Author: Reena Shah
Publisher: Mapin Publishing Pvt Ltd
ISBN: 9788188204427
Category : Art
Languages : en
Pages : 324
Book Description
I Can Never Say I Was Born To Dance, She Says With A Subtle Hint Of Pride. Yet For This Very Reason, Kumudini Lakhia Went On To Become One Of The Great Modern Innovators Of North Indian Classical Dance. Though She Studied Kathak Throughout Her Life, Her
Movement in Stills
Author: Reena Shah
Publisher: Mapin Publishing Pvt Ltd
ISBN: 9788188204427
Category : Art
Languages : en
Pages : 324
Book Description
I Can Never Say I Was Born To Dance, She Says With A Subtle Hint Of Pride. Yet For This Very Reason, Kumudini Lakhia Went On To Become One Of The Great Modern Innovators Of North Indian Classical Dance. Though She Studied Kathak Throughout Her Life, Her
Publisher: Mapin Publishing Pvt Ltd
ISBN: 9788188204427
Category : Art
Languages : en
Pages : 324
Book Description
I Can Never Say I Was Born To Dance, She Says With A Subtle Hint Of Pride. Yet For This Very Reason, Kumudini Lakhia Went On To Become One Of The Great Modern Innovators Of North Indian Classical Dance. Though She Studied Kathak Throughout Her Life, Her
Blondell Cummings: Dance as Moving Pictures
Author: Kristin Juarez
Publisher:
ISBN: 9781737838807
Category : Art
Languages : en
Pages : 256
Book Description
Blondell Cummings: Dance as Moving Pictures is the first monograph dedicated to the pivotal work of African American choreographer and video artist Blondell Cummings. The book accompanies an exhibition of the same name co-organized by the Getty Research Institute and Art + Practice, on view at Art + Practice in Los Angeles from September 18, 2021 through February 19, 2022.A foundational figure in dance, Cummings bridged postmodern dance experimentation and Black cultural traditions. Through her unique movement vocabulary, which she called "moving pictures," Cummings combined the visual imagery of photography and the kinetic energy of movement in order to explore the emotional details of daily rituals and the intimacy of Black home life. In her most well-known work Chicken Soup (1981), Cummings remembered the family kitchen as a basis for her choreography; the dance was designated an American Masterpiece by the National Endowment for the Arts in 2006. This book draws from Cummings's personal archive and includes performance ephemera and numerous images from digitized recordings of Cummings's performances and dance films; newly commissioned essays by Samada Aranke, Thomas F. DeFrantz, and Tara Aisha Willis; remembrances by Marjani Forté-Saunders, Ishmael Houston-Jones, Meredith Monk, Elizabeth Streb, Edisa Weeks, and Jawole Willa Jo Zollar; a 1995 interview with Cummings by Veta Goler; and transcripts from Cummings's appearances at Jacob's Pillow and the Wexner Center for the Arts. Bringing together reprints, an extended biography, a chronology of her work, rarely seen documentation, and new research, this book begins to contextualize Cummings's practice at the intersection of dance, moving image, and art histories.
Publisher:
ISBN: 9781737838807
Category : Art
Languages : en
Pages : 256
Book Description
Blondell Cummings: Dance as Moving Pictures is the first monograph dedicated to the pivotal work of African American choreographer and video artist Blondell Cummings. The book accompanies an exhibition of the same name co-organized by the Getty Research Institute and Art + Practice, on view at Art + Practice in Los Angeles from September 18, 2021 through February 19, 2022.A foundational figure in dance, Cummings bridged postmodern dance experimentation and Black cultural traditions. Through her unique movement vocabulary, which she called "moving pictures," Cummings combined the visual imagery of photography and the kinetic energy of movement in order to explore the emotional details of daily rituals and the intimacy of Black home life. In her most well-known work Chicken Soup (1981), Cummings remembered the family kitchen as a basis for her choreography; the dance was designated an American Masterpiece by the National Endowment for the Arts in 2006. This book draws from Cummings's personal archive and includes performance ephemera and numerous images from digitized recordings of Cummings's performances and dance films; newly commissioned essays by Samada Aranke, Thomas F. DeFrantz, and Tara Aisha Willis; remembrances by Marjani Forté-Saunders, Ishmael Houston-Jones, Meredith Monk, Elizabeth Streb, Edisa Weeks, and Jawole Willa Jo Zollar; a 1995 interview with Cummings by Veta Goler; and transcripts from Cummings's appearances at Jacob's Pillow and the Wexner Center for the Arts. Bringing together reprints, an extended biography, a chronology of her work, rarely seen documentation, and new research, this book begins to contextualize Cummings's practice at the intersection of dance, moving image, and art histories.
The Shape of Motion
Author: Jordan Schonig
Publisher: Oxford University Press
ISBN: 0190093889
Category : Performing Arts
Languages : en
Pages : 265
Book Description
"Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"
Publisher: Oxford University Press
ISBN: 0190093889
Category : Performing Arts
Languages : en
Pages : 265
Book Description
"Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"
Film: A Very Short Introduction
Author: Michael Wood
Publisher: Oxford University Press, USA
ISBN: 0192803530
Category : Art
Languages : en
Pages : 153
Book Description
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.
Publisher: Oxford University Press, USA
ISBN: 0192803530
Category : Art
Languages : en
Pages : 153
Book Description
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.
Lois Greenfield
Author: William A. Ewing
Publisher:
ISBN: 9780500518038
Category : Photography
Languages : en
Pages : 0
Book Description
Over the past 40 years, Lois Greenfield has earned a reputation as one of the world's most accomplished and respected photographers of human motion. Her images of dancers in mid-flight or mid-movement are astonishingly beautiful and capture the magic of dance in a unique way. In the 17 years since her last book was published, Greenfield has moved into digital colour photography, and some 150 of these breathtaking images are reproduced in Moving Still. They reflect her collaboration with leading contemporary dancers, many of whom perform with international touring companies. The book reunites Greenfield with the distinguished writer and curator William A. Ewing, her enduring champion across the decades and author of her two previous monographs, who provides an illuminating introduction as well as an interview with the photographer about her recent work. The extended captions by Greenfield provide fascinating insights into the creative process. Divided into four picture sections, the free-flowing, rhythmic design of the book does justice to the majestic beauty of Greenfield's photographs.
Publisher:
ISBN: 9780500518038
Category : Photography
Languages : en
Pages : 0
Book Description
Over the past 40 years, Lois Greenfield has earned a reputation as one of the world's most accomplished and respected photographers of human motion. Her images of dancers in mid-flight or mid-movement are astonishingly beautiful and capture the magic of dance in a unique way. In the 17 years since her last book was published, Greenfield has moved into digital colour photography, and some 150 of these breathtaking images are reproduced in Moving Still. They reflect her collaboration with leading contemporary dancers, many of whom perform with international touring companies. The book reunites Greenfield with the distinguished writer and curator William A. Ewing, her enduring champion across the decades and author of her two previous monographs, who provides an illuminating introduction as well as an interview with the photographer about her recent work. The extended captions by Greenfield provide fascinating insights into the creative process. Divided into four picture sections, the free-flowing, rhythmic design of the book does justice to the majestic beauty of Greenfield's photographs.
The Cinema Handbook
Author: Austin Celestin Lescarboura
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 532
Book Description
Transactions of the Society of Motion Picture Engineers
Author: Society of Motion Picture Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 574
Book Description
Journal of the Society of Motion Picture and Television Engineers
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 836
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 836
Book Description
The Film Daily Year Book of Motion Pictures
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 1296
Book Description
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 1296
Book Description
Stan Douglas: Abbott and Cordova, 7 August 1971
Author: Stan Douglas
Publisher: arsenal pulp press
ISBN: 1551524147
Category : Art
Languages : en
Pages : 116
Book Description
This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by Douglas' work, including the suppression and assimilation of the counterculture. It also includes other works from Douglas' Crowds and Riots series. Stan Douglas has exhibited widely, including at the Venice Biennale, Whitney Biennial, and documenta. He is the subject of numerous books, including Stan Douglas (Phaidon Press).
Publisher: arsenal pulp press
ISBN: 1551524147
Category : Art
Languages : en
Pages : 116
Book Description
This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by Douglas' work, including the suppression and assimilation of the counterculture. It also includes other works from Douglas' Crowds and Riots series. Stan Douglas has exhibited widely, including at the Venice Biennale, Whitney Biennial, and documenta. He is the subject of numerous books, including Stan Douglas (Phaidon Press).