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Author: Jean Ngoya Kidula
Publisher: Indiana University Press
ISBN: 025300702X
Category : Music
Languages : en
Pages : 318
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Book Description
“The book contains an excellent mix of deep personal understanding of the culture and copious documentation.” —Eric Charry, Wesleyan University This sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings. The book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website. “The archival and ethnographic research is outstanding, the accounts of mission history, and then the musical explanations of a variety of forms of change that have accompanied mission intervention, the incursion of forms of modernity, and globalization at large are compelling and unparalleled.” —Carol Muller, University of Pennsylvania “Explores contemporary African music through the prism of ethnographies through the people’s engagement of Christianity as a unifying ideology in the context of history, modernity, nationalisms and globalisation.” —Journal of Modern African Studies “The meticulous and sometimes highly sophisticated musical analyses, transcriptions, and the rich historical and ethnographic perspectives illuminate not only ongoing discourses and contestations of syncretism and related analytical notions, they also represent a plausible model of a balanced approach to ethnomusicology.” ?International Journal of African Historical Studies “An essential text for thinking about world Christianities, because it approaches a particular African Christianity from both insider and outsider perspectives.” —Global Forum on Arts and Christian Faith
Author: Jean Ngoya Kidula
Publisher: Indiana University Press
ISBN: 025300702X
Category : Music
Languages : en
Pages : 318
Get Book Here
Book Description
“The book contains an excellent mix of deep personal understanding of the culture and copious documentation.” —Eric Charry, Wesleyan University This sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings. The book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website. “The archival and ethnographic research is outstanding, the accounts of mission history, and then the musical explanations of a variety of forms of change that have accompanied mission intervention, the incursion of forms of modernity, and globalization at large are compelling and unparalleled.” —Carol Muller, University of Pennsylvania “Explores contemporary African music through the prism of ethnographies through the people’s engagement of Christianity as a unifying ideology in the context of history, modernity, nationalisms and globalisation.” —Journal of Modern African Studies “The meticulous and sometimes highly sophisticated musical analyses, transcriptions, and the rich historical and ethnographic perspectives illuminate not only ongoing discourses and contestations of syncretism and related analytical notions, they also represent a plausible model of a balanced approach to ethnomusicology.” ?International Journal of African Historical Studies “An essential text for thinking about world Christianities, because it approaches a particular African Christianity from both insider and outsider perspectives.” —Global Forum on Arts and Christian Faith
Author: Roberta Rose King
Publisher: Baylor University Press
ISBN: 1602580227
Category : Church music
Languages : en
Pages : 206
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Book Description
Furthermore, they extract useful lessons for fostering faith communities around the globe.
Author: Mwenda Ntarangwi
Publisher: University of Illinois Press
ISBN: 0252098269
Category : Social Science
Languages : en
Pages : 207
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Book Description
To some, Christianity and hip hop seem antithetical. Not so in Kenya. There, the music of Julius Owino, aka Juliani, blends faith and beats into a potent hip hop gospel aimed at a youth culture hungry for answers spiritual, material, and otherwise. Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa.
Author: Adriaan van Klinken
Publisher: Penn State Press
ISBN: 0271085606
Category : Social Science
Languages : en
Pages : 256
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Book Description
Popular narratives cite religion as the driving force behind homophobia in Africa, portraying Christianity and LGBT expression as incompatible. Without denying Christianity’s contribution to the stigma, discrimination, and exclusion of same-sex-attracted and gender-variant people on the continent, Adriaan van Klinken presents an alternative narrative, foregrounding the ways in which religion also appears as a critical site of LGBT activism. Taking up the notion of “arts of resistance,” Kenyan, Christian, Queer presents four case studies of grassroots LGBT activism through artistic and creative expressions—including the literary and cultural work of Binyavanga Wainaina, the “Same Love” music video produced by gay gospel musician George Barasa, the Stories of Our Lives anthology project, and the LGBT-affirming Cosmopolitan Affirming Church. Through these case studies, Van Klinken demonstrates how Kenyan traditions, black African identities, and Christian beliefs and practices are being navigated, appropriated, and transformed in order to allow for queer Kenyan Christian imaginations. Transdisciplinary in scope and poignantly intimate in tone, Kenyan, Christian, Queer opens up critical avenues for rethinking the nature and future of the relationship between Christianity and queer activism in Kenya and elsewhere in Africa.
Author: Mwenda Ntarangwi
Publisher: University of Illinois Press
ISBN: 9780252040061
Category : Social Science
Languages : en
Pages : 0
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Book Description
To some, Christianity and hip hop seem antithetical. Not so in Kenya. There, the music of Julius Owino, aka Juliani, blends faith and beats into a potent hip hop gospel aimed at a youth culture hungry for answers spiritual, material, and otherwise. Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa.
Author: Ron Macaulay
Publisher: GRIN Verlag
ISBN: 3389051732
Category : Religion
Languages : en
Pages : 273
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Book Description
Doctoral Thesis / Dissertation from the year 2024 in the subject Didactics - Theology, Religion Pedagogy, grade: 3.95 (A), University of Ghana, Legon (Selinus University of Sciences and Literature), course: Theology and Ethics, language: English, abstract: Africans have the capability to express their primal knowledge to enrich their Christian faith. Their primal spiritual knowledge is expressed through oral means such as singing accompanied by drumming and dancing. The expression of their primal spirituality helps them to present their spirit, soul and body wholly to God. This primal condition of being spiritual is the personal quality prior to any other religious beliefs, such as Christianity. Therefore, African Christianity is how to live the Christian faith and worship God within the African way of life, and not necessarily syncretising different systems of religious beliefs, but the expression of the soundness of Africanness. Hence, the thesis has been grounded in The Concept of Africanness in African Christianity, which is how Christianity would communicate with African cultural heritage. A distinct way of expressing Africanness can be noticed when Agbadza and Bᴐbᴐbᴐ music and the lyrics that are akin to Scripture are engaged in some African churches to worship God. This primal expression is functionally identical in the Apostles Revelation Society, and some branches of the Global Evangelical Church (hereinafter called the ARS and GEC, respectively). Nevertheless, while Agbadza is culturally considered as war music among the Anlo-EƲe, Bᴐbᴐbᴐ music among the EƲedome is also seen as immoral and frown upon. Notwithstanding these mixed feelings towards Agbadza and Bᴐbᴐbᴐ cultural music, majority of Christians get exceedingly excited about the engagements between these cultural music and Christian faith in their churches. The main objectives of the study are to find out why they get excited when these cultural music are being engaged in the churches, and the war and immoral nature of these music. In addition, the theological and ethical thoughts on some selected lyrics are considered. Finally, what would the ARS and GEC do differently to lay bare the impact these cultural music should have on their communities, which guarantee their future and sustainability in the churches. In order to achieve the objectives of the study, theological, ethical, and phenomenological methods are blended as qualitative technique has been adopted in data collection and analysis. The reason why the worshippers get excited about these cultural music had been explored, and the theological and ethical thoughts on the practice were examined.
Author: Monique M. Ingalls
Publisher: Routledge
ISBN: 1351391682
Category : Music
Languages : en
Pages : 267
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Book Description
What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
Author: Elias Kifon Bongmba
Publisher: Routledge
ISBN: 1134505841
Category : Religion
Languages : en
Pages : 722
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Book Description
The Routledge Companion to Christianity in Africa offers a multi-disciplinary analysis of the Christian tradition across the African continent and throughout a long historical span. The volume offers historical and thematic essays tracing the introduction of Christianity in Africa, as well as its growth, developments, and effects, including the lived experience of African Christians. Individual chapters address the themes of Christianity and gender, the development of African-initiated churches, the growth of Pentecostalism, and the influence of Christianity on issues of sexuality, music, and public health. This comprehensive volume will serve as a valuable overview and reference work for students and researchers worldwide.
Author: Martina Björkander
Publisher: BRILL
ISBN: 9004682430
Category : Religion
Languages : en
Pages : 506
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Book Description
Vibrant worship music is part of the Charismatic liturgy all around the world, and has become in many ways the hallmark of Pentecostal-Charismatic Christianity. Despite its centrality, scholarly interest in the theological and ritual significance of worship for pentecostal spirituality has been sparse, not least in Africa. Combining rich theoretical and theological insight with an in-depth case study of worship practices in Nairobi, Kenya, this interdisciplinary study offers a significant contribution to knowledge and is bound to influence scholarly discussions for years to come. The book is a must-read for anyone interested in Pentecostal worship, ritual, and spirituality.
Author: Roberta R. King
Publisher: Baker Academic
ISBN: 1493418106
Category : Religion
Languages : en
Pages : 288
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Book Description
Veteran missionary-scholar Roberta King draws on a lifetime of study and firsthand mission experience to show how witness through contextualized global arts can dynamically reveal Christ to all peoples. King offers the global church biblical foundations, historical pathways, theoretical frameworks, and effective practices for communicating Christ through the arts in diverse contexts. Supplemented with stories from the field, illustrations, and discussion questions, this textbook offers innovative and dynamic approaches essential for doing mission in transformative ways through the arts. It also features a full-color insert of artwork discussed in the book.
