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Author: Bhagwan Das Garga
Publisher:
ISBN:
Category : Film posters
Languages : en
Pages : 328
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Book Description
`So Many Cinemas` Is A Kaleidoscopic And Captivating Overview Of The History Of Cinema In India, Authored By The Eminent Documentary Film Maker, B D Garga, Who Is Reputed As A Pioneering Historian And Commentator Of Indian Films. The Book Has A Comprehensively Researched Text Of Over A Hundred Thousand Words, Enhanced By Touches Of Satire And Humour. It Is Sumptuously Illustrated With Over 400 Rare Photographs, Working Stills, Post Cards, Advertisements, Film Booklets And Other Film Memorabilia, Most Of Which Are From The Author`S Enviable Personal Collection.
Author: Bhagwan Das Garga
Publisher:
ISBN:
Category : Film posters
Languages : en
Pages : 328
Get Book Here
Book Description
`So Many Cinemas` Is A Kaleidoscopic And Captivating Overview Of The History Of Cinema In India, Authored By The Eminent Documentary Film Maker, B D Garga, Who Is Reputed As A Pioneering Historian And Commentator Of Indian Films. The Book Has A Comprehensively Researched Text Of Over A Hundred Thousand Words, Enhanced By Touches Of Satire And Humour. It Is Sumptuously Illustrated With Over 400 Rare Photographs, Working Stills, Post Cards, Advertisements, Film Booklets And Other Film Memorabilia, Most Of Which Are From The Author`S Enviable Personal Collection.
Author: Eugene Irving Way
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 72
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Book Description
Author: Neepa Majumdar
Publisher: John Wiley & Sons
ISBN: 1119048192
Category : Performing Arts
Languages : en
Pages : 628
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Book Description
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.
Author: Monika Mehta
Publisher: Taylor & Francis
ISBN: 1000293319
Category : Art
Languages : en
Pages : 254
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Book Description
This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media. The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies. By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema. A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies.
Author: Gajra Kottary
Publisher: Hay House, Inc
ISBN: 9391067115
Category : Self-Help
Languages : en
Pages : 247
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Book Description
Popcorn tub ready. Phone on silent. Back reclined. Lights dim. Let the magic begin! The Indian cinema has a power over us like no other. Be it the cast, the songs, the story, or the message, film-viewing as an experience is much more than just for ‘entertainment, entertainment, and entertainment’. Be it a good movie or bad, we love to discuss, debate, and analyse. There is no denying that they stay with us for a long time, because bade-bade deshon mein aisi chhoti-chhoti baatein hoti rehti hain. Healing at the Movies is a book about cinema and its impact on us. Apart from the glitz, the glamour, and the sparkle, films can subconsciously influence our thoughts and how we react to situations in life. The three uninterrupted hours that we give, we share each character’s pain and problems as much as their joys and celebrations. This is where reality and fiction merge together . . . where a song and dance sequence can teach us more about society than society itself. *Cue the song: Khalbali hai khalbali* Every film is a reflection of its times. This book is a treasure trove of movies made on pertinent social issues that will not only rekindle your love for the Indian cinema but also make you a better, informed human being. So, what are you waiting for? Picture abhi baaki hai mere dost ...
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
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Book Description
Author: Panna Shah
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Panna Shah has set out to make a social study of the growth of the film industry in India through statistical and psychological research. The book gives an historical, sociological and economic survey of India's film industry.
Author: K. Moti Gokulsing
Publisher: Routledge
ISBN: 1136772847
Category : Performing Arts
Languages : en
Pages : 488
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Book Description
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
Author: Rachel Dwyer
Publisher: Rutgers University Press
ISBN: 9780813531755
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
"The unique style of this cinema is explored through an analysis of the mise-en-scene of the film itself - the locations, sets and costumes - and shows how they, along with the song and dance sequences, construct the 'look' and meaning of a film. Equally important to India's visual culture is publicity. Cinema India explores the development of film advertising and its range of aesthetic influences, from indigenous sources, for example, the Ajanta cave paintings, to foreign styles, such as Art Deco, and examines how publicity material is able to convey social, political and economic information about the society in which it is produced."--BOOK JACKET.
Author: Renu Saran
Publisher: Diamond Pocket Books Pvt Ltd
ISBN: 9350836513
Category :
Languages : en
Pages : 299
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Book Description
Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.
