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Author: Bridget Vincent
Publisher: Oxford University Press
ISBN: 0198870922
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
How do poems communicate moral ideas? Can they express concepts in ways that are unique and impossible to replicate in other forms of writing? This book explores these questions by turning to two of the late twentieth century's most important poets: Seamus Heaney and Geoffrey Hill. Their work shows that a poem can act as an example of a moral concept, rather than simply a description or discussion of it. Exploring these two poets via their shared preoccupation with poetry's moral exemplarity opens up new perspectives on their work. The concept of exemplarity is shown to play an important role in these poets' most significant preoccupations, from moral complicity to the nature of lyric speech to literary influence to memorialisation, responsibility, and aesthetic autonomy. Through this new analysis of poetry, critical prose, drama, and archival materials, this book offers a major new study of ethics in the later period of these two writers--including recent underexplored posthumous works. In turn, the book also makes an important intervention in larger debates about literature and morality, and about the field of ethical criticism itself: this is the first book-length study to expand ethical criticism beyond its customary narrative focus. The ethical criticism of fiction is often an exercise in methodological advocacy, urging the use of more literary examples in moral philosophy. As this book shows, including poetry among these examples introduces new, lyric-inflected caveats about the use of literature as a form of moral example: caveats which remain invisible in narrative-centred ethical criticism.
Author: Bridget Vincent
Publisher: Oxford University Press
ISBN: 0198870922
Category : Literary Criticism
Languages : en
Pages : 223
Get Book
Book Description
How do poems communicate moral ideas? Can they express concepts in ways that are unique and impossible to replicate in other forms of writing? This book explores these questions by turning to two of the late twentieth century's most important poets: Seamus Heaney and Geoffrey Hill. Their work shows that a poem can act as an example of a moral concept, rather than simply a description or discussion of it. Exploring these two poets via their shared preoccupation with poetry's moral exemplarity opens up new perspectives on their work. The concept of exemplarity is shown to play an important role in these poets' most significant preoccupations, from moral complicity to the nature of lyric speech to literary influence to memorialisation, responsibility, and aesthetic autonomy. Through this new analysis of poetry, critical prose, drama, and archival materials, this book offers a major new study of ethics in the later period of these two writers--including recent underexplored posthumous works. In turn, the book also makes an important intervention in larger debates about literature and morality, and about the field of ethical criticism itself: this is the first book-length study to expand ethical criticism beyond its customary narrative focus. The ethical criticism of fiction is often an exercise in methodological advocacy, urging the use of more literary examples in moral philosophy. As this book shows, including poetry among these examples introduces new, lyric-inflected caveats about the use of literature as a form of moral example: caveats which remain invisible in narrative-centred ethical criticism.
Author: A. V. C. Schmidt
Publisher: Cambridge Scholars Publishing
ISBN: 1443874078
Category : Literary Criticism
Languages : en
Pages : 475
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Book Description
Passion and Precision contains twenty essays on a range of major medieval and modern English and Irish poets. The first part consists of three chapters on Chaucer, including a substantial new study of Troilus and Criseyde, four on Chaucer’s great contemporary the Pearl-poet, and one comparing the two poets. The core of the second part is six chapters on T. S. Eliot, three of them pioneering explorations of his poetic language. They are preceded by three on Hopkins, Shelley and Yeats (including a new study of Yeats’s verse-technique), and followed by one on David Jones and Auden, and two on Geoffrey Hill and Seamus Heaney. The previously published essays have been extensively revised, supplemented with appendixes and cross-referenced, and a full Bibliography and Index are provided. The author brings to his reading of ten representative poets from two widely separated periods of English literature, the fourteenth and the twentieth centuries, the same passionate and precise attention as they brought to their writing.
Author: David Annwn
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Author: Deborah Fleming
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
A collection of essays about W. B. Yeats.
Author: Sean Burke
Publisher: Edinburgh University Press
ISBN: 0748686843
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
The ethical question is the question of our times. Within critical theory, it has focused on the act of reading. This original and courageous study reverses the terms of inquiry to analyse the ethical composition of the act of writing.
Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1114
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Book Description
Author: Seamus Heaney
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 96
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 24
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Book Description
Author: Geoffrey Hill
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618001835
Category : Poetry
Languages : en
Pages : 100
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Book Description
In Geoffrey Hill's words, "The poet's job is to define and yet again define. If the poet doesn't make certain horrors appear horrible, who will?" This astonishing book is a protest against evil and a tribute to those who have had the courage to resist it.
Author: Geoffrey Hill
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 56
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Book Description