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Author: Ben Bollig
Publisher: Liverpool University Press
ISBN: 180085790X
Category : Art
Languages : en
Pages : 256
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Book Description
From Wild Tales to Zama, Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? Moving Verses studies the relationship between poetry and cinema in Argentina. Although both the “poetics of cinema” and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. The book analyses how film and poetry transform each another, and how these two expressive media behave when placed into dialogue. Going beyond theories of adaptation, and engaging critically with concepts around intermediality and interdisciplinarity, Moving Verses offers tools and methods for studying both experimental and mainstream film from Latin America and beyond. The corpus includes some of Argentina’s most exciting and radical contemporary directors (Raúl Perrone, Gustavo Fontán) as well as established modern masters (María Luisa Bemberg, Eliseo Subiela), and seldom studied experimental projects (Narcisa Hirsch, Claudio Caldini). The critical approach draws on recent works on intermediality and “impure” cinema to sketch and assess the many and varied ways in which directors “read” poetry on screen.
Author: Ben Bollig
Publisher: Liverpool University Press
ISBN: 180085790X
Category : Art
Languages : en
Pages : 256
Get Book
Book Description
From Wild Tales to Zama, Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? Moving Verses studies the relationship between poetry and cinema in Argentina. Although both the “poetics of cinema” and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. The book analyses how film and poetry transform each another, and how these two expressive media behave when placed into dialogue. Going beyond theories of adaptation, and engaging critically with concepts around intermediality and interdisciplinarity, Moving Verses offers tools and methods for studying both experimental and mainstream film from Latin America and beyond. The corpus includes some of Argentina’s most exciting and radical contemporary directors (Raúl Perrone, Gustavo Fontán) as well as established modern masters (María Luisa Bemberg, Eliseo Subiela), and seldom studied experimental projects (Narcisa Hirsch, Claudio Caldini). The critical approach draws on recent works on intermediality and “impure” cinema to sketch and assess the many and varied ways in which directors “read” poetry on screen.
Author: Zondervan,
Publisher: Zondervan Academic
ISBN: 0310302498
Category : Religion
Languages : en
Pages : 386
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Book Description
Learn to identify, evaluate, and refine your approach to forming theological conclusions based on the biblical text. The Bible has long served as the standard for Christian practice, yet believers still disagree on how biblical passages should be interpreted and applied. Only when readers fully understand the constructs that inform their process of moving from Scripture to theology--and those of others--can Christians fully evaluate teachings that claim to be "biblical." In this book--part of the Counterpoints series--scholars who affirm an inspired Bible, relevant and authoritative for every era, present models they consider most faithful to Scripture Walter C. Kaiser, Jr.: Principlizing Model Daniel M. Doriani: Redemptive-Historical Model Kevin J. Vanhoozer: Drama-of-Redemption Model William J. Webb: Redemptive-Movement Model Each position receives critiques from the proponents of the other views. Moreover, due to the far-reaching implications this topic holds for biblical studies, theology, and church teaching, this book includes three additional reflections by Christopher J. H. Wright, Mark L. Strauss, and Al Wolters on the theological and practical interpretation of biblical texts. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
Author: Esther Fleece Allen
Publisher: Zondervan
ISBN: 0310344778
Category : Religion
Languages : en
Pages : 220
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Book Description
Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.
Author:
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 190
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Book Description
Author: Shadworth Hollway Hodgson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 436
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Book Description
Author: Grace Atkinson Oliver
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
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Book Description
Author: Anna Letitia Aikin Barbauld
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 492
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Book Description
Author: Shelly Wagner
Publisher: Texas Tech University Press
ISBN: 9780896723191
Category : Poetry
Languages : en
Pages : 102
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Book Description
This is poetry about a parent losing a child -- and so much more. The author takes us on a journey through sorrow and love into healing and understanding.
Author: D. A. Carson
Publisher: Baker Books
ISBN: 1585582808
Category : Religion
Languages : en
Pages : 153
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Book Description
This book offers updated explanations of the sins of interpretation to teach sound grammatical, lexical, cultural, theological, and historical Bible study practices. "A must for teachers, pastors, and serious Bible students."--Journal of the Evangelical Theological Society
Author: Ancient Philosophy
Publisher: Ancient Philosophy
ISBN:
Category : Young Adult Nonfiction
Languages : en
Pages : 164
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Book Description
Empirical reality has been the focus of most scientific studies. But, humans have always been curious about how awareness, consciousness, sub-consciousness, or how the mind works. How are thoughts formed? Am I the mind? Is the brain responsible for consciousness? Are thoughts consciousness? Are there sub-conscious thoughts? Is the observable universe the truth? Is there a truth beyond reality? What is difference between a living being and a non-living being? What is the soul? If it is not about consciousness, the next curiosity has been about space, time and matter. Is space finite or infinite? If space is expanding, where is it expanding into? What is time? Are there extra dimensions to space? Is time the 4th dimension? How many dimensions are present? How does space and time relate to consciousness? If consciousness was not present, would there be space and time? Is this whole universe just a thought? Is there a consolidated thought that ties all living beings together? Surya Siddanta, the ancient sanskrit literature, when translated in the context of "emergence of reality", answers just these questions. The concepts presented are surprisingly different and highly thought provoking, making us question our own science which we hold as undisputable. The Surya Siddanta describes the various steps involved the formation of reality, as it traverses from that incomprehensible, unmanifested qualityless truth to the formation of an Individual. This book explores the ideas, the principles and concepts presented in Surya Siddanta, and explains the steps presented with equivalent examples as seen in technologies created by us.
