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Author: Stuart Cary Welch
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320
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Book Description
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Author: Stuart Cary Welch
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320
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Book Description
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Author: Maryam D. Ekhtiar
Publisher: Metropolitan Museum of Art
ISBN: 1588396304
Category : Art
Languages : en
Pages : 159
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Book Description
"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Author: Sonia Rhie Mace
Publisher: Giles
ISBN: 9781907804892
Category : Illumination of books and manuscripts
Languages : en
Pages : 0
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Book Description
A captivating and vibrant reflection of the art history of one of the greatest empires of the early modern period
Author: Anthony Welch
Publisher: Cornell University Press
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
The collection of Prince Sadruddin Aga Khan contains some of the world's finest examples of painting and calligraphy and is perhaps the most important private Muslim collection of Islamic art. This volume, richly illustrated with 24 color plates and 101 black-and-white photographs, provides a brief history of the collection and offers a generous selection of paintings, manuscripts, calligraphies, bindings, and drawings that spans the geographic range of Islamic art from North Africa to India. Detailed discussions of each illustration introduce readers to the major patrons and artists in the development of the arts of the precious book. Anthony Welch and Stuart Cary Welch have selected the most magnificent pages from the prince's collection for this volume. Included are portraits of the great Mughal rulers of India, paintings from the pages of a sixteenth-century Shahnamah (Book of Kings) of Iran, and stunning examples of calligraphy. Among the Muslim manuscripts represented are Qur̕ans from North Africa, Ottoman Turkey, Iran, and India; historical works such as the Ottoman illustrated manuscript of the Tuhfet ul-Leta̕if; philosophical treatises such as the Ethics of Nasir al-Din Tusi of India; and literary works such as the late-sixteenth-century Anvar-i Suhayli, commissioned and probably illustrated by the leading Safavid Iranian painter Sadiqi Bek. -- Inside jacket flap.
Author: Iftikhar Dadi
Publisher: Univ of North Carolina Press
ISBN: 0807895962
Category : Art
Languages : en
Pages : 356
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Book Description
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author: Robert Hillenbrand
Publisher: Edinburgh Studies in Islamic A
ISBN: 9781474434294
Category : Art
Languages : en
Pages : 448
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Book Description
Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension, expressed in plain, simple English, runs counter to the current fashion for theoretical explanations and their accompanying jargon. Its many insights, firmly anchored in artistic practice in architecture, painting and the decorative arts, are supported by ample technical know-how. This bottom-up approach differs radically and refreshingly from that of much top-down contemporary scholarship. It privileges the maker rather than the patron. The range is wide - mosques becoming temples; how religious buildings reflect politics; Yemeni frescoes and inscriptions; domestic Syrian 18th-century ornament; Egyptian bookbinding techniques; recycling and repair in Damascene crafts; conservation versus restoration; narrative on ceramics; metalwork with architectural motifs; lost buildings reconstructed; how objects speak;Muslim burials in China; the role of migrating potters; Mughal painting; stone carpet weights; the use of metals in Islamic manuscripts, calligraphy and modern artists' books. Key Features - Explores previously neglected practice-based approaches to Islamic art - Looks at Islamic art from the craftsman's rather than the patron's viewpoint - Covers not just the Islamic heartlands but extends to India and China, underlining the global presence of Islamic art - Presents material and sources which are usually overlooked in discussions of Islamic art - Revises conventional wisdom in fields as disparate as book painting and ceramics - Illuminates the interface of modern politics and Islamic art Robert Hillenbrand is Professor Emeritus of Islamic Art the University of Edinburgh and Professorial Fellow in the School of Art History at the University of St Andrews.
Author: Valerie Gonzalez
Publisher: Routledge
ISBN: 1317184874
Category : Art
Languages : en
Pages : 337
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Book Description
The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
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Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: Emily Hannam
Publisher: Royal Collection Editions
ISBN: 9781909741454
Category : Art, Mogul Empire
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Queen's Gallery, Buckingham Palace, London, United Kingdom in June 2018.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
