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Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0197663982
Category : Music
Languages : en
Pages : 569
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Book Description
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0197663982
Category : Music
Languages : en
Pages : 569
Get Book Here
Book Description
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0197664008
Category : Music
Languages : en
Pages : 569
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Book Description
In today's technological and globalised world, music remains a basic dimension of society. Music, Encounter, Togetherness outlines a relational approach to music that creates space for both human agency and social relationship. Throughout the book, author Nicholas Cook puts Euro-American musical traditions into dialogue with other world music cultures, complementing theory-driven approaches with comprehensive case studies ranging from late eighteenth-century India to contemporary China, and from Debussy's encounter with Javanese music and dance to cross-cultural musicking in Australia and in cyberspace. Through these examples, Cook examines how music affords interpersonal relationship and social togetherness, and what happens when musicians from different cultures interact. Central to the book is the idea of encounter, which highlights the dynamic and processual nature of musicking, as much in therapy or at home as in the jazz club or concert hall. Western musicologists have traditionally thought of music as primarily a repertory of objects; Cook illustrates how thinking of it in processual terms--through an expanded idea of performance--can make as much sense of Western art music as of other traditions. In basing an understanding of music on acts rather than objects and focussing on people and their relationships rather than on the impersonal forces of evolutionary or stylistic histories, the book opens up ways of thinking that counter some of the dehumanising aspects of musical thinking and practice in global modernity.
Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0199357404
Category : Music
Languages : en
Pages : 482
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Book Description
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Author: Nicholas Cook
Publisher: Clarendon Press
ISBN: 9780198163039
Category : Music
Languages : en
Pages : 276
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Book Description
Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This gap between image and the experience it models offers a source of compositional creativity; different musical cultures embody different ways of imagining sound as music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music theory and aesthetic criticism, and affirms the importance of the "ordinary listener" in musical culture.
Author: Pirkko Moisala
Publisher: Bloomsbury Publishing USA
ISBN: 1501316745
Category : Music
Languages : en
Pages : 257
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Book Description
This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject. The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari's philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound.
Author: Nicholas Cook
Publisher: University of Michigan Press
ISBN: 0472051776
Category : Music
Languages : en
Pages : 398
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Book Description
Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture
Author: B.J. Gonzalvo Ph.D.
Publisher: Archway Publishing
ISBN: 1665735449
Category : Religion
Languages : en
Pages : 89
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Book Description
Through his experience as a psychologist, a musician, and a spiritual seeker, B.J. Gonzalvo demonstrates the role of music as our guide in recreating inner harmony as well as social harmony. Just like in our gathering songs or opening hymns, music has the transcendent and transformative power to open up our hearts, bring us all together, unite us in harmony, and provide the cadence for our voices and our heartbeats. When we come together with one purpose of making beautiful harmony, there is a sense of elevation of the human spirit up to the heavenly realms where the Divine Author of beauty dwells. Music is more than just a hobby or a soundtrack playing in the background of our lives. Music is an intentional leisure activity full of possibilities for singers and seekers alike to recreate and experience a foretaste of joy, love, hope, grace, and harmony. As we rethink our relationships today, may we remind ourselves of the power of creating and recreating music together for the sake of harmony within ourselves and with one another. Music, the art of togetherness, illuminates the true, the good, and the beautiful in our relationships—relationship to self, to others, and to God. In music, we belong. Through music, we discover our own inner sanctuary as well as the inner sanctuaries in others—the sanctuary where God is made present.
Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0199347808
Category : Music
Languages : en
Pages : 265
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Book Description
Not long ago, ideas of creativity in music revolved around composers in garrets and the idea of genius. In the last decade there has been a sea change in thinking: musical creativity is seen in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesise both perspectives.
Author: Nicholas Cook
Publisher: Oxford University Press, USA
ISBN: 019879004X
Category : Music
Languages : en
Pages : 594
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Book Description
Rethinking Music reflects the ideas of 24 distinguished musicologists as they evaluate current thinking about music, its social and ethical dimensions and the relationship between academic study and direct musical experience.
Author: Nicholas Cook
Publisher: Oxford University Press, USA
ISBN: 9780198165088
Category : Music
Languages : en
Pages : 388
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Book Description
This extremely practical introduction to musical analysis explores the factors that give unity and coherence to musical masterpieces. Having first identified and explained the most important analytical methods, Nicholas Cook examines given compositions from the last two hundred years to show how different analytical procedures suit different types of music.