Author: Celeste M. Schenck
Publisher: Penn State Press
ISBN: 0271039434
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of &"issue&" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Mourning and Panegyric
Author: Celeste M. Schenck
Publisher: Penn State Press
ISBN: 0271039434
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of &"issue&" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Publisher: Penn State Press
ISBN: 0271039434
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of &"issue&" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Mourning and Panegyric
Author: Celeste Schenck
Publisher: Penn State University Press
ISBN: 9780271028255
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of "issue" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Publisher: Penn State University Press
ISBN: 9780271028255
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of "issue" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Oral Literature in Africa
Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924708
Category : Social Science
Languages : en
Pages : 614
Book Description
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Publisher: Open Book Publishers
ISBN: 1906924708
Category : Social Science
Languages : en
Pages : 614
Book Description
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
The Rhetorical Approach to 1 Thessalonians
Author: Ezra JaeKyung Cho
Publisher: Wipf and Stock Publishers
ISBN: 1725258900
Category : Religion
Languages : en
Pages : 251
Book Description
This book is the rhetorical approach to 1 Thessalonians, particularly on funeral orations. Though many scholars have interpreted 1 Thessalonians in light of a thematic perspective, mirror reading, and epistolary approach, the author asserts that Paul employs elements of epideictic funerary oratory to persuade his audience. Encountering the growing persecution, sufferings, and even death of members, the believers of Thessalonica needed encouragement. As a rhetorical strategist, Paul needed effective methods to answer these problems, which he did so with Greco-Roman funeral orations. Moreover, this book delves into the funerary language with the paradoxical concepts Paul uses to illustrate topoi and the purpose of funeral oration in 1 Thessalonians. Consequently, this book proves these ideas by showing how funeral orations shed light on the whole of 1 Thessalonians in the exordium (1 Thess 1:2-3), the narratio (1:4--3:10), the consolation and exhortation (4:1--5:15), and peroratio with prayer (5:16-28).
Publisher: Wipf and Stock Publishers
ISBN: 1725258900
Category : Religion
Languages : en
Pages : 251
Book Description
This book is the rhetorical approach to 1 Thessalonians, particularly on funeral orations. Though many scholars have interpreted 1 Thessalonians in light of a thematic perspective, mirror reading, and epistolary approach, the author asserts that Paul employs elements of epideictic funerary oratory to persuade his audience. Encountering the growing persecution, sufferings, and even death of members, the believers of Thessalonica needed encouragement. As a rhetorical strategist, Paul needed effective methods to answer these problems, which he did so with Greco-Roman funeral orations. Moreover, this book delves into the funerary language with the paradoxical concepts Paul uses to illustrate topoi and the purpose of funeral oration in 1 Thessalonians. Consequently, this book proves these ideas by showing how funeral orations shed light on the whole of 1 Thessalonians in the exordium (1 Thess 1:2-3), the narratio (1:4--3:10), the consolation and exhortation (4:1--5:15), and peroratio with prayer (5:16-28).
All in All
Author: Charles W. Durham
Publisher: Susquehanna University Press
ISBN: 9781575910161
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Readers will no doubt discern points of contiguity among the essays in this volume. For example, several essays investigate sources - literary, pictorial, architectural - and Milton's use of those sources in his poetry. Others view Milton from the perspective of his age and seventeenth-century contemporaries such as Michael Drayton and Aemelia Lanyer.
Publisher: Susquehanna University Press
ISBN: 9781575910161
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Readers will no doubt discern points of contiguity among the essays in this volume. For example, several essays investigate sources - literary, pictorial, architectural - and Milton's use of those sources in his poetry. Others view Milton from the perspective of his age and seventeenth-century contemporaries such as Michael Drayton and Aemelia Lanyer.
On the Manners and Customs of the Ancient Irish
Author: Eugene O'Curry
Publisher: Scribner
ISBN:
Category : History
Languages : en
Pages : 692
Book Description
Publisher: Scribner
ISBN:
Category : History
Languages : en
Pages : 692
Book Description
On the manners and customs of the ancient Irish, lects., ed. with an intr. by W.K. Sullivan
Author: Eugene O'Curry
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
Book Description
Pastoral Elegy in Contemporary British and Irish Poetry
Author: Iain Twiddy
Publisher: A&C Black
ISBN: 1441139419
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
An examination of the nature and function of pastoral elegies in post-1960 British and Irish poetry.
Publisher: A&C Black
ISBN: 1441139419
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
An examination of the nature and function of pastoral elegies in post-1960 British and Irish poetry.
The Last Act
Author:
Publisher:
ISBN:
Category : Funeral rites and ceremonies
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Funeral rites and ceremonies
Languages : en
Pages : 470
Book Description
Studies in Classical Philology
Author: University of Chicago
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 278
Book Description
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 278
Book Description