approach?” They take seriously the dictum of Thomas Edison: “What one creates with his hand, he should control with his head.” It's a new approach to the privacy debate, one that assumes privacy is worth protecting, that there are solutions to be found, and that the future is not yet known. This volume will be an essential reference for policy makers and researchers, journalists and scholars, and others looking for answers to one of the biggest challenges of our modern day. The premise is clear: there's a problem—let's find a solution.
Author: Gesa zur Nieden
Publisher: transcript Verlag
ISBN: 3839435048
Category : History
Languages : en
Pages : 429
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Book Description
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
Author: Peter Pesic
Publisher: MIT Press
ISBN: 0262543907
Category : Music
Languages : en
Pages : 357
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Book Description
A wide-ranging exploration of how music has influenced science through the ages, from fifteenth-century cosmology to twentieth-century string theory. In the natural science of ancient Greece, music formed the meeting place between numbers and perception; for the next two millennia, Pesic tells us in Music and the Making of Modern Science, “liberal education” connected music with arithmetic, geometry, and astronomy within a fourfold study, the quadrivium. Peter Pesic argues provocatively that music has had a formative effect on the development of modern science—that music has been not just a charming accompaniment to thought but a conceptual force in its own right. Pesic explores a series of episodes in which music influenced science, moments in which prior developments in music arguably affected subsequent aspects of natural science. He describes encounters between harmony and fifteenth-century cosmological controversies, between musical initiatives and irrational numbers, between vibrating bodies and the emergent electromagnetism. He offers lively accounts of how Newton applied the musical scale to define the colors in the spectrum; how Euler and others applied musical ideas to develop the wave theory of light; and how a harmonium prepared Max Planck to find a quantum theory that reengaged the mathematics of vibration. Taken together, these cases document the peculiar power of music—its autonomous force as a stream of experience, capable of stimulating insights different from those mediated by the verbal and the visual. An innovative e-book edition available for iOS devices will allow sound examples to be played by a touch and shows the score in a moving line.
