Author: United States. Department of the Army
Publisher:
ISBN:
Category : Historical museums
Languages : en
Pages : 46
Book Description
Museums and Historical Artifacts
Author: United States. Department of the Army
Publisher:
ISBN:
Category : Historical museums
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category : Historical museums
Languages : en
Pages : 46
Book Description
Do Museums Still Need Objects?
Author: Steven Conn
Publisher: University of Pennsylvania Press
ISBN: 0812221559
Category : Art
Languages : en
Pages : 272
Book Description
In this broadly conceived study Steven Conn examines the development of American museums across the twentieth century with a historian's attention and a critic's eye. He focuses on an array of museum types and asks illuminating questions about the relationship between museums and American cultural life.
Publisher: University of Pennsylvania Press
ISBN: 0812221559
Category : Art
Languages : en
Pages : 272
Book Description
In this broadly conceived study Steven Conn examines the development of American museums across the twentieth century with a historian's attention and a critic's eye. He focuses on an array of museum types and asks illuminating questions about the relationship between museums and American cultural life.
Museum Memories
Author: Didier Maleuvre
Publisher: Stanford University Press
ISBN: 9780804736046
Category : History
Languages : en
Pages : 348
Book Description
The author shows how museum culture offers a unique vantage point on the 19th and 20th centuries' preoccupation with history and subjectivity, and demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.
Publisher: Stanford University Press
ISBN: 9780804736046
Category : History
Languages : en
Pages : 348
Book Description
The author shows how museum culture offers a unique vantage point on the 19th and 20th centuries' preoccupation with history and subjectivity, and demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.
The Brutish Museums
Author: Dan Hicks
Publisher:
ISBN: 9781786806833
Category : BUSINESS & ECONOMICS
Languages : en
Pages : 0
Book Description
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Publisher:
ISBN: 9781786806833
Category : BUSINESS & ECONOMICS
Languages : en
Pages : 0
Book Description
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Museum of the Missing
Author: Simon Houpt
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402728297
Category : Art
Languages : en
Pages : 204
Book Description
Publisher description
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402728297
Category : Art
Languages : en
Pages : 204
Book Description
Publisher description
Artefacts, Archives, and Documentation in the Relational Museum
Author: Mike Jones
Publisher: Routledge
ISBN: 100040532X
Category : Language Arts & Disciplines
Languages : en
Pages : 111
Book Description
Artefacts, Archives, and Documentation in the Relational Museum provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation. Drawing on case studies from Australia, the United Kingdom, and the United States, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory ‘relational museum.’ Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies.
Publisher: Routledge
ISBN: 100040532X
Category : Language Arts & Disciplines
Languages : en
Pages : 111
Book Description
Artefacts, Archives, and Documentation in the Relational Museum provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation. Drawing on case studies from Australia, the United Kingdom, and the United States, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory ‘relational museum.’ Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies.
Seeing Texas History
Author: The Bob Bullock Texas State History Museum
Publisher: Bob Bullock Texas State History Museum
ISBN: 9781477310892
Category : History
Languages : en
Pages : 0
Book Description
Exhibitions featuring more than five hundred original artifacts spanning thirteen thousand years and a robust calendar of special exhibitions, films, and programs are the hallmark of the Bob Bullock Texas State History Museum, Texas’s official history museum. The Bullock collaborates with more than seven hundred museums, libraries, archives, and individuals to display original historical artifacts and produce exhibitions that illuminate and celebrate Texas history and culture. Seeing Texas History: The Bob Bullock Texas State History Museum features seventy artifacts that have been on view at the Bullock Museum. Reflecting history, both individually and collectively, the artifacts represent all eras, regions of the state, and genres. The artifacts in the collection range from Texas’s quintessential founding documents to items from everyday life, works of art, and objects that show the state as a leader in science and technology. This book does what museums do best, presenting history as artifact, inviting readers to closely examine historical objects and consider how the past shapes the future.
Publisher: Bob Bullock Texas State History Museum
ISBN: 9781477310892
Category : History
Languages : en
Pages : 0
Book Description
Exhibitions featuring more than five hundred original artifacts spanning thirteen thousand years and a robust calendar of special exhibitions, films, and programs are the hallmark of the Bob Bullock Texas State History Museum, Texas’s official history museum. The Bullock collaborates with more than seven hundred museums, libraries, archives, and individuals to display original historical artifacts and produce exhibitions that illuminate and celebrate Texas history and culture. Seeing Texas History: The Bob Bullock Texas State History Museum features seventy artifacts that have been on view at the Bullock Museum. Reflecting history, both individually and collectively, the artifacts represent all eras, regions of the state, and genres. The artifacts in the collection range from Texas’s quintessential founding documents to items from everyday life, works of art, and objects that show the state as a leader in science and technology. This book does what museums do best, presenting history as artifact, inviting readers to closely examine historical objects and consider how the past shapes the future.
Keeping Their Marbles
Author: Tiffany Jenkins
Publisher: Oxford University Press
ISBN: 0198817185
Category : Antiquities
Languages : en
Pages : 380
Book Description
For the past two centuries and more, the West has acquired the treasures of antiquity to fill its museums, so that visitors to the British Museum in London, the Louvre in Paris and the Metropolitan in New York - to name but a few - can wonder at the ingenuity of humanity throughout the ages. However, in the opinion of most people, many of these items are looted property and should be returned immediately. In 'Keeping Their Marbles', Tiffany Jenkins tells the intriguing and sometimes bloody story of how the West came to acquire these treasures. Originally published: 2016.
Publisher: Oxford University Press
ISBN: 0198817185
Category : Antiquities
Languages : en
Pages : 380
Book Description
For the past two centuries and more, the West has acquired the treasures of antiquity to fill its museums, so that visitors to the British Museum in London, the Louvre in Paris and the Metropolitan in New York - to name but a few - can wonder at the ingenuity of humanity throughout the ages. However, in the opinion of most people, many of these items are looted property and should be returned immediately. In 'Keeping Their Marbles', Tiffany Jenkins tells the intriguing and sometimes bloody story of how the West came to acquire these treasures. Originally published: 2016.
Who Owns Antiquity?
Author: James Cuno
Publisher: Princeton University Press
ISBN: 1400839246
Category : Art
Languages : en
Pages : 285
Book Description
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.
Publisher: Princeton University Press
ISBN: 1400839246
Category : Art
Languages : en
Pages : 285
Book Description
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.
Lost Treasures of the Bible
Author: Clyde E. Fant
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802828817
Category : Religion
Languages : en
Pages : 500
Book Description
"Lost Treasures of the Bible contains photographs and detailed descriptions of more than one hundred biblically significant archaeological objects housed in over twenty-five museums worldwide. Clyde Fant and Mitchell Reddish's selection of artifacts - many of them relatively unknown - illuminates the history, culture, and practices of the biblical world as a whole. Each entry also explains that particular object's relevance for understanding the Bible and locates the artifact not only at its museum site but also by its specific identification number, which is particularly valuable for smaller and lesser-known objects - true "lost treasures.""--BOOK JACKET.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802828817
Category : Religion
Languages : en
Pages : 500
Book Description
"Lost Treasures of the Bible contains photographs and detailed descriptions of more than one hundred biblically significant archaeological objects housed in over twenty-five museums worldwide. Clyde Fant and Mitchell Reddish's selection of artifacts - many of them relatively unknown - illuminates the history, culture, and practices of the biblical world as a whole. Each entry also explains that particular object's relevance for understanding the Bible and locates the artifact not only at its museum site but also by its specific identification number, which is particularly valuable for smaller and lesser-known objects - true "lost treasures.""--BOOK JACKET.