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Author: Zdenka Badovinac
Publisher: Cambridge Scholars Publishing
ISBN: 1443884200
Category : History
Languages : en
Pages : 121
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Book Description
There are a number of different crises, in various guises, in today’s world. The most prominent of these is the global economic crisis, but this is not felt as keenly across the globe: there are also countries of economic prosperity. There is also, however, the museum crisis: the predominant model of the museum is collapsing. Again, this crisis is not constant everywhere – there are spaces that didn’t have museums until recently and are now suddenly experiencing a museum boom, or else are still without museums but have initiatives that are taking care of heritage beyond the traditional model of the museum. Such crises mean that the old paradigm is being replaced by a new one that still needs to be defined. This book investigates what such a new paradigm may entail and its consequences for the preservation of heritage.
Author: Zdenka Badovinac
Publisher: Cambridge Scholars Publishing
ISBN: 1443884200
Category : History
Languages : en
Pages : 121
Get Book Here
Book Description
There are a number of different crises, in various guises, in today’s world. The most prominent of these is the global economic crisis, but this is not felt as keenly across the globe: there are also countries of economic prosperity. There is also, however, the museum crisis: the predominant model of the museum is collapsing. Again, this crisis is not constant everywhere – there are spaces that didn’t have museums until recently and are now suddenly experiencing a museum boom, or else are still without museums but have initiatives that are taking care of heritage beyond the traditional model of the museum. Such crises mean that the old paradigm is being replaced by a new one that still needs to be defined. This book investigates what such a new paradigm may entail and its consequences for the preservation of heritage.
Author: Samuel J. Redman
Publisher: NYU Press
ISBN: 1479835315
Category : Art
Languages : en
Pages : 229
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Book Description
Celebrates the resilience of American cultural institutions in the face of national crises and challenges On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last— disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process. The Museum explores the concepts of “crisis” as it relates to museums, and how these historic institutions have dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty. Fires, floods, and hurricanes have all upended museum plans and forced people to ask difficult questions about American cultural life. With chapters exploring World War I and the 1918 influenza pandemic, the Great Depression, World War II, the 1970 Art Strike in New York City, and recent controversies in American museums, this book takes a new approach to understanding museum history. By diving deeper into the changes that emerged from these key challenges, Samuel J. Redman argues that cultural institutions can—and should— use their history to prepare for challenges and solidify their identity going forward. A captivating examination of crisis moments in US museum history from the early years of the twentieth century to the present day, The Museum offers inspiration in the resilience and longevity of America’s most prized cultural institutions.
Author: Robert R. Janes
Publisher: Routledge
ISBN: 1351251023
Category : Art
Languages : en
Pages : 527
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Book Description
Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe.
Author: Nick Merriman
Publisher: Taylor & Francis
ISBN: 100098592X
Category : Art
Languages : en
Pages : 235
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Book Description
Museums and the Climate Crisis shows how museums can respond to the interrelated global climate, biodiversity and pollution crises. They have a unique role because they take a long-term perspective, and their scholarship and independence mean that they remain trusted by the public. Providing insights and international case studies from a range of museum and gallery professionals, academics and consultants, this book explores how museums can use this unique perspective to engage the public as active citizens, and how they are exemplars of good practice in areas such as emissions reduction and encouraging biodiversity. It shows how museums can combat climate exhaustion by drawing on understandings about positive motivation, and how to develop exhibitions, events and activities that motivate visitors to take action. Taking a broad approach beyond purely climate issues, the contributions touch on the use of renewables, environmental controls and standards, travel (including virtual couriering), waste management (including recycling, plastic reduction and composting), reducing pollution and increasing biodiversity within museums. Museums and the Climate Crisis will be important reading to those studying in the fields of Museum Studies, Heritage Studies and Conservation. Taking a practical approach, it will also be beneficial to museum, gallery and heritage professionals who are grappling with the challenges of the climate crisis.
Author: Sandra Dudley
Publisher: Berghahn Books
ISBN: 9780857459558
Category : Art
Languages : en
Pages : 262
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Book Description
Museum Worlds: Advances in Research' is a new, multidisciplinary, refereed, annual journal from Berghahn Journals that will publish work that significantly advances knowledge of global trends, case studies and theory relevant to museum practice and scholarship around the world. It aims to trace and comment on major regional, theoretical, methodological and topical themes and debates, and encourage comparison of museum theories, practices, and developments in different global settings. Each issue includes a conversation piece on a current topic, as well as peer reviewed scholarly articles and review articles, book and exhibition reviews, and news on developments in museum studies and related curricula in different parts of the world. Drawing on the expertise and networks of a global Editorial Board of senior scholars and museum practitioners, the journal will both challenge and develop the core concepts that link different disciplinary perspectives on museums by bringing new voices into ongoing debates and discussions.
Author: Louvre Abu Dhabi
Publisher: Leuven University Press
ISBN: 9462702330
Category : Art
Languages : en
Pages : 273
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Book Description
Held on the occasion of Louvre Abu Dhabi’s first anniversary, the symposium Worlds in a Museum addressed the topic of museums in the era of globalisation, exploring contemporary museology and the preservation and presentation of culture within the context of changing societies. Departing from the historical museum structure inherited from the Enlightenment, leading experts from art, cultural, and academic institutions explore present-day achievements and challenges in the study, display and interpretation of art, history, and artefacts. How are “global” and “local” objects and narratives balanced – particularly in consideration of diverse audiences? How do we foster perspective and multiculturalism while addressing politicised notions of centre and periphery? As they abandon classical canons and categories, how are museums and cultural entities redefining themselves beyond predefined concepts of geography and history? This collection of essays arises from the symposium Worlds in a Museum organised by Louvre Abu Dhabi and École du Louvre.
Author: John Holloway
Publisher:
ISBN: 9781629635156
Category : Financial crises
Languages : en
Pages : 0
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Book Description
The anarchist or autonomist movement in Greece has been one of the strongest in the world yet it has failed to have a significant impact. Is there nothing beyond the world of capitalist destruction or can we still see some possibility for radical hope? The essays in this collection reflect on the experience of the crisis in Greece and its political implications for the whole world. They do not point a way forward but seek to open windows in the darkening sky of apparent impossibility.
Author: Christopher Dawson
Publisher: CUA Press
ISBN: 0813216834
Category : Education
Languages : en
Pages : 193
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Book Description
*A new edition of Christopher Dawsons classic work on Christian higher education*
Author: Doris B. Ash
Publisher: Taylor & Francis
ISBN: 1000536122
Category : Art
Languages : en
Pages : 331
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Book Description
Reculturing Museums takes a unified sociocultural theoretical approach to analyze the many conflicts museums experience in the 21st century. Embracing conflict, Ash asks: What can practitioners and researchers do to create the change they want to see when old systems remain stubbornly in place? Using a unified sociocultural, cultural-historical, activity-theoretical approach to analyzing historically bound conflicts that plague museums, each chapter is organized around a central contradiction, including finances ("Who will pay for museums?"), demographic shifts ("Who will come to museums?"), the roles of narratives ("Whose story is it?"), ownership of objects ("Who owns the artifact?"), and learning and teaching ("What is learning and how can we teach equitably?"). The reculturing stance taken by Ash promotes social justice and equity, ‘making change’ first, within museums, called inreach, rather than outside the museum, called outreach; challenges existing norms; is sensitive to neoliberal and deficit ideologies; and pays attention to the structure agency dialectic. Reculturing Museums will be essential reading for academics, students, museum practitioners, educational researchers, and others who care about museums and want to ensure that all people have equal access to the activities, objects, and ideas residing in them.
Author: Fiona R. Cameron
Publisher: Taylor & Francis
ISBN: 1351814559
Category : Art
Languages : en
Pages : 187
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Book Description
This book critiques modern museologies and curatorial practices that have been complicit in emerging existential crises. It confidently presents novel, more-than-human curatorial visions, methods, frameworks, policies, and museologies radically refiguring the epistemological foundations of curatorial, museological thinking, and practice for a habitable planet. Modern curatorial and museological practices are dominated by modern humanism in which capital growth, social, technological advancement, hubris, extraction, speciest logics, and colonial domination predominate, often without reflection. While history, science, and technology museums and their engagement with non-human worlds have always been ecological as an empirical reality, the human-centred frameworks and forms of human agency that institutions deploy tend to be non-cognizant of this reality. Museum Practices and the Posthumanities: Curating for Planetary Habitability reveals how these practices are ill-equipped to deal with the contemporary world of rapid digital transformations, post-Covid living, climate change, and its impacts among other societal changes, and it shows how museums might best meet these challenges by thinking with and in more-than-human worlds. This book is aimed at museological scholars and museum professionals, and it will provide them with the inspiration to conduct research on and curate from a different ecological reference point to promote a world good enough for all things to thrive in radical co-existence.
