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Author: James M. Trotter
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 544
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Book Description
Author: James M. Trotter
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 544
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Book Description
Author: James M. Trotter
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 221
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Book Description
"Music and Some Highly Musical People" by James M. Trotter is a history of African-American music. Trotter's work is highly reflective of the society in which it was written. For example, Trotter's coverage of classical music was influenced by a movement to raise classical music and its performance to the level of religious service. A leader in this movement was white journalist John Sullivan Dwight. With this reverence on classical music, Trotter's description of classical soloists such as Thomas Wiggins and Sisieretta Jones become examples of racial culture and uplift through the musical genre itself.
Author: Booker T Washington
Publisher: University of Illinois Press
ISBN: 9780252002434
Category : Biography & Autobiography
Languages : en
Pages : 632
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Book Description
The University of Illinois Press offers online access to "The Booker T. Washington Papers," a 14-volume set published by the press. Users can search the papers, view images, and purchase the print version of the volumes. Booker Taliaferro Washington (1856-1915) was an African-American educator who was born a slave in Franklin County, Virginia.
Author: James M. Trotter
Publisher:
ISBN:
Category : African American composers
Languages : en
Pages : 560
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Book Description
Author: Terri Brinegar
Publisher: Univ. Press of Mississippi
ISBN: 1496839269
Category : Biography & Autobiography
Languages : en
Pages : 262
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Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
Author: Catherine Jones
Publisher: Edinburgh University Press
ISBN: 074868462X
Category : Social Science
Languages : en
Pages : 290
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Book Description
This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351556304
Category : Music
Languages : en
Pages : 396
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Book Description
This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1008
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Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 394
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Book Description
Author: James Monroe Trotter
Publisher: Createspace Independent Publishing Platform
ISBN: 9781512172164
Category :
Languages : en
Pages : 270
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Book Description
"Music and Some Highly Musical People" from James Monroe Trotter. James Monroe Trotter, american teacher, soldier, employee of the U.S. Postal Service (1842-1892).
