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Author: Philip (the Chancellor)
Publisher: A-R Editions, Inc.
ISBN: 9780895796943
Category : Music
Languages : la
Pages : 272
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Book Description
Further details at: https://www.areditions.com/rr/rrm/m041.html Abstract: This volume is the first collection of medieval music devoted specifically to texts authored by Philip the Chancellor (d. 1236), a renowned lyric poet associated with the cathedral of Notre Dame Paris during the late twelfth and early thirteenth centuries. It presents the texts and music of all the motets and prosulas (words added to preexistent music from organa and polyphonic conductus caudae) ascribed to Philip in medieval sources, as well as a substantial number of works attributed to him by modern scholars. Many of the musical settings in this collection are credited to the composer Perotinus and are among the earliest efforts in these genres, suggesting that not only were Philip and Perotinus the sole artists now known to have cultivated the motet during its formative years, but that they may have played a seminal role in bringing the genre to light.
Author: Philip (the Chancellor)
Publisher: A-R Editions, Inc.
ISBN: 9780895796943
Category : Music
Languages : la
Pages : 272
Get Book Here
Book Description
Further details at: https://www.areditions.com/rr/rrm/m041.html Abstract: This volume is the first collection of medieval music devoted specifically to texts authored by Philip the Chancellor (d. 1236), a renowned lyric poet associated with the cathedral of Notre Dame Paris during the late twelfth and early thirteenth centuries. It presents the texts and music of all the motets and prosulas (words added to preexistent music from organa and polyphonic conductus caudae) ascribed to Philip in medieval sources, as well as a substantial number of works attributed to him by modern scholars. Many of the musical settings in this collection are credited to the composer Perotinus and are among the earliest efforts in these genres, suggesting that not only were Philip and Perotinus the sole artists now known to have cultivated the motet during its formative years, but that they may have played a seminal role in bringing the genre to light.
Author: Jared C. Hartt
Publisher: Boydell & Brewer
ISBN: 1783273070
Category : BUSINESS & ECONOMICS
Languages : en
Pages : 422
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Book Description
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Author: Catherine A. Bradley
Publisher: Routledge
ISBN: 1000581438
Category : Music
Languages : en
Pages : 130
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Book Description
Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.
Author: Alex J. Novikoff
Publisher: University of Pennsylvania Press
ISBN: 0812245385
Category : Education
Languages : en
Pages : 337
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Book Description
Through hundreds of published and unpublished sources, Alex J. Novikoff traces the evolution of disputation from its ancient origins to its broader influence in the scholastic culture and public sphere of the High Middle Ages.
Author: Alejandro Enrique Planchart
Publisher: Routledge
ISBN: 1351940724
Category : Music
Languages : en
Pages : 439
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Book Description
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108606016
Category : Music
Languages : en
Pages : 412
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Book Description
The Conductus repertory is the body of monophonic and polyphonic non-liturgical Latin song that dominated European culture from the middle of the twelfth century to the beginning of the fourteenth. In this book, Mark Everist demonstrates how the poetry and music interact, explores how musical structures are created, and discusses the geographical and temporal reach of the genre, including its significance for performance today. The volume studies what medieval society thought of the Conductus, its function in medieval society - whether paraliturgical or in other contexts - and how it fitted into patristic and secular Latin cultures. The Conductus emerges as a genre of great poetic and musical sophistication that brought the skills of poets and musicians into alignment. This book provides an all-encompassing view of an important but unexplored repertory of medieval music, engaging with both poetry and music even-handedly to present new and up-to-date perspectives on the genre.
Author: Jennifer Saltzstein
Publisher: Oxford University Press
ISBN: 019754777X
Category : Music
Languages : en
Pages : 289
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Book Description
Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual impact between nature and culture, Saltzstein argues that trouvère songs influenced the ways particular groups of medieval people defined their identities, encouraging them to view themselves as belonging to specific landscapes. The book offers close readings of love songs, pastourelles, motets, and rondets from the likes of Gace Brulé, Adam de la Halle, Guillaume de Machaut, and many others. Saltzstein shows how their music-text relationships illuminate the ways in which song helped to foster identities tied to specific landscapes among the knightly classes, the clergy, aristocratic women, and peasants. By connecting social types to topographies, trouvère songs and the manuscripts in which they were preserved presented models of identity for later generations of songwriters, performers, listeners, patrons, and readers to emulate, thereby projecting into the future specific ways of being on the land. Written in the long thirteenth century during the last major era of climate change, trouvère songs, as Saltzstein demonstrates, shape our understanding of how identity formation has rested on relationships between nature, culture, and change.
Author: Alma Santosuosso
Publisher: Routledge
ISBN: 1351557386
Category : Music
Languages : en
Pages : 457
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Book Description
This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Almut Suerbaum
Publisher: Routledge
ISBN: 1317079299
Category : History
Languages : en
Pages : 308
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Book Description
If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and influential medieval genres such as sermons and hagiography dealt with potentially heterodox positions; and the role of literary, especially fictional, debate in developing modes of articulating discord, as well as demonstrating polemic in action in political and ecclesiastical debate. Within this historical context, the position of early modern debates as part of a more general culture of articulating discord becomes more clearly visible. The structure of the volume moves from an internal textual focus, where the nature of polemic can be debated, through a middle section where these concerns are also played out in social practice, to a more historical group investigating applied polemic. In this way a more nuanced view is provided of the meaning, role, and effect of ’polemic’ both broadly across time and space, and more narrowly within specific circumstances.
