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Author: Mary A. Nicholas
Publisher: Bloomsbury Publishing
ISBN: 1350227870
Category : Art
Languages : en
Pages : 239
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Book Description
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Author: Mary A. Nicholas
Publisher: Bloomsbury Publishing
ISBN: 1350227870
Category : Art
Languages : en
Pages : 239
Get Book Here
Book Description
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Author: Mary A. Nicholas
Publisher: Bloomsbury Publishing
ISBN: 1350227889
Category : Art
Languages : en
Pages : 216
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Book Description
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Author: Klavdia Smola
Publisher: Springer Nature
ISBN: 3031671333
Category :
Languages : en
Pages : 524
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Book Description
Author: Matthew Jesse Jackson
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
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Book Description
Author: İlkay Baliç Ayvaz
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 532
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Book Description
Modern art; Istanbul (Turkey); 20th century; exhibitions.
Author:
Publisher: Jane Voorhees Zimmerli Art Museum Rutgers the State Universi
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Author: Jane Ashton Sharp
Publisher:
ISBN: 9780982260203
Category : Conceptual art
Languages : en
Pages : 167
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Book Description
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
Author: Diane Neumaier
Publisher: Rutgers University Press
ISBN: 9780813534541
Category : Art
Languages : en
Pages : 360
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Book Description
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
Author: Susanne Schattenberg
Publisher: Bloomsbury Publishing
ISBN: 0755642112
Category : Biography & Autobiography
Languages : en
Pages : 505
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Book Description
"Schattenberg has done a service in rescuing the Brezhnev period from obscurity." The Morning Star "[Offers an] unparalleled examination of the Brezhnev papers." Literary Review Leonid Brezhnev was leader of the Soviet Union for eighteen years, a term of leadership second only in length to that of Stalin. He presided over the Brezhnev Doctrine, which accelerated the Cold War, and led the Soviet Union through catastrophic foreign policy decisions such as the invasion of Afghanistan. To many in the West, he is responsible for the stagnation (and to some even collapse) of the Soviet Union. But much of this history has been based on the only two English-language biographies (both published before Brezhnev's death and without access to archival sources) and Brezhnev's own astonishingly untrue memoirs – written for propaganda purposes. Newly translated from German, Schattenberg's magisterial book systematically dismantles the stereotypical and one-dimensional view of Brezhnev as the stagnating Stalinist by drawing on a wealth of archival research and documents not previously studied in English. The Brezhnev that emerges is a complex one, from his early apolitical years, when he dreamed of becoming an actor, through his swift and surprising rise through the Party ranks. From his hitherto misunderstood role in Khrushchev's ousting and appointment as his successor, to his somewhat pro-Western foreign policy aims, deft consolidation and management of power, and ultimate descent into addiction and untimely death. For Schattenberg, this is the story of a flawed and ineffectual idealist - for the West, this biography makes a convincing case that Brezhnev should be reappraised as one of the most interesting and important political figures of the twentieth century.
