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Author: John Freedman
Publisher: Routledge
ISBN: 1135298912
Category : Performing Arts
Languages : en
Pages : 671
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Book Description
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov, and many others - also included in its review are key productions by many of the renowned guests who bring their art to the Russian capital. Essays on St. Petersburg's Lev Dodin (of the Maly Drama Theatre), Lithuania's Eimuntas Nekrosius, Georgia's Robert Sturua, and Germany's Peter Stein confirm that Moscow's position as a "theatrical mecca" has not diminished since Anatoly Lunacharsky coined the phrase in the 1920s. In addition to recording Freedman's immediate and opinionated responses to Moscow stage developments in the 1990s, Moscow Performances contains a wealth of information about the struggles and occasional triumphs of a new generation of talented but as yet unknown playwrights, the successes of the best actors, and the social and financial trends which have had such an impact on Russian theatre in the post-Soviet period.
Author: John Freedman
Publisher: Routledge
ISBN: 1135298912
Category : Performing Arts
Languages : en
Pages : 671
Get Book Here
Book Description
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov, and many others - also included in its review are key productions by many of the renowned guests who bring their art to the Russian capital. Essays on St. Petersburg's Lev Dodin (of the Maly Drama Theatre), Lithuania's Eimuntas Nekrosius, Georgia's Robert Sturua, and Germany's Peter Stein confirm that Moscow's position as a "theatrical mecca" has not diminished since Anatoly Lunacharsky coined the phrase in the 1920s. In addition to recording Freedman's immediate and opinionated responses to Moscow stage developments in the 1990s, Moscow Performances contains a wealth of information about the struggles and occasional triumphs of a new generation of talented but as yet unknown playwrights, the successes of the best actors, and the social and financial trends which have had such an impact on Russian theatre in the post-Soviet period.
Author: Julie Buckler
Publisher: University of Wisconsin Press
ISBN: 0299318303
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialog for the first time and shows that performance is a vital means for understanding Russia's culture from the reign of Peter the Great to the era of Putin. These twenty-seven essays encompass a diverse range of topics, from dance and classical music to live poetry and from viral video to public jubilees and political protest. As a whole they comprise an integrated, compelling intervention in Russian studies. Challenging the primacy of the written word in this field, the volume fosters a larger intellectual community informed by theories and practices of performance from anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology.
Author: United States. Congress. Economic Joint Committee
Publisher:
ISBN:
Category :
Languages : en
Pages : 306
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Book Description
Author: United States. Congress. Joint Economic Committee. Subcommittee on Foreign Economic Policy
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 302
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Book Description
Author: Gilbert Doctorow
Publisher: AuthorHouse
ISBN: 1665515724
Category : Biography & Autobiography
Languages : en
Pages : 688
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Book Description
My email to cousin Danny Gasman, professor of history in New York. 8 July 1999 I left IREX 15 months ago. Maybe I’m slow in these matters but by the time I signed out there I had come to the conclusion that my colleagues in the Washington headquarters were likely enjoying second incomes from The Agency. And so I moved back to the relatively cleaner business of strong drinks. As managing director of United Distillers in Russia, I am Mr. Smirnoff, Mr. Johnnie Walker, etc. Very congenial company. Also very politicized business. During my lunchtime speech at the Davis (Russian Research) Center in Harvard a month ago, I was trying to make the point to the handful of economists who had not yet left for vacation that the alcoholic beverages industry is as valid a barometer of the Russian political scene as oil and gas. Fred Bergson, who must be well into his 80s and was once upon a time the dean of American economists specializing in the Soviet Union, seemed not to be buying into my message. However, he maintains a droll sense of humor and asked me at our introductory handshake whether I had learned anything during my stay at Harvard 25 years ago. I told him I had learned to tend bar at Harvard Student Agencies and that this serves me well in my new business functions. He seemed satisfied. Email from Danny Gasman, 14 July 1999 I meant to tell you that I laughed a lot when you told me about your lecture at Harvard. They deserve even heavier doses of the truth...You should keep a diary and publish it. It could be a new edition of “Radischev’s Journey.”
Author: Nikolai Findeizen
Publisher: Indiana University Press
ISBN: 0253023521
Category : Music
Languages : en
Pages : 910
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Book Description
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Author:
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 426
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Book Description
Author: United States. Congress. Joint Economic Committee. Subcommittee on Foreign Economic Policy
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 320
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Book Description
Study and compilation of statistical tables on economic development trends in the USSR for the years 1966 and 1967 - covers economic growth, industrial production, agricultural development, goods transport, capital investment, national budget, population, labour force, wages, education, consumption, trade, the role of USSR in providing economic aid, etc., and includes a chapter on growth in Eastern Europe. Bibliography pp. 165 to 194.
Author: Claudia R. Jensen
Publisher: Indiana University Press
ISBN: 0253056373
Category : Music
Languages : en
Pages : 283
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Book Description
In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
Author: Judith Kuhn
Publisher: Routledge
ISBN: 1351548670
Category : Music
Languages : en
Pages : 393
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Book Description
A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle. Judith Kuhn's book begins such a study, undertaken with the belief that, despite a growing awareness of the universality of Shostakovich's music, much remains to be learned from the historical context and an examination of the music's language. Much of the controversy about Shostakovich's music has been related to questions of meaning. The conflicting interpretations put forth by scholars during the musicological 'Shostakovich wars' have shown the impossibility of fixing a single meaning in the composer's music. Commentators have often heard the quartets as political in nature, although there have been contradictory views as to whether Shostakovich was a loyal communist or a dissident. The works are also often described as vivid narratives, perhaps a confessional autobiography or a chronicle of the composer's times. The cycle has also been heard to examine major philosophical issues posed by the composer's life and times, including war, death, love, the conflict of good and evil, the nature of subjectivity, the power of creativity and the place of the individual - and particularly the artist - in society. Soviet commentaries on the quartets typically describe the works through the lens of Socialist-Realist mythological master narratives. Recent Western commentaries see Shostakovich's quartets as expressions of broader twentieth-century subjectivity, filled with ruptures and uncertainty. What musical features enable these diverse interpretations? Kuhn examines each quartet in turn, looking first at its historical and biographical context, with special attention to the cultural questions being discussed at the time of its writing. She then surveys the work's reception history, and
