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Author: Mark Aronoff
Publisher: MIT Press
ISBN: 9780262510721
Category : Language Arts & Disciplines
Languages : en
Pages : 236
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Book Description
Most recent research in generative morphology has avoided the treatment of purely morphological phenomena and has focused instead on interface questions, such as the relation between morphology and syntax or between morphology and phonology. In this monograph Mark Aronoff argues that linguists must consider morphology by itself, not merely as an appendage of syntax and phonology, and that linguistic theory must allow for a separate and autonomous morphological component. Following a general introductory chapter, Aronoff examines two narrow classes of morphological phenomena to make his case: stems and inflectional classes. Concentrating first on Latin verb morphology, he argues that morphological stems are neither syntactic nor phonological units. Next, using data from a number of languages, he underscores the traditional point that the inflectional class of a word is not reducible to its syntactic gender. He then explores in detail the phonologically motivated nominal inflectional class system of two languages of Papua New Guinea (Arapeshand Yimas) and the precise nature of the relation between this system and the corresponding gender system. Finally, drawing on a number of Semitic languages, Aronoff argues that the verb classes of these languages are purely inflectional although they are partly motivated by derivational and syntactic considerations.
Author: Mark Aronoff
Publisher: MIT Press
ISBN: 9780262510721
Category : Language Arts & Disciplines
Languages : en
Pages : 236
Get Book Here
Book Description
Most recent research in generative morphology has avoided the treatment of purely morphological phenomena and has focused instead on interface questions, such as the relation between morphology and syntax or between morphology and phonology. In this monograph Mark Aronoff argues that linguists must consider morphology by itself, not merely as an appendage of syntax and phonology, and that linguistic theory must allow for a separate and autonomous morphological component. Following a general introductory chapter, Aronoff examines two narrow classes of morphological phenomena to make his case: stems and inflectional classes. Concentrating first on Latin verb morphology, he argues that morphological stems are neither syntactic nor phonological units. Next, using data from a number of languages, he underscores the traditional point that the inflectional class of a word is not reducible to its syntactic gender. He then explores in detail the phonologically motivated nominal inflectional class system of two languages of Papua New Guinea (Arapeshand Yimas) and the precise nature of the relation between this system and the corresponding gender system. Finally, drawing on a number of Semitic languages, Aronoff argues that the verb classes of these languages are purely inflectional although they are partly motivated by derivational and syntactic considerations.
Author: Mark Aronoff
Publisher: John Wiley & Sons
ISBN: 1119715229
Category : Language Arts & Disciplines
Languages : en
Pages : 342
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Book Description
Provides a critical introduction to the central ideas and perennial problems of morphology, fully revised and updated in a new edition What is Morphology? is a concise, student-friendly introduction to the fundamentals of contemporary morphological theory and practice. Requiring only a basic knowledge of linguistics, this popular textbook describes morphological phenomena and their interactions with phonology, syntax, and semantics while familiarizing students with the importance of linguistic morphology as a subject of research. Each chapter contains engaging examples and student-friendly explanations to support the development of the skills necessary to analyze a wealth of classic morphological problems. The third edition is fully updated to reflect the current state of the field, featuring a new chapter on morphology’s intersections with typology and computational linguistics. Expanded coverage of morphological productivity and processing is supported by additional exercises, examples, and further reading suggestions. Thoroughly revised chapters cover essential topics including morphemes, the lexicon, phonology, inflection, syncretism, and derived lexemes. This accessible textbook: Introduces fundamental phenomena with a descriptive theme and minimal theory Uses cross-linguistic data to explain and clarify new concepts Provides new and revised chapters written by prominent experts in their respective areas Includes answers to all exercises via a companion instructor’s website The latest edition of What is Morphology? remains the ideal textbook for undergraduate and graduate linguistics students, researchers and scholars unfamiliar with linguistic morphology, and professionals involved in industrial applications of linguistics such as speech recognition, natural language understanding, machine translation, text-to-speech, and natural language generation.
Author: Sedigheh Moradi
Publisher: John Benjamins Publishing Company
ISBN: 9027259747
Category : Language Arts & Disciplines
Languages : en
Pages : 449
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Book Description
This book provides a view of where the field of morphology has been and where it is today within a particular theoretical framework, gathering up new and representative work in morphology by both eminent and emerging scholars, and touching on a very wide range of topics, approaches, and theoretical points of view. These seemingly disparate articles have a common touchstone in their focus on a word-based, paradigmatic approach to morphology. The chapters in this book elaborate on these basic themes, from the further exploration of paradigms, to studies involving words, stems, and affixes, to examinations of competition, inheritance, and defaults, to investigations of morphomes, to ways that morphology interacts with other parts of the language from phonology to sociolinguistics and applied linguistics. The editors and contributors dedicate this volume to Prof. Mark Aronoff for his profound influence on the field.
Author: Dunstan Brown
Publisher: Cambridge University Press
ISBN: 1107005744
Category : Language Arts & Disciplines
Languages : en
Pages : 347
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Book Description
A study of word structure using a specific theoretical framework known as 'Network Morphology'.
Author: Mark Aronoff
Publisher: John Wiley & Sons
ISBN: 1444351761
Category : Language Arts & Disciplines
Languages : en
Pages : 228
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Book Description
What is Morphology? is a concise and critical introduction to the central ideas of morphology, which has been revised and expanded to include additional material on morphological productivity and the mental lexicon, experimental and computational methods, and new teaching material. Introduces the fundamental aspects of morphology to students with minimal background in linguistics Includes additional material on morphological productivity and the mental lexicon, and experimental and computational methods Features new and revised exercises as well as suggestions for further reading at the end of each chapter Equips students with the skills to analyze a wide breadth of classic morphological issues through engaging examples Uses cross-linguistic data throughout to illustrate concepts, specifically referencing Kujamaat Joola, a Senegalese language Includes a new answer key, available for instructors online at http://www.wiley.com/go/aronoff
Author: P. H. Matthews
Publisher: CUP Archive
ISBN: 9780521083720
Category : Foreign Language Study
Languages : en
Pages : 448
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Book Description
This book offers a thorough discussion of morphological theory and is based directly on an 'inflecting' or 'fusional' language - Latin.
Author: Martin Haspelmath
Publisher: Routledge
ISBN: 1134645961
Category : Language Arts & Disciplines
Languages : en
Pages : 387
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Book Description
This new edition of Understanding Morphology has been fully revised in line with the latest research. It now includes 'big picture' questions to highlight central themes in morphology, as well as research exercises for each chapter. Understanding Morphology presents an introduction to the study of word structure that starts at the very beginning. Assuming no knowledge of the field of morphology on the part of the reader, the book presents a broad range of morphological phenomena from a wide variety of languages. Starting with the core areas of inflection and derivation, the book presents the interfaces between morphology and syntax and between morphology and phonology. The synchronic study of word structure is covered, as are the phenomena of diachronic change, such as analogy and grammaticalization. Theories are presented clearly in accessible language with the main purpose of shedding light on the data, rather than as a goal in themselves. The authors consistently draw on the best research available, thus utilizing and discussing both functionalist and generative theoretical approaches. Each chapter includes a summary, suggestions for further reading, and exercises. As such this is the ideal book for both beginning students of linguistics, or anyone in a related discipline looking for a first introduction to morphology.
Author: Andrew Hippisley
Publisher: Cambridge University Press
ISBN: 1316712451
Category : Language Arts & Disciplines
Languages : en
Pages : 1442
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Book Description
The Cambridge Handbook of Morphology describes the diversity of morphological phenomena in the world's languages, surveying the methodologies by which these phenomena are investigated and the theoretical interpretations that have been proposed to explain them. The Handbook provides morphologists with a comprehensive account of the interlocking issues and hypotheses that drive research in morphology; for linguists generally, it presents current thought on the interface of morphology with other grammatical components and on the significance of morphology for understanding language change and the psychology of language; for students of linguistics, it is a guide to the present-day landscape of morphological science and to the advances that have brought it to its current state; and for readers in other fields (psychology, philosophy, computer science, and others), it reveals just how much we know about systematic relations of form to content in a language's words - and how much we have yet to learn.
Author: Andrew Carstairs-McCarthy
Publisher: OUP Oxford
ISBN: 0191559628
Category : Language Arts & Disciplines
Languages : en
Pages : 272
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Book Description
This book considers the evolution of the grammatical structure of words in the more general contexts of human evolution and the origins of language. The consensus in many fields is that language is well designed for its purpose, and became so either through natural selection or by virtue of non-biological constraints on how language must be structured. Andrew Carstairs-McCarthy argues that in certain crucial respects language is not optimally designed. This can be seen, he suggests, in the existence of not one but two kinds of grammatical organization - syntax and morphology - and in the morphological and morpho-phonological complexity which leads to numerous departures from the one-form-one-meaning principle. Having discussed the issue of good and bad design in a wider biological context, the author shows that conventional explanations for the nature of morphology do not work. Its poor design features arose, he argues, from two characteristics present when the ancestors of modern humans had a vocabulary but no grammar. One of these was a synonymy-avoidance expectation, while the other was an articulatory and phonological apparatus that encouraged the development of new synonyms. Morphology developed in response to these conflicting pressures. In this stimulating and carefully argued account Professor McCarthy offers a powerful challenge to conventional views of the relationship between syntax and morphology, to the adaptationist view of language evolution, and to the notion that language in some way reflects 'laws of form'. This fundamental contribution to understanding the nature and evolution of language will be of wide interest to linguists of all theoretical persuasions as well as to scholars in cognitive science and anthropology.
Author: Federico Vercellone
Publisher: Springer Nature
ISBN: 3030513246
Category : Philosophy
Languages : en
Pages : 482
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Book Description
This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the “two cultures”, the fields of morphological culture that are the object of this glossary have profoundly changed. The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing – as Horst Bredekamp observes – an immense mass of images that fill our time and affect the most diverse areas of our culture. The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision. The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.
