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Author: Earl H. Young
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 4
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Book Description
Author: Earl H. Young
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 4
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Book Description
Author: Earl H. Young
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 6
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Book Description
Author: Earl H. Young
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 3
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Book Description
Author: David Pierce
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 74
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Book Description
"Commissioned for and sponsored by the National Film Preservation Board."
Author: Kerry Segrave
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
While Hollywood contends that the domination of American films abroad is due to the quality of its product, the truth is that the major American movie studios have established a virtual worldwide monopoly on the distribution and exhibition of the film industry. The United States government has greatly aided Hollywood's effort's and continues to do so.The U.S. governemnt first became heavily involved with the film industry in 1916 when U.S. consuls were instructed to report on the market for American movies. The government, in turn, made this information available to the industry. Eight companies (MGM, Paramount, 20th Century-Fox, RKO, Warner Bros., Universal, United Artists, and Columbia) used the government information to establish a virtual cartel. This work examines the practices of this cartel in its various forms, how it came to dominate the industry worldwide, and the role the U.S. government has played in advancing its monopolistic practices.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 48
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Author: Kerry Segrave
Publisher: McFarland
ISBN: 0786481625
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
Foreign films once enjoyed a position of prominence on American theater screens. By the start of World War I, however, the United States' film industry was strong enough to challenge that foreign presence and foreign films in America have been insignificant ever since. For about a century, the Hollywood cartel has dominated the production, distribution, and exhibition of movies domestically and around the world. This work traces the history of the foreign film in America from its domination in the early days to its low standing in the present, looking at the attempts made by foreign producers to increase their presence on American cinema screens, the responses by Hollywood to those attempts, and the oligopoly of Hollywood's few producers. The work discusses the cultural differences between foreign artistic expression and the commercialism of the American film and analyzes Hollywood's explanations for the lack of a foreign presence: Americans have "unique" tastes, they don't like subtitles, foreign films are immoral or badly made, trade union pressure, and so on. An appendix detailing the all-time gross earnings of foreign-language films and a full bibliography conclude the work, which is illustrated with stills and posters.
Author: Donald Young
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 424
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Book Description
Author: U.S. National Commission for UNESCO. Panel on Educational Films
Publisher:
ISBN:
Category : Filmstrips
Languages : en
Pages : 144
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Author: United States. Interdepartmental Committee on Visual and Auditory Materials for Distribution Abroad. Subcommittee on Catalog
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 480
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Book Description
