Moving the Obelisks:

Moving the Obelisks: PDF Author: Bern Dibner
Publisher: Pickle Partners Publishing
ISBN: 1787204812
Category : History
Languages : en
Pages : 130

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Book Description
Dating from the beginning of historical memory, the obelisks of ancient Egypt—those tall, tapering shafts typically weighing from 200 to 500 tons—were carved from a single block of solid stone to commemorate the ruler of the moment. Many of these ancient monoliths, taken from Egypt as trophies of conquest and symbols of power through the efforts of extraordinary human labor and engineering ingenuity, were re-established in the capitals and seats of empire that also inherited Egypt’s burden of civilization. While near the climax of their historical potency, obelisks were erected by Alexandria, Nineveh, Constantinople, Rome, Paris, London, New York, etc. Fascinating as obelisks are as tracers of world history, the methods by which they have been moved and raised from ca. B.C. 1500 to A.D. 1880 (when the New York obelisk was raised) are more interesting still, and this epic history and associated engineering feats are encapsulated in this volume. The book records information, as far as we have it, on the building of the pyramids and the moving of the obelisks, together with various conjectures. What is certain is that the obelisks were moved great distances by man power alone. We do have a full record of the moving of the Vatican obelisk in 1586 from several contemporary accounts, most especially that of the project’s deviser and chief engineer, Domenico Fontana, and this move is the central concern of the book: it details how Fontana, with the enthusiastic backing of Pope Sixtus V, solved the problem by utilizing 48 capstans spread over what is now St. Peter’s Square, turned by the combined muscle power of men and horses. Full accounts are also given of the Paris, London, and New York obelisks. Of particular interest here are the various methods—including a pontoon built around a prone obelisk—by which the monoliths were transported on the high seas. Contemporary engravings are reproduced throughout.

Moving the Obelisks:

Moving the Obelisks: PDF Author: Bern Dibner
Publisher: Pickle Partners Publishing
ISBN: 1787204812
Category : History
Languages : en
Pages : 130

Get Book Here

Book Description
Dating from the beginning of historical memory, the obelisks of ancient Egypt—those tall, tapering shafts typically weighing from 200 to 500 tons—were carved from a single block of solid stone to commemorate the ruler of the moment. Many of these ancient monoliths, taken from Egypt as trophies of conquest and symbols of power through the efforts of extraordinary human labor and engineering ingenuity, were re-established in the capitals and seats of empire that also inherited Egypt’s burden of civilization. While near the climax of their historical potency, obelisks were erected by Alexandria, Nineveh, Constantinople, Rome, Paris, London, New York, etc. Fascinating as obelisks are as tracers of world history, the methods by which they have been moved and raised from ca. B.C. 1500 to A.D. 1880 (when the New York obelisk was raised) are more interesting still, and this epic history and associated engineering feats are encapsulated in this volume. The book records information, as far as we have it, on the building of the pyramids and the moving of the obelisks, together with various conjectures. What is certain is that the obelisks were moved great distances by man power alone. We do have a full record of the moving of the Vatican obelisk in 1586 from several contemporary accounts, most especially that of the project’s deviser and chief engineer, Domenico Fontana, and this move is the central concern of the book: it details how Fontana, with the enthusiastic backing of Pope Sixtus V, solved the problem by utilizing 48 capstans spread over what is now St. Peter’s Square, turned by the combined muscle power of men and horses. Full accounts are also given of the Paris, London, and New York obelisks. Of particular interest here are the various methods—including a pontoon built around a prone obelisk—by which the monoliths were transported on the high seas. Contemporary engravings are reproduced throughout.

Moving the Obelisks

Moving the Obelisks PDF Author: Bern Dibner
Publisher:
ISBN:
Category : Moving of buildings, bridges, etc
Languages : en
Pages : 80

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Book Description


Moving the Obelisks

Moving the Obelisks PDF Author: Bern Dibner
Publisher:
ISBN: 9781258804787
Category :
Languages : en
Pages : 64

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Book Description
A Chapter In Engineering History In Which The Vatican Obelisk In Rome In 1586 Was Moved By Muscle Power, And A Study Of More Recent Similar Moves.

Moving the Obelisks

Moving the Obelisks PDF Author: Bern Dibner
Publisher:
ISBN:
Category : Moving of buildings, bridges, etc
Languages : en
Pages : 0

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Book Description


Moving the Obelisks A chapter in engineering in whic the Vatican obelisk in Rome in 1586 was moved by muscle power, and a study of more recent similar moves

Moving the Obelisks A chapter in engineering in whic the Vatican obelisk in Rome in 1586 was moved by muscle power, and a study of more recent similar moves PDF Author: Bern Dibner
Publisher:
ISBN:
Category :
Languages : it
Pages : 61

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Book Description


Obelisk

Obelisk PDF Author: Judith Jones
Publisher: Prima Lifestyles
ISBN: 9780761504191
Category : Fiction
Languages : en
Pages : 404

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Book Description
Archaeologist and historian John Howard is stymied in his work by the huge amount of historical material lost in the Cataclysm of 2479. When an alien technology makes time travel possible, Howard becomes obsessed with retrieving an unimaginable hoard of artifacts--the treasure trove of humanity's history.

Moving the Obelisks, a Chapter in Engineering History in which the Vatican Obelisk in Rome in 1586 was Moved by Muscle Power, and a Study of More Recent Similar Moves, by Bern Dibner

Moving the Obelisks, a Chapter in Engineering History in which the Vatican Obelisk in Rome in 1586 was Moved by Muscle Power, and a Study of More Recent Similar Moves, by Bern Dibner PDF Author: Bern Dibner
Publisher:
ISBN:
Category :
Languages : en
Pages : 63

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Book Description


The New York Obelisk, Or, How Cleopatra's Needle Came to New York and what Happened when it Got Here

The New York Obelisk, Or, How Cleopatra's Needle Came to New York and what Happened when it Got Here PDF Author: Martina D'Alton
Publisher: Metropolitan Museum of Art
ISBN: 0870996800
Category : Cleopatra's Needle (New York, N.Y.)
Languages : en
Pages : 76

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Book Description
This delightful book tells the story of how Cleopatra's needle, the popular Egyptian obelisk that is now located in Manhattan's Central Park, came to New York in January of 1881.-- Metropolitan Museum of Art website.

Obelisk

Obelisk PDF Author: Brian A. Curran
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388

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Book Description
Nearly every empire worthy of the name--from ancient Rome to the United States--has sought an Egyptian obelisk to place in the center of a ceremonial space. Obelisks--giant standing stones, invented in Ancient Egypt as sacred objects--serve no practical purpose. This beautifully illustrated book traces the fate and many meanings of obelisks across nearly forty centuries--what they meant to the Egyptians, and how other cultures have borrowed, interpreted, understood, and misunderstood them through the years.

Egypt in Italy

Egypt in Italy PDF Author: Molly Swetnam-Burland
Publisher: Cambridge University Press
ISBN: 1107040485
Category : Art
Languages : en
Pages : 263

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Book Description
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.