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Author: Richard Elfyn Jones
Publisher: Rodopi
ISBN: 9042022892
Category : Literary Criticism
Languages : en
Pages : 126
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Book Description
The continuum of music--what is it, what does it do, how does it do it--has taxed countless philosophers over recorded time, and even the verb for what it does (express? arouse? evoke? symbolize? embody?) meets with no universal agreement. Not always is music admired: in the Book of Ezekiel, the prophet likens the skilled musician to an ineffectual preacher. Richard Elfyn Jones brings new ideas to the conundrum by taking up certain philosophers not usually cited in connection with music, in particular Alfred North Whitehead and the classical Greek notion of process (as opposed to event), and thus of process theology. The book opens up an original approach to the transcendent and, to many, the sacred quality heard in music, drawing both upon authorities concerned with the numinous (that feeling of awe and attraction behind religious experience) and upon his own lifelong engagement with music as scholar, teacher and composer. - Peter Williams, former Dean of Music, University of Edinburgh
Author: Richard Elfyn Jones
Publisher: Rodopi
ISBN: 9042022892
Category : Literary Criticism
Languages : en
Pages : 126
Get Book Here
Book Description
The continuum of music--what is it, what does it do, how does it do it--has taxed countless philosophers over recorded time, and even the verb for what it does (express? arouse? evoke? symbolize? embody?) meets with no universal agreement. Not always is music admired: in the Book of Ezekiel, the prophet likens the skilled musician to an ineffectual preacher. Richard Elfyn Jones brings new ideas to the conundrum by taking up certain philosophers not usually cited in connection with music, in particular Alfred North Whitehead and the classical Greek notion of process (as opposed to event), and thus of process theology. The book opens up an original approach to the transcendent and, to many, the sacred quality heard in music, drawing both upon authorities concerned with the numinous (that feeling of awe and attraction behind religious experience) and upon his own lifelong engagement with music as scholar, teacher and composer. - Peter Williams, former Dean of Music, University of Edinburgh
Author: Ferdia J. Stone-Davis
Publisher: Routledge
ISBN: 1317092236
Category : Music
Languages : en
Pages : 272
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Book Description
Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.
Author: Peter Chong-Beng Gan
Publisher: Springer
ISBN: 9812874844
Category : Philosophy
Languages : en
Pages : 251
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Book Description
This book represents a study of Evelyn Underhill’s premier work on mysticism, using Hegel’s dialectics and Kant’s theory of the sublime as interpretive tools. It especially focuses on two prominent features of Underhill’s text: the description of the mystical life as one permeated by an intense love between the mystic and infinite reality, and the detailed delineation of stages of mystical development. Given these two features, the text lends itself to a construction of a valuable discourse predicated on dialecticism, sublimity, and mysticism. The book also articulates a number of insights into the content and nature of the writings of Christian mystics.
Author: Robin Sylvan
Publisher: NYU Press
ISBN: 081479808X
Category : Music
Languages : en
Pages : 299
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Book Description
Sylvan examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today.
Author: Alex DiBlasi
Publisher: McFarland
ISBN: 1476671508
Category : Music
Languages : en
Pages : 198
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Book Description
From the rise of the American Evangelical movement to the introduction of Eastern philosophies in the West, the past century has seen major changes in the religious makeup of Western culture. As one result, musicians across the world have brought both "new" and old religious beliefs into their works. This book investigates rock music as an expression of religious inquiry and religious devotion. Contributors to this essay collection use a variety of sources, including artist biographies, record and concert reviews, videos, personal experience, rock music forums and social media in order to investigate the relationship of rock music and religion from a number of perspectives. The essays also explore public interest in religion as a platform for expression and social critique, viewing this issue through the lens of popular rock music.
Author: Robin Sylvan
Publisher: NYU Press
ISBN: 0814798098
Category : Music
Languages : en
Pages : 299
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Book Description
Sylvan examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today.
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520953843
Category : Music
Languages : en
Pages : 184
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Book Description
Expression and truth are traditional opposites in Western thought: expression supposedly refers to states of mind, truth to states of affairs. Expression and Truth rejects this opposition and proposes fluid new models of expression, truth, and knowledge with broad application to the humanities. These models derive from five theses that connect expression to description, cognition, the presence and absence of speech, and the conjunction of address and reply. The theses are linked by a concentration on musical expression, regarded as the ideal case of expression in general, and by fresh readings of Ludwig Wittgenstein’s scattered but important remarks about music. The result is a new conception of expression as a primary means of knowing, acting on, and forming the world. "Recent years have seen the return of the claim that music’s power resides in its ineffability. In Expression and Truth, Lawrence Kramer presents his most elaborate response to this claim. Drawing on philosophers such as Wittgenstein and on close analyses of nineteenth-century compositions, Kramer demonstrates how music operates as a medium for articulating cultural meanings and that music matters too profoundly to be cordoned off from the kinds of critical readings typically brought to the other arts. A tour-de-force by one of musicology’s most influential thinkers."—Susan McClary, Desire and Pleasure in Seventeenth-Century Music.
Author: Lynn M. Brinckmeyer
Publisher: Oxford University Press
ISBN: 0190219157
Category : Education
Languages : en
Pages : 173
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Book Description
This guidebook is filled with strategies and ideas to help educate the general public, and political decision makers, about the long-term benefits of music education. It is ideal practical companion for all music educators.
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520918428
Category : Music
Languages : en
Pages : 315
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Book Description
A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints. Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice, he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners. In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its
Author: Michael Spitzer
Publisher: Bloomsbury Publishing USA
ISBN: 1635576253
Category : History
Languages : en
Pages : 481
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Book Description
"Michael Spitzer has pulled off the impossible: a Guns, Germs and Steel for music." --Daniel Levitin A colossal history spanning cultures, time, and space to explore the vibrant relationship between music and the human species. 165 million years ago saw the birth of rhythm. 66 million years ago was the first melody. 40 thousand years ago Homo sapiens created the first musical instrument. Today music fills our lives. How we have created, performed and listened to this music throughout history has defined what our species is and how we understand who we are. Yet music is an overlooked part of our origin story. The Musical Human takes us on an exhilarating journey across the ages – from Bach to BTS and back – to explore the vibrant relationship between music and the human species. With insights from a wealth of disciplines, world-leading musicologist Michael Spitzer renders a global history of music on the widest possible canvas, looking at music in our everyday lives; music in world history; and music in evolution, from insects to apes, humans to AI. Through this journey we begin to understand how music is central to the distinctly human experiences of cognition, feeling and even biology, both widening and closing the evolutionary gaps between ourselves and animals in surprising ways. The Musical Human boldly puts the case that music is the most important thing we ever did; it is a fundamental part of what makes us human.
