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Author: John E. Bowlt
Publisher:
ISBN: 9780865653788
Category : Art
Languages : en
Pages : 0
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Book Description
"First published in hardcover by The Vendome Press in 2008"--Copyright page.
Author: John E. Bowlt
Publisher:
ISBN: 9780865653788
Category : Art
Languages : en
Pages : 0
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Book Description
"First published in hardcover by The Vendome Press in 2008"--Copyright page.
Author: John E. Bowlt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
Author: John E. Bowlt
Publisher: Vendome Press
ISBN: 9780865651845
Category : Art
Languages : en
Pages : 0
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Book Description
"At the turn of the 20th century, against the background of the pomp and circumstance of the Imperial court and the rumblings of social unrest and political upheaval, Moscow and St. Petersburg experienced a sudden, brilliant flowering of the visual, literary, and performing arts. Known in Russia as the Silver Age, this cultural renaissance is captured in all of its dazzling originality in this sumptuously illustrated volume." "Much of this new efflorescence was indebted to the Symbolist movement, which fell on fertile soil in the boundless expanse of Mother Russia. The Russian Symbolists lived and created on the edge, which often earned them the sobriquet of Decadent or Degenerate. Yet, as impresario Sergei Diaghilev declared, theirs was not a moral or artistic decline, but a voyage of inner discovery and a refurbishing of a national culture." "Advancing in roughly chronological sequence, Moscow St. Petersburg 1900-1920 develops themes and propositions that relate closely - but not exclusively - to key social and political developments in Russian history, which were both refracted and affected by painting, poetry, music, and dance. With some 650 illustrations, the book carries a rich repertoire of artistic images and vintage documentary photographs, many of which have not been previously published."--BOOK JACKET.
Author: John E. Bowlt
Publisher:
ISBN: 9780500295649
Category : Art
Languages : en
Pages : 0
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Book Description
This book focuses on the visual and material culture of St Petersburg and Moscow at the turn of the 19th and 20th centuries. The twilight of Imperial Russia witnessed a sudden renaissance that left a profound imprint on the visual, literary and performing arts: here was a Silver Age as luminous perhaps as the Golden Age of Russian literature many decades before. Advancing in roughly chronological sequence, Moscow and St Petersburg in Russia's Silver Age highlights the essential social and political developments of this turbulent era, which painting, poetry, music and dance both reflected and affected. A dazzling array of artists, writers, composers, actors, singers, dancers and designers are presented in context, including Tolstoy, Pasternak, Gorky, Akhmatova, Rimsky-Korsakov, Rachmaninov, Nijinsky, Scriabin, Karsavina, Meyerhold, Chaliapin, Stanislavsky, Diaghilev, Roerich, Repin, Serov, Somov, Vrubel, Bakst, Kandinsky, Malevich, Mayakovsky and many more. The book carries a rich repertoire of artistic images and vintage documentary photographs, many of which have not been published before. With a clear narrative and comprehensive bibliography, this volume will appeal both to the specialist and to the general student of Russian history and culture.
Author: John E. Bowlt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 402
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Book Description
Author: Emily D. Johnson
Publisher: Penn State Press
ISBN: 0271030372
Category : History
Languages : en
Pages : 322
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Book Description
In the bookshops of present-day St. Petersburg, guidebooks abound. Both modern descriptions of Russia’s old imperial capital and lavish new editions of pre-Revolutionary texts sell well, primarily attracting an audience of local residents. Why do Russians read one- and two-hundred-year-old guidebooks to a city they already know well? In How St. Petersburg Learned to Study Itself, Emily Johnson traces the Russian fascination with local guides to the idea of kraevedenie. Kraevedenie (local studies) is a disciplinary tradition that in Russia dates back to the early twentieth century. Practitioners of kraevedenie investigate local areas, study the ways human society and the environment affect each other, and decipher the semiotics of space. They deconstruct urban myths, analyze the conventions governing the depiction of specific regions and towns in works of art and literature, and dissect both outsider and insider perceptions of local population groups. Practitioners of kraevedenie helped develop and popularize the Russian guidebook as a literary form. Johnson traces the history of kraevedenie, showing how St. Petersburg–based scholars and institutions have played a central role in the evolution of the discipline. Distinguished from obvious Western equivalents such as cultural geography and the German Heimatkunde by both its dramatic history and unique social significance, kraevedenie has, for close to a hundred years, served as a key forum for expressing concepts of regional and national identity within Russian culture. How St. Petersburg Learned to Study Itself is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series.
Author: Rosalind P. Blakesley
Publisher:
ISBN: 9781609091620
Category :
Languages : en
Pages : 226
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Book Description
Author: John E. Malmstad
Publisher: Harvard University Press
ISBN: 9780674530874
Category : Biography & Autobiography
Languages : en
Pages : 508
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Book Description
Mikhail Kuzmin (1872-1936), Russia's first openly gay writer, stood at the epicenter of the turbulent cultural and social life of Petersburg-Petrograd-Leningrad for over three decades. A poet of the caliber of Aleksandr Blok, Vladimir Mayakovsky, Boris Pasternak, Osip Mandelshtam, and Marina Tsvetaeva (and acknowledged as such by them and other contemporaries), Kuzmin was also a prose writer, playwright, critic, translator, and composer who was associated with every aspect of modernism's history in Russia, from Symbolism to the Leningrad avant-gardes of the 1920s. Only now is Kuzmin beginning to emerge from the "official obscurity" imposed by the Soviet regime to assume his place as one of Russia's greatest poets and one of this century's most characteristic and colorful creative figures. This biography, the first in any language to be based on full and uncensored access to the writer's private papers, including his notorious Diary, places Kuzmin in the context of his society and times and contributes to our discovery and appreciation of a fascinating period and of Russia's long suppressed gay history.
Author: Catherine Evtuhov
Publisher: Cornell University Press
ISBN: 1501724029
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
Catherine Evtuhov resurrects the brilliant and contradictory currents of turn-of-the-century Kiev, Moscow, and St. Petersburg through an intellectual biography of Sergei Bulgakov (1871–1944), one of the central figures of the Silver Age. The son of a provincial priest, Bulgakov served first as one of Russia's most original and influential interpreters of Marx, and then went on to become the century's most important theologian of the Orthodox faith. As Evtuhov recounts the story of Bulgakov's spiritual evolution, she traces the impact of seemingly opposed philosophical and religious world views on one another and on the course of political events. In the first comprehensive analysis of Bulgakov's most important religious-philosophical work, Philosophy of Economy, Evtuhov identifies a "perceptual revolution" in Russian thinking about economy, a significant contribution to European modernist thought which both shaped and grew out of contemporary debates over land reforms. She reconstructs Bulgakov's vision of an Orthodox, constitutional Russia, shows how he tried to put it into practice in the wake of the February Revolution, and demonstrates its importance for a large and influential portion of Russian society.
Author: Olga Haldey
Publisher: Indiana University Press
ISBN: 0253004349
Category : Music
Languages : en
Pages : 416
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Book Description
The Moscow Private Opera, founded, sponsored, and directed by Savva Mamontov (1841--1918), was one of Russia's most important theatrical institutions at the dawn of the age of modernism. It presented the Moscow premieres of Lohengrin, La Bohà ̈me, and Khovanshchina, among others; launched the career of Feodor Chaliapin; gave Sergei Rachmaninov his first conducting job; employed Vasily Polenov, Victor Vasnetsov, Valentin Serov, Konstantin Korovin, and Mikhail Vrubel as set designers; and served as a model for Diaghilev's Ballets Russes. Part commercial enterprise, part experimental studio, Mamontov's company revolutionized opera directing and design, and trained a generation of opera singers. Drawing on a wealth of unpublished primary sources and evidence from art and theater history, Olga Haldey paints a fascinating portrait of a railway tycoon turned artiste and his pioneering opera company.
