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Author: Catherine Grant
Publisher: Oxford University Press, USA
ISBN: 0199352186
Category : Language Arts & Disciplines
Languages : en
Pages : 225
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Book Description
Situated within the growing field of applied ethnomusicology, and breaking with a tradition in ethnomusicology of ethnographic and fieldwork-based studies, this book explores the phenomenon of endangered music genres and ways in which the fields of language endangerment and language maintenance may inform efforts to support them.
Author: Catherine Grant
Publisher: Oxford University Press
ISBN: 0199352208
Category : Music
Languages : en
Pages : 225
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Book Description
In response to increased focus on the protection of intangible cultural heritage across the world, Music Endangerment offers a new practical approach to assessing, advocating, and assisting the sustainability of musical genres. Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. Significant for both its insight and its utility, Music Endangerment is an important contribution to the growing field of applied ethnomusicology, and will help secure the continued diversity of our global musical traditions.
Author: Catherine Grant
Publisher: Oxford University Press
ISBN: 0199352178
Category : Language Arts & Disciplines
Languages : en
Pages : 225
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Book Description
In response to increased focus on the protection of intangible cultural heritage across the world, Music Endangerment offers a new practical approach to assessing, advocating, and assisting the sustainability of musical genres. Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. Significant for both its insight and its utility, Music Endangerment is an important contribution to the growing field of applied ethnomusicology, and will help secure the continued diversity of our global musical traditions.
Author: Huib Schippers
Publisher: Oxford University Press
ISBN: 0197609104
Category : Applied ethnomusicology
Languages : en
Pages : 297
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Book Description
"The 2003 UNESCO Convention on the Safeguarding of Intangible Cultural Heritage was a major step in addressing concerns about musical diversity and vitality on a global scale. 180 nation-states have ratified the Convention to date. Many have developed policies to address the sustainability of their music practices. On the eve of its twentieth anniversary of the Convention, 14 experts were invited to reflect on two decades of approaching music as Intangible Cultural Heritage. In introducing the contributions to this volume, this chapter introduces the genesis of the Convention, its most prominent features, its workings and successes, and the challenges that have arisen from using this framework to address threats to music sustainability worldwide"--
Author: Catherine Fiona Grant
Publisher:
ISBN:
Category : Communication in ethnology
Languages : en
Pages : 290
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Book Description
Abstract : In recent decades, communities across the world have been impacted by a raft of deep economic, social and political changes within their local and global environments. For some communities, these changes have had little effect on the vitality of their music genres, or have even strengthened them. For others - especially indigenous and minority communities - the changes have threatened the viability of certain genres, often against the will of the communities concerned. This in turn holds potential repercussions for individual and social identity, social cohesion, and the strength of other forms of cultural expression within those communities, as well as holding wider repercussions for the diversity of human heritage and even potentially the adaptability of our species. Since the early 1990s, when linguists fully recognised the dire predicament of many of the world's 6,000+ languages, the study of language endangerment and maintenance has raised general awareness of language loss, as well as increasing practical knowledge of how endangered languages might be supported. Relatively, efforts to sustain endangered music genres remain incipient. Breaking with a tradition in ethnomusicology of ethnographic and fieldwork-based studies, this dissertation theoretically investigates the ways in which research and practical experience from the field of language maintenance can inform efforts to support the sustainability of music genres. It responds to an increasing sense of urgency to address the wide-scale endangerment and loss of intangible expressions of culture, including music, as underscored by the 2003 UESCO Convention for the Safeguarding of Intangible Cultural Heritage. Drawing on literature from both language maintenance and ethnomusicology, interviews with linguists and ethnomusicologists, and a case study (in turn based on literature, interviews, and a field visit), in this dissertation I argue that the extensive experiences and discourse from language maintenance hold significant relevance to efforts that support music genres to become or remain vibrant and viable. The dissertation presents four key outcomes of the research. The first is a theoretical framework articulating the synergies and disconnects between language and music, specifically in relation to their viability. The second is a framework for assessing the level of vitality of music genres, based on an equivalent framework for languages. The third is a case study of a specific music genre demonstrating how this framework functions in practice. The fourth is a set of recommendations for progressing efforts in music sustainability. I hope these outcomes may act as points of reference and departure for researchers, policy-makers, culture-bearers themselves, and other stakeholders in cultural vitality and viability, with the overarching aim to ultimately benefit the communities whose music genres are facing challenges to their viability. In this way, this dissertation contributes to a growing body of applied ethnomusicological research on the broad topic of music sustainability.
Author: Ian Peddie
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409437582
Category : Music
Languages : en
Pages : 441
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Book Description
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. This two-volume set comprises Volume I: British and American Music, and Volume II: World Music.
Author: Kyle Devine
Publisher: MIT Press
ISBN: 0262355558
Category : Music
Languages : en
Pages : 329
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Book Description
The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters.
Author: Barley Norton
Publisher: Routledge
ISBN: 1315393840
Category : Music
Languages : en
Pages : 543
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Book Description
As economic, technological and cultural change gathers pace across the world, issues of music heritage and sustainability have become ever more pressing. Discourse on intangible cultural heritage has developed in complex ways in recent years, and musical practices have been transformed by safeguarding agendas. Music as Heritage takes stock of these transformations, bringing new ethnographic and historical perspectives to bear on our encounters with music heritage. The volume evaluates the cultural politics, ethics and audiovisual representation of music heritage; the methods and consequences of music transmission across national borders; and the perennial issues of revival, change and innovation. UNESCO’s 2003 Convention for the Safeguarding of the Intangible Cultural Heritage provides an essential reference point for studies of music heritage. However, this volume also pays attention to important spheres of musical activity that lie outside of UNESCO’s reach and the reasons why some repertories of music are chosen for safeguarding while others are not. Some practices of art music in Europe explored in this book, for example, have received little attention despite being susceptible to endangerment. Developing a comparative framework that cuts across genre distinctions and disciplinary boundaries, Music as Heritage explores how music cultures are being affected by heritage discourse and the impact of international and national policies on grass-roots music practices.
Author: Joanna Teresa Demers
Publisher: University of Georgia Press
ISBN: 0820330752
Category : Law
Languages : en
Pages : 194
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Book Description
Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers’s timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse’s “Grey Album” and Mike Batt’s homage-gone-wrong to John Cage’s silent composition “4’33.” Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation—the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP “infringement” to include allusive borrowing in all forms: sampling, celebrity impersonation—even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.
Author: Patricia Hall
Publisher: Oxford University Press
ISBN: 0190850590
Category : Music
Languages : en
Pages : 112
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Book Description
Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress and control music that has been categorized as unacceptable, immoral, or as the Nazi's termed the music of Jewish and modernist composers, "degenerate," ranges from economic sanctions to forced immigration, imprisonment, and death. Yet in almost all cases composers found methods to counter this suppression and to let their voices be heard, even through the very music they were often forced to compose for the oppressing parties. In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Case studies address a number of instances both well- and lesser-known, including the tumultuous history of Wagner and Israel, rap music in the United States, silencing of women composers, and music in post-revolutionary Iran. Sections are organized by nature of censorship - religious, racial, and sexual - and type of government enforcement - democratic, totalitarian, and transitional. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience.
Author: Patrick Burkart
Publisher: Wesleyan University Press
ISBN: 0819570508
Category : Music
Languages : en
Pages : 200
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Book Description
Musicians and music fans are at the forefront of cyberliberties activism, a movement that has tried to correct the imbalances that imperil the communal and ritualistic sharing and distribution of music. In Music and Cyberliberties, Patrick Burkart tracks the migration of music advocacy and anti-major label activism since the court defeat of Napster and the ascendancy of the so-called Celestial Jukebox model of music e-commerce, which sells licensed access to music. Music and Cyberliberties identifies the groups—alternative and radical media activists, culture jammers, hackers, netlabels, and critical legal scholars—who are pushing back against the “copyright grab” by major labels for the rights and privileges that were once enjoyed by artists and fans. Burkart reflects on the emergence of peer-to-peer networking as a cause célèbre that helped spark the movement, and also lays out the next stages of development for the Celestial Jukebox that would quash it. By placing the musical activist groups into the larger context of technology and new social movement theory, Music and Cyberliberties offers an exciting new way of understanding the technological and social changes we confront daily.
