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Author: Margarita Tupitsyn
Publisher: Yale University Press
ISBN: 0300179758
Category : Art
Languages : en
Pages : 278
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Book Description
A comprehensive survey of art in Moscow in the era of the Soviet Union that champions the unquenchable spirit of artistic experimentation in the face of political repression Ambitious and interdisciplinary, Moscow Vanguard Art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
Author: Margarita Tupitsyn
Publisher: Yale University Press
ISBN: 0300179758
Category : Art
Languages : en
Pages : 278
Get Book Here
Book Description
A comprehensive survey of art in Moscow in the era of the Soviet Union that champions the unquenchable spirit of artistic experimentation in the face of political repression Ambitious and interdisciplinary, Moscow Vanguard Art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 47
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 47
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Book Description
Author: Elena Kornetchuk
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Shows the variety of moods, and styles of Soviet artists.
Author: Richard Pare
Publisher:
ISBN: 9781580931854
Category : Architecture
Languages : en
Pages : 347
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Book Description
"This book includes seventy-three structures, starting with the Shabolovka Radio Tower in Moscow and concluding with the Lenin Mausoleum. In between are buildings from all over Moscow (where the greatest concentration of modernist buildings still remains), St. Petersburg, Ivanovo, Ekaterinburg, Kiev, Kharkov, Zaporozhe, Nizhi Novgorod, Sochi, and Baku. The buildings range from grand projects such as Gasprom in Kharkov to a modest bus shelter in Sochi, a rare survivor by an unknown architect." "In an essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe."--BOOK JACKET.
Author: Mary A. Nicholas
Publisher: Bloomsbury Publishing
ISBN: 1350227870
Category : Art
Languages : en
Pages : 239
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Book Description
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Author: Ilya Kabakov
Publisher: University of Chicago Press
ISBN: 022638473X
Category : Art
Languages : en
Pages : 380
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Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Author: New Gallery (Moscow)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Igor Golomshtok
Publisher: New York : Random House
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Soviet in Exile is the definitive examination of unofficial art from the Soviet Union, richly illustrated in color and black-and-white. It is also the chilling story of the continuing repression of freedom of expression in that country. - Book Jacket.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: New York : The Museum ; trade edition distributed by Rizzoli International Publications
ISBN:
Category : Painters
Languages : en
Pages : 172
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Book Description