Author: Katelijne Schiltz
Publisher: Cambridge University Press
ISBN: 1107082293
Category : Art
Languages : en
Pages : 545
Book Description
The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Music and Riddle Culture in the Renaissance
Author: Katelijne Schiltz
Publisher: Cambridge University Press
ISBN: 1107082293
Category : Art
Languages : en
Pages : 545
Book Description
The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Publisher: Cambridge University Press
ISBN: 1107082293
Category : Art
Languages : en
Pages : 545
Book Description
The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Music and Riddle Culture in the Renaissance
Author: Katelijne Schiltz
Publisher:
ISBN: 9781139998260
Category : MUSIC
Languages : en
Pages : 543
Book Description
Publisher:
ISBN: 9781139998260
Category : MUSIC
Languages : en
Pages : 543
Book Description
Music, Myth and Story in Medieval and Early Modern Culture
Author: Katherine Butler
Publisher: Boydell & Brewer
ISBN: 1783273712
Category : Music
Languages : en
Pages : 344
Book Description
The complex relationship between myths and music is here investigated.
Publisher: Boydell & Brewer
ISBN: 1783273712
Category : Music
Languages : en
Pages : 344
Book Description
The complex relationship between myths and music is here investigated.
Material Cultures of Music Notation
Author: Floris Schuiling
Publisher: Routledge
ISBN: 1000581209
Category : Music
Languages : en
Pages : 314
Book Description
Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
Publisher: Routledge
ISBN: 1000581209
Category : Music
Languages : en
Pages : 314
Book Description
Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
Syrene Soundes
Author: Eleanor Chan
Publisher: Oxford University Press
ISBN: 0197748171
Category : Music
Languages : en
Pages : 426
Book Description
The visual, material, and literary cultures of the English Renaissance are littered with objects that depict, utilise, or respond to the metaphor of musical harmony--yet harmony in this period relied on a certain amount of carefully mannered dissonance. Using visual and literary sources alongside musical works, author Eleanor Chan explores the rise of the false relation, a variety of dissonance that, despite being officially frowned upon by contemporary theoretical treatises, became characteristic of English vocal music between ca. 1550 and 1630.
Publisher: Oxford University Press
ISBN: 0197748171
Category : Music
Languages : en
Pages : 426
Book Description
The visual, material, and literary cultures of the English Renaissance are littered with objects that depict, utilise, or respond to the metaphor of musical harmony--yet harmony in this period relied on a certain amount of carefully mannered dissonance. Using visual and literary sources alongside musical works, author Eleanor Chan explores the rise of the false relation, a variety of dissonance that, despite being officially frowned upon by contemporary theoretical treatises, became characteristic of English vocal music between ca. 1550 and 1630.
Music in the Culture of the Renaissance and Other Essays
Author: Edward Elias Lowinsky
Publisher:
ISBN: 9780226494784
Category : Music
Languages : en
Pages : 993
Book Description
Publisher:
ISBN: 9780226494784
Category : Music
Languages : en
Pages : 993
Book Description
Early Printed Music and Material Culture in Central and Western Europe
Author: Andrea Lindmayr-Brandl
Publisher: Routledge
ISBN: 1000387089
Category : Music
Languages : en
Pages : 423
Book Description
This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
Publisher: Routledge
ISBN: 1000387089
Category : Music
Languages : en
Pages : 423
Book Description
This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
Music in the Culture of the Renaissance
Author: Edward Elias Lowinsky
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 46
Book Description
The Science and Art of Renaissance Music
Author: James Haar
Publisher: Princeton University Press
ISBN: 1400864712
Category : Music
Languages : en
Pages : 408
Book Description
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400864712
Category : Music
Languages : en
Pages : 408
Book Description
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Composing Community in Late Medieval Music
Author: Jane D. Hatter
Publisher: Cambridge University Press
ISBN: 1108474918
Category : Art
Languages : en
Pages : 301
Book Description
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Publisher: Cambridge University Press
ISBN: 1108474918
Category : Art
Languages : en
Pages : 301
Book Description
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.