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Author: Christopher Brooks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781502319142
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Music has more emotional value than any other single element in film. This book is designed for the aspiring filmmaker to fully realize the potential of this powerful tool. Written in understandable dramatic terms, the goal is to reach the filmmaker through the language of film, leaving the jargon of music to the composers.
Author: Christopher Brooks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781502319142
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Music has more emotional value than any other single element in film. This book is designed for the aspiring filmmaker to fully realize the potential of this powerful tool. Written in understandable dramatic terms, the goal is to reach the filmmaker through the language of film, leaving the jargon of music to the composers.
Author: Kathryn Kalinak
Publisher: Oxford University Press
ISBN: 0197628036
Category : Motion picture music
Languages : en
Pages : 177
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Book Description
"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
Author: David A. Bell
Publisher:
ISBN: 9781879505209
Category : Motion picture music
Languages : en
Pages : 0
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Book Description
Addresses film makers concerning film scoring basics.
Author: James Wierzbicki
Publisher: Routledge
ISBN: 1136597018
Category : Music
Languages : en
Pages : 234
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Book Description
Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.
Author: Warren M. Sherk
Publisher:
ISBN: 9780810876866
Category : Music
Languages : en
Pages : 0
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Book Description
Music has played a critical component in the success of films. This volume compiles over 100 years of writings devoted to the subject of film and television music and its practitioners.
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1316264866
Category : Music
Languages : en
Pages : 627
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Book Description
This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
Author: Berthold Hoeckner
Publisher: University of Chicago Press
ISBN: 022664975X
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Film has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Author: Steven A. Saltzman
Publisher: CRC Press
ISBN: 1000600890
Category : Music
Languages : en
Pages : 328
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Book Description
The Music of Film opens up the world of film music from the inside. Through a series of interviews and conversations with professional composers, music supervisors, music editors, and picture editors, this book shows how music for film and television works according to insiders in the industry. Here we find a comprehensive collection of techniques and personal insights and get a unique perspective on how these key players in postproduction interact, collaborate, and successfully build their careers. The Music of Film is essential reading for composers, editors, directors, and producers—aspiring and established alike—or anyone interested in learning how to start or manage a profession working with music in feature films, television, and other media.
Author: Ian Inglis
Publisher: Wallflower Press
ISBN: 9781903364710
Category : Music
Languages : en
Pages : 224
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Book Description
The growing presence of popular music in film is one of the most exciting areas of contemporary Film Studies. Written by a range of international specialists, this collection includes case studies on Sliding Doors, Topless Women Talk About Their Lives, The Big Chill and Moulin Rouge, considering the work of populist musicians such as the Beatles, Jimi Hendrix and Sting. Contributors to the volume include Robb Wright, Lesley Vize, Phil Powrie, Anno Mungen, Anaheid Kassabian, Lauren Anderson, Antti-Ville Karja, K. J. Donnelly, Lee Barron, Melissa Carey Michael Hannan and Jaap Kooijman.
Author: Fred Karlin
Publisher: Schirmer Books
ISBN: 9780534263690
Category : Music
Languages : en
Pages : 429
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Book Description
Outlines the importance of music in movies, giving examples of the relationship's history, some of the greatest triumphs of music and film, and some of the people that have created the songs and scores
