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Author: Francesca Brittan
Publisher: Cambridge University Press
ISBN: 1107136326
Category : History
Languages : en
Pages : 377
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Book Description
An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others.
Author: Francesca Brittan
Publisher: Cambridge University Press
ISBN: 1107136326
Category : History
Languages : en
Pages : 377
Get Book
Book Description
An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others.
Author: Francesca Brittan
Publisher: Cambridge University Press
ISBN: 1108326358
Category : Music
Languages : en
Pages : 377
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Book Description
The centrality of fantasy to French literary culture has long been accepted by critics, but the sonorous dimensions of the mode and its wider implications for musical production have gone largely unexplored. In this book, Francesca Brittan invites us to listen to fantasy, attending both to literary descriptions of sound in otherworldly narratives, and to the wave of 'fantastique' musical works published in France through the middle decades of the nineteenth century, including Berlioz's 1830 Symphonie fantastique, and pieces by Liszt, Adam, Meyerbeer, and others. Following the musico-literary aesthetics of E. T. A. Hoffmann, they allowed waking and dreaming, reality and unreality to converge, yoking fairy sound to insect song, demonic noise to colonial 'babbling', and divine music to the strains of water and wind. Fantastic soundworlds disrupted France's native tradition of marvellous illusion, replacing it with a magical materialism inextricable from republican activism, theological heterodoxy, and the advent of 'radical' romanticism.
Author: Jacques Barzun
Publisher: University of Chicago Press
ISBN: 9780226038612
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in order to understand Berlioz, it is essential to read Professor Barzun."
Author: Inge Van Rij
Publisher:
ISBN: 9781316252871
Category : Orchestral music
Languages : en
Pages : 372
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Book Description
Inge van Rij's book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1108475434
Category : History
Languages : en
Pages : 403
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Book Description
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Author: Inge van Rij
Publisher: Cambridge University Press
ISBN: 0521896460
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
Inge van Rij's book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.
Author: Julian Rushton
Publisher: Cambridge University Press
ISBN: 9781009074889
Category : Music
Languages : en
Pages : 0
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Book Description
Berlioz's Symphonie Fantastique is a key work in the understanding of romanticism, programme music, and the development of the orchestra, post-Beethoven. It is noted for having a title and a detailed programme, and for its connection with the composer's personal life and loves. This handbook situates the symphony within its time, and considers influences, literary as well as musical, that shaped its conception. Providing a close analysis of the symphony, its formal properties and melodic and textural elements (including harmony and counterpoint), it is a rich but accessible study which will appeal to music lovers, scholars, and students. It contains a translation of the programme, which sheds light on the form and character of each movement, and the unusual use of a melodic idée fixe representing a beloved woman. The unusual five-movement design permits a range of musical topics to be discussed and related to traditional symphonic elements: sonata form, a long Adagio, dance-type movements, and thematic development.
Author: Hector Berlioz
Publisher: University Rochester Press
ISBN: 9781580461320
Category : Fiction
Languages : en
Pages : 278
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Book Description
This is the first complete translation into English of Berlioz's second collection of musical articles, originally published in 1859. The work is a uniquely Berliozian combination of light-hearted journalism and serious musical comment and analysis.
Author: Edward James
Publisher: Cambridge University Press
ISBN: 1107493730
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
Author: Mikhail Bulgakov
Publisher: Rosetta Books
ISBN: 0795348398
Category : Fiction
Languages : en
Pages : 448
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Book Description
Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.
