Author: Diana Sperling
Publisher: St Martins Press
ISBN: 9780312551292
Category : History
Languages : en
Pages : 140
Book Description
Mrs. Hurst Dancing and Other Scenes from Regency Life
Author: Diana Sperling
Publisher: St Martins Press
ISBN: 9780312551292
Category : History
Languages : en
Pages : 140
Book Description
Publisher: St Martins Press
ISBN: 9780312551292
Category : History
Languages : en
Pages : 140
Book Description
Mrs Hurst Dancing, and Other Scenes from Regency Life, 1812-1823
Author: Diana Sperling
Publisher: Orion
ISBN: 9780575030350
Category : Country life
Languages : en
Pages : 70
Book Description
Publisher: Orion
ISBN: 9780575030350
Category : Country life
Languages : en
Pages : 70
Book Description
Serjeant Musgrave's Dance
Author: John Arden
Publisher: A&C Black
ISBN: 1408177242
Category : Drama
Languages : en
Pages : 149
Book Description
Set between 1860 and 1880, four deserters bring the body of a dead soldier back to his home town, a mining community in the grip of a coal strike and cut off by snow. Their leader, Serjeant Musgrave, plans to hold the town at gunpoint and confront its people with the realities of warfare. Arden's play questions the military principle of "Obey or suffer" and the cruelty and futility of war. Serjeant Musgrave's Dance was first performed at the Royal Court Theatre in 1959.This volume contains expert notes on the author's life and work, historical and political background to the play and a glossary of difficult words and phrases.
Publisher: A&C Black
ISBN: 1408177242
Category : Drama
Languages : en
Pages : 149
Book Description
Set between 1860 and 1880, four deserters bring the body of a dead soldier back to his home town, a mining community in the grip of a coal strike and cut off by snow. Their leader, Serjeant Musgrave, plans to hold the town at gunpoint and confront its people with the realities of warfare. Arden's play questions the military principle of "Obey or suffer" and the cruelty and futility of war. Serjeant Musgrave's Dance was first performed at the Royal Court Theatre in 1959.This volume contains expert notes on the author's life and work, historical and political background to the play and a glossary of difficult words and phrases.
Dance
Author: Carol Wallace
Publisher: Metropolitan Museum of Art
ISBN: 0870994867
Category : Ballroom dancing
Languages : en
Pages : 129
Book Description
"Twirling figures, gloved hands clasped, the strains of the violin..." These words from the first essay in this delightful book could be describing an eighteenth-century minuet performed by aristocratic guests at a Versailles ball, a nineteenth-century cotillion of white-gowned debutantes in new York, or a stylish moment created on the silver screen by Fred Astaire and Ginger Rogers. The steps and the music and the dresses may vary, but the exciting and elegant sight of society enjoying itself on the dance floor has persisted through the ages. In this book, published to coincide with an exhibition held at the Costume Institute of the Metropolitan Museum of Art under the direction of Diana Vreeland, four authors look at the subject of social dancing from four different points of view. Carol McD. Wallace surveys the great balls and dancing parties of Europe, England, and America from the eighteenth century to the present, while Don McDonagh describes the dance steps themselves, from the early basse danze of Italy to the twist of modern-day America. Jean Druesedow, associate curator in charge of the Costume Institute, discusses the evolution of the ball gown and other costumes designed for dancing, and Laurence Libin, curator of musical instruments, assisted by Constance Old, analyzes the way in which dance has been depicted in works of art through the centuries. Illustrated with paintings, works of decorative art, contemporary prints and photographs, these lively essays re-create the rhythmic energy, the social proprieties, the colorful costumes and anecdotes of dances and dancers past and present. -- from dust jacket.
Publisher: Metropolitan Museum of Art
ISBN: 0870994867
Category : Ballroom dancing
Languages : en
Pages : 129
Book Description
"Twirling figures, gloved hands clasped, the strains of the violin..." These words from the first essay in this delightful book could be describing an eighteenth-century minuet performed by aristocratic guests at a Versailles ball, a nineteenth-century cotillion of white-gowned debutantes in new York, or a stylish moment created on the silver screen by Fred Astaire and Ginger Rogers. The steps and the music and the dresses may vary, but the exciting and elegant sight of society enjoying itself on the dance floor has persisted through the ages. In this book, published to coincide with an exhibition held at the Costume Institute of the Metropolitan Museum of Art under the direction of Diana Vreeland, four authors look at the subject of social dancing from four different points of view. Carol McD. Wallace surveys the great balls and dancing parties of Europe, England, and America from the eighteenth century to the present, while Don McDonagh describes the dance steps themselves, from the early basse danze of Italy to the twist of modern-day America. Jean Druesedow, associate curator in charge of the Costume Institute, discusses the evolution of the ball gown and other costumes designed for dancing, and Laurence Libin, curator of musical instruments, assisted by Constance Old, analyzes the way in which dance has been depicted in works of art through the centuries. Illustrated with paintings, works of decorative art, contemporary prints and photographs, these lively essays re-create the rhythmic energy, the social proprieties, the colorful costumes and anecdotes of dances and dancers past and present. -- from dust jacket.
Pride and Prejudice Volume 2 of 2 (EasyRead Super Large 20pt Edition)
Author:
Publisher: ReadHowYouWant.com
ISBN: 1427036438
Category :
Languages : en
Pages : 414
Book Description
Publisher: ReadHowYouWant.com
ISBN: 1427036438
Category :
Languages : en
Pages : 414
Book Description
Mrs. Gerald's Niece
Author: Georgiana Fullerton
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
Book Description
The Unraveling of Mr. Darcy
Author: Valerie Lennox
Publisher: Punk Rawk Books
ISBN:
Category : Fiction
Languages : en
Pages : 203
Book Description
Publisher: Punk Rawk Books
ISBN:
Category : Fiction
Languages : en
Pages : 203
Book Description
The Dancer
Author: Evelyn Juers
Publisher: Giramondo Publishing
ISBN: 1925818888
Category : Biography & Autobiography
Languages : en
Pages : 565
Book Description
The new book by prize-winning biographer Evelyn Juers, author of The House of Exile and The Recluse, portrays the life and background of a pioneering Australian dancer who died at the age of twenty-five in a remote town in India. A uniquely talented dancer and choreographer, Philippa Cullen grew up in Australia in the 1950s and 60s. In the 1970s, driven by the idea of dancing her own music, she was at the forefront of the new electronic music movement, working internationally with performers, avant-garde composers, engineers and mathematicians to build and experiment with theremins and movement-sensitive floors, which she called body-instruments. She had a unique sense of purpose, read widely, travelled the world, and danced at opera houses, art galleries and festivals, on streets and bridges, trains, clifftops, rooftops. She wrote, I would define dance as an outer manifestation of inner energy in an articulation more lucid than language. An embodiment of the artistic aspirations of her age, she died alone in a remote hill town in southern India in 1975. With detailed reference to Cullen’s personal papers and the recollections of those who knew her, and with her characteristic flair for drawing connections to bring in larger perspectives, Evelyn Juers’ The Dancer is at once an intimate and wide-ranging biography, a portrait of the artist as a young woman.
Publisher: Giramondo Publishing
ISBN: 1925818888
Category : Biography & Autobiography
Languages : en
Pages : 565
Book Description
The new book by prize-winning biographer Evelyn Juers, author of The House of Exile and The Recluse, portrays the life and background of a pioneering Australian dancer who died at the age of twenty-five in a remote town in India. A uniquely talented dancer and choreographer, Philippa Cullen grew up in Australia in the 1950s and 60s. In the 1970s, driven by the idea of dancing her own music, she was at the forefront of the new electronic music movement, working internationally with performers, avant-garde composers, engineers and mathematicians to build and experiment with theremins and movement-sensitive floors, which she called body-instruments. She had a unique sense of purpose, read widely, travelled the world, and danced at opera houses, art galleries and festivals, on streets and bridges, trains, clifftops, rooftops. She wrote, I would define dance as an outer manifestation of inner energy in an articulation more lucid than language. An embodiment of the artistic aspirations of her age, she died alone in a remote hill town in southern India in 1975. With detailed reference to Cullen’s personal papers and the recollections of those who knew her, and with her characteristic flair for drawing connections to bring in larger perspectives, Evelyn Juers’ The Dancer is at once an intimate and wide-ranging biography, a portrait of the artist as a young woman.
Theatre in Dublin, 1745–1820
Author: John C. Greene
Publisher: Lehigh University Press
ISBN: 1611461154
Category : Performing Arts
Languages : en
Pages : 801
Book Description
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Publisher: Lehigh University Press
ISBN: 1611461154
Category : Performing Arts
Languages : en
Pages : 801
Book Description
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
New York Amusement Gazette
Author:
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 622
Book Description
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 622
Book Description