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Author: Vickie Wright
Publisher:
ISBN: 9781904408291
Category :
Languages : en
Pages : 0
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Book Description
Estimates of the number of records The Andantes appear on vary wildly, up to and including twenty thousand. Their sweet, pure and powerful voices were every bit as much a part of the Motown phenomenon as the fantastic Funk Brothers, the ace arrangers and the peerless producers. Louvain Demps, Marlene Barrow and Jackie Hicks added their voices, and their own vocal arrangements, to classics by the Four Tops, Jimmy Ruffin, Marvin Gaye, Stevie Wonder, and all the company's uniquely successful roster of male stars. Perhaps more surprisingly, they also contributed more than they have ever been given credit for to records, not only by solo female perfomers such as Kim Weston and Brenda Holloway, but by Motown's legendary girl groups. The time for keeping their contribution a secret is over. These great ladies need to be recognised for their momentous contribution to musical history, and Bank House is proud and delighted to play a part in making that possible. Author Vickie Wright, fresh from telling the true story of tragic Motown songstress Tammi Terrell in collaboration with her sister, Ludie Montgomery, has done another first-rate job in coaxing the stories, the memories, the emotions and the truth from The Andantes themselves. Now it can be told. This is Motown from the Background.
Author: Vickie Wright
Publisher:
ISBN: 9781904408291
Category :
Languages : en
Pages : 0
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Book Description
Estimates of the number of records The Andantes appear on vary wildly, up to and including twenty thousand. Their sweet, pure and powerful voices were every bit as much a part of the Motown phenomenon as the fantastic Funk Brothers, the ace arrangers and the peerless producers. Louvain Demps, Marlene Barrow and Jackie Hicks added their voices, and their own vocal arrangements, to classics by the Four Tops, Jimmy Ruffin, Marvin Gaye, Stevie Wonder, and all the company's uniquely successful roster of male stars. Perhaps more surprisingly, they also contributed more than they have ever been given credit for to records, not only by solo female perfomers such as Kim Weston and Brenda Holloway, but by Motown's legendary girl groups. The time for keeping their contribution a secret is over. These great ladies need to be recognised for their momentous contribution to musical history, and Bank House is proud and delighted to play a part in making that possible. Author Vickie Wright, fresh from telling the true story of tragic Motown songstress Tammi Terrell in collaboration with her sister, Ludie Montgomery, has done another first-rate job in coaxing the stories, the memories, the emotions and the truth from The Andantes themselves. Now it can be told. This is Motown from the Background.
Author: Raynoma Gordy Singleton
Publisher: McGraw-Hill/Contemporary
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 376
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Book Description
The ex-wife of Motown executive Berry Gordy, Jr., chronicles the years of her tumultuous marriage, her role at Motown, and the evolution of the company from a family business into a faceless corporation.
Author: Adam White
Publisher: National Geographic Books
ISBN: 0500294852
Category : Music
Languages : en
Pages : 0
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Book Description
Now in paperback, the definitive visual history of Motown, the Detroit-based record company that became a music powerhouse. The music of Motown defined an era. From the Jackson 5 and Diana Ross to Stevie Wonder and Smokey Robinson, Berry Gordy and his right-hand man, Barney Ales, built the most successful independent record label in the world. Not only did Motown represent the most iconic recording artists of its time and produce countless global hits—it created a cultural institution that redefined pop and gave us the vision of a new America: vibrant, innovative, and racially equal. This new paperback edition of the first official visual history of the label includes a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown. Extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars, lends new insight into the lives of the legends. Motown also draws on interviews with key players from the label’s colorful history, including Motown founder Berry Gordy; Barney Ales; Smokey Robinson; Mary Wilson, founding member of the Supremes; and many more.
Author: Suzanne E. Smith
Publisher: Harvard University Press
ISBN: 0674043839
Category : Music
Languages : en
Pages : 336
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Book Description
Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.
Author: Andrew Flory
Publisher: University of Michigan Press
ISBN: 0472122878
Category : Music
Languages : en
Pages : 345
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Book Description
I Hear a Symphony opens new territory in the study of Motown’s legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit’s postwar black middle class; that Motown’s creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous “Motown Sound.” Throughout the book, Flory focuses on the central importance of “crossover” to the Motown story; first as a key concept in the company’s efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory’s work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.
Author: Graham Betts
Publisher: AC Publishing
ISBN: 1311441549
Category : Music
Languages : en
Pages : 811
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Book Description
Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever.
Author: Peter Benjaminson
Publisher: Chicago Review Press
ISBN: 161374529X
Category : Biography & Autobiography
Languages : en
Pages : 347
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Book Description
Complete with never-before-revealed details about the sex, violence, and drugs in her life, this biography reveals the incredibly turbulent life of Motown artist Mary Wells. Based in part on four hours of previously unreleased and unpublicized deathbed interviews with Wells, this account delves deeply into her rapid rise and long fall as a recording artist, her spectacular romantic and family life, the violent incidents in which she was a participant, and her abuse of drugs. From tumultuous affairs, including one with R&B superstar Jackie Wilson, to a courageous battle with throat cancer that climaxed in her gutsiest performance, this history draws upon years of interviews with Wells's friends, lovers, and husband to tell the whole story of a woman whose songs crossed the color line and whose voice captivated the Beatles.
Author: Pat Morgan
Publisher:
ISBN: 9781782812494
Category : African American musicians
Languages : en
Pages : 191
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Book Description
"In 1959 songwriter Berry Gordy Jr ... founded the Motown record label in Detroit. The company name ... became synonymous with great music as Gordy took the sound of black America to the world. Starting with Barrett Strong's
Author: Berry Gordy
Publisher: Rosetta Books
ISBN: 0795333706
Category : Biography & Autobiography
Languages : en
Pages : 587
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Book Description
The story of Motown Records and how it changed the course of American music, as told by its founder—“an African American culture hero of historic stature” (The New York Times). Berry Gordy Jr., who once considered becoming a boxer, started a record company with a family loan of $800 in 1959. Gordy’s company, Motown Records, went on to create some of the most popular music of all time. By the time he sold the company nearly thirty years later, it was worth $61 million and had produced musical legends including Jackie Wilson, Smokey Robinson and the Miracles, the Temptations, Marvin Gaye, Diana Ross and the Supremes, Stevie Wonder, and the Jackson 5. Here, the revolutionary who shattered the color barrier in the American entertainment industry and forever changed the way the world hears music, shares his story of ambition and vision. From humble beginnings, Gordy amassed a fortune and became a musical kingmaker in the cultural heydays of the 1960s and ’70s. Quelling rumors and detailing his relationships with the artists he managed, Gordy pens “a vivid recreation of a great period and a seminal company in popular music” (Kirkus Reviews).
Author: Maria Sherman
Publisher: Black Dog & Leventhal
ISBN: 0762468904
Category : Music
Languages : en
Pages : 302
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Book Description
This nostalgic, fully-illustrated history of boy bands -- written by culture critic and boy band stan Maria Sherman -- is a must-have for diehard fans of the genre and beyond. The music, the fans, the choreography, the clothes, the merch, the hair. Long after Beatlemania came and went, a new unstoppable boy band era emerged. Fueled by good looks and even greater hooks, the pop phenomenon that dominated the '80s, '90s, and 2000s has left a long-lasting mark on culture, and it's time we celebrate it. Written by super fan Maria Sherman for stans and curious parties alike, Larger Than Life is the definitive guide to boy bands, delivered with a mix of serious obsession and tongue-in-cheek humor. Larger Than Life begins with a brief history of male vocal groups, spotlighting The Beatles, the Jackson 5, and Menudo before diving into the building blocks of these beloved acts in "Boy Bands 101." She also focuses on artists like New Edition, New Kids on the Block, Backstreet Boys, *NSYNC, One Direction, and BTS before ending with an interrogation into the future of boy bands. Included throughout are Tiger Beat-inspired illustrations, capsule histories of the swoon-iest groups, in-depth investigations into one-hit wonders, and sidebars dedicated to conspiracy theories, dating, in-fighting, haters, fan fiction, fashion (Justin and Britney in denim, of course), and so much more. Informative, affectionate, funny, and never, ever fan-shaming, Larger Than Life is the first and only text of its kind: the ultimate celebration of boy bands and proof that this once maligned music can never go unappreciated.
