Author: Zhang Dai
Publisher: Funstory
ISBN: 1647815908
Category : Fiction
Languages : en
Pages : 664
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Book Description
All your three kingdoms are in the world, while the world of the flat pea is in a mountain. Your three kingdoms all go out to collect your brothers and sisters to fish for beautiful girls and boast, but the world of flat peas, is only the morning dew against the sunset, the grass against the winter, the sky above the earth, against the spring and autumn and the earth above the mountains.
Author: Victor H. Mair
Publisher: Latitude 20
ISBN:
Category : History
Languages : en
Pages : 764
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Book Description
The Hawai‘i Reader in Traditional Chinese Culture is a collection of more than ninety primary sources—all but a few of which were translated specifically for this volume—of cultural significance from the Bronze Age to the turn of the twentieth century. They take into account virtually every aspect of traditional culture, including sources from the non-Sinitic ethnic minorities.
Author: Xun Lu
Publisher: Bloomington : Indiana University Press ; Beijing : Foreign Languages Press
ISBN:
Category : Fiction
Languages : en
Pages : 320
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Book Description
Author: Guanzhong Luo
Publisher: Univ of California Press
ISBN: 9780520225039
Category : Fiction
Languages : en
Pages : 570
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Book Description
"The Three Kingdoms gives us The Iliad of China. First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. Moss Roberts's translation, the first complete rendering in English, is one of surpassing excellence and impeccable scholarship. It should delight and captivate Western readers for many more years to come."—Anthony C. Yu, University of Chicago
Author: United States. Office of Labor-Management Standards Enforcement
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 372
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Book Description
A register of labor organizations which filed reports with the U.S. Department of Labor under the provisions of the Labor-Management Reporting and Disclosure Act, as amended, or the Civil Service Reform Act of 1978.
Author: Ellen Widmer
Publisher: Harvard University Press
ISBN: 0674045165
Category : Social Science
Languages : en
Pages : 459
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Book Description
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization. --Cyril Birch, University of California, Berkeley
Author: Yiheng Zhao
Publisher: Springer Nature
ISBN: 9811577242
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times. It is divided into three parts: traditional Chinese literature, contemporary Chinese literature, and semiotics. In the first part, Professor Zhao summarizes the core elements of narrative cultural relations, ethical dilemmas, and narrative features. He also provides a comprehensive description of the formal structures in Chinese traditional literature. Taking the traditional Chinese play White Rabbit as a case, he discusses the connections between the narrative structure and the characteristics of Chinese novels and stratification of Chinese culture.
Author: Zi Mu
Publisher: Funstory
ISBN: 1636890008
Category : Fiction
Languages : en
Pages : 1679
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Book Description
In the same rented apartment in a city, two men and women with completely different personalities were gathered together ... He was indifferent, silent, indifferent to things that had nothing to do with him. She, beautiful and generous, kind and pleasant, full of vivacity and sometimes charm. In her mind, he was an eccentric "uncle"; in his mind, she was a gentle and lovely "sister". Perhaps the story of 'Uncle's Love Lolita' was an innocent fantasy, but what kind of touching story would actually happen between them ...
Author: Ross Terrill
Publisher: Stanford University Press
ISBN: 9780804729222
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
This is the most complete and authoritative account of the childhood and tumultuous life of Jiang Qing, from her early years as an aspiring actress to her marriage and partnership with Mao Zedong, the controversial years of power after Mao's death, her final years of disgrace and imprisonment, and her suicide in 1991.
Author: Qiancheng Li
Publisher: University of Hawaii Press
ISBN: 9780824825973
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Fictions of Enlightenment is the first book to examine the fascinating and intricate relationship between Buddhism and the development of Chinese vernacular fiction. Qiancheng Li brings Buddhist models to bear on the vision, structure, and narrative form of three classics of late imperial literature—Journey to the West, Tower of Myriad Mirrors, and Dream of the Red Chamber—arguing that by fashioning their plots after the narratives of certain Mahāyāna sutras, the novelists transformed Buddhist concepts into narrative structures. Within the traditional Chinese novel Li even defines a new genre: the fiction of enlightenment.
