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Author: Boris Groys
Publisher: MIT Press
ISBN: 0262525089
Category : Art
Languages : en
Pages : 205
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Book Description
An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Author: Boris Groys
Publisher: MIT Press
ISBN: 0262525089
Category : Art
Languages : en
Pages : 205
Get Book Here
Book Description
An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Author: Matthew Jesse Jackson
Publisher: University of Chicago Press
ISBN: 0226389413
Category : Art
Languages : en
Pages : 332
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Book Description
"Matthew Jesse Jackson's writing and quality of mind put him in the forefront of the next wave in modern art studies." Thomas E. Crow, Institute of Fine Arts --
Author: Mary A. Nicholas
Publisher: Bloomsbury Publishing
ISBN: 1350227870
Category : Art
Languages : en
Pages : 239
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Book Description
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Author: Alla Rosenfeld
Publisher: Prestel Publishing
ISBN: 9783791345475
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
From Stalin's demise to Gorbachev's glasnost, this is a definitive survey of underground Soviet art in the post-war era. Comprising more than 25,000 works by over 900 artists, the book documents the activities of underground artists from Moscow and Liningrad.
Author: Octavian Esanu
Publisher: Central European University Press
ISBN: 6155225117
Category : Art
Languages : en
Pages : 378
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Book Description
"With an abridged translation of the Dictionary of Moscow Conceptualism."
Author: Mikhail Epstein
Publisher:
ISBN:
Category : History
Languages : en
Pages : 428
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Book Description
Written from a non-Western point of view, this work offers a fresh perspective on the postcommunist literary scene. The four sections of the book - literature, ideology, culture and methodology - reflect the range of postmodernism in contemporary Russia.
Author: Hein-Th Schulze Altcappenberg
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 184
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Book Description
Dokumentiert wird die repräsentative Schenkung an das Berliner Kupferstichkabinett: Zeichnungen und druckgrafische Werke, u.a. von Yuri Albert, Sergej Anufiev, Ivan Chuikov, Yuri Leiderman, Igor Makarevich und Elena Elagina, Andrei Monastyrski, Pavel Pepperstein, Viktor Pivovarov, Dmitri A. Prigov, Nadezhda Stolpovskaja. Kupferstichkabinett Berlin, 27.11.2003-18.04.2004
Author: Natalʹi︠a︡ Olegovna Tamruchi
Publisher: Fine Art Publishing
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 120
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Book Description
Two processes of social change preceded the advent of Conceptualism in Russia. The first was the decline of the liberal epoch with its accompanying hopes and idealism, the second was the cumulative response of members of the Underground towards the scanty and irregular information filtering in from the outside world. Conceptualism in Moscow endeavoured to explore aspects of art that had not been devoured by ideology and sought to extricate art from the oppressive classifications which had been used in the past to evaluate 'creativity'.
Author: Boris Groys
Publisher:
ISBN: 9783943365115
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter, other forms of life--not only as works, but as a basic condition for being able to perceive artworks in the first place. Could it be that the Moscow Conceptualists were so elusive or saturated with the particularities of life in a specific economic and intellectual culture that they precluded integration into a broader art historical narrative? If so, then their simultaneously modest and radical approach to form may present a key to understanding the resilience and flexibility of a more general sphere of global conceptualisms that anticipate, surpass, or even bend around their purported origins in canonical European and American regimes of representation, as well as what we currently understand to be the horizon of artistic practice. e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle Contributors Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson
Author: Joseph Backstein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
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Book Description
