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Author: Li Huayi
Publisher: Asian Art Museum of San Francisco
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
"'The work of twentieth-century Chinese women artists is now coming into focus,'" writes Asian Art Museum director Emily Sano in her preface to this book, "'illuminating many remarkable stories of talent, resiliance, and will.'" One of those stories is that of Fang Zhaoling. This catalogue of an exhibition of her paintings at the Asian Art Museum of San Francisco from October 1 to November 13, 2005, sheds needed light on her long career, during which she has consistently produced innovative work of charm and distinction. Fang Zhaoling was educated in the techniques of traditonal chinese painting. It is is a testament to her determination and her family's foresight that this was so, for such an eduction was uncommon for women of her generation. She continued throughout her life to form important associations and collaborations with leading Chinese painters, and she has played an integral role in the history of modern Chinese painting."
Author: Li Huayi
Publisher: Asian Art Museum of San Francisco
ISBN:
Category : Art
Languages : en
Pages : 140
Get Book Here
Book Description
"'The work of twentieth-century Chinese women artists is now coming into focus,'" writes Asian Art Museum director Emily Sano in her preface to this book, "'illuminating many remarkable stories of talent, resiliance, and will.'" One of those stories is that of Fang Zhaoling. This catalogue of an exhibition of her paintings at the Asian Art Museum of San Francisco from October 1 to November 13, 2005, sheds needed light on her long career, during which she has consistently produced innovative work of charm and distinction. Fang Zhaoling was educated in the techniques of traditonal chinese painting. It is is a testament to her determination and her family's foresight that this was so, for such an eduction was uncommon for women of her generation. She continued throughout her life to form important associations and collaborations with leading Chinese painters, and she has played an integral role in the history of modern Chinese painting."
Author: Li Huayi
Publisher: Asian Art Museum of San Francisco
ISBN:
Category : Art
Languages : en
Pages : 140
Get Book Here
Book Description
"'The work of twentieth-century Chinese women artists is now coming into focus,'" writes Asian Art Museum director Emily Sano in her preface to this book, "'illuminating many remarkable stories of talent, resiliance, and will.'" One of those stories is that of Fang Zhaoling. This catalogue of an exhibition of her paintings at the Asian Art Museum of San Francisco from October 1 to November 13, 2005, sheds needed light on her long career, during which she has consistently produced innovative work of charm and distinction. Fang Zhaoling was educated in the techniques of traditonal chinese painting. It is is a testament to her determination and her family's foresight that this was so, for such an eduction was uncommon for women of her generation. She continued throughout her life to form important associations and collaborations with leading Chinese painters, and she has played an integral role in the history of modern Chinese painting."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
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Book Description
Author: Thomas Christensen
Publisher: Catapult
ISBN: 1619024136
Category : History
Languages : en
Pages : 355
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Book Description
With its title harkening back to the sack of Baghdad in 1258—when the Tigris ran black with the ink of books flung into the water by Mongol invaders—River of Ink is a collection of essays that range widely across time and cultures to illuminate the role of literature and art throughout history. Christensen draws from a panoply of subjects, from the writings of prehistoric Chinese cultures known only through archaeology to the heroic efforts of contemporary Afghanis to keep the legacy of their ancient culture alive under the barrage of endless war. Christensen's encyclopedic knowledge of world art and vast understanding of literature allows him to move easily from a discussion of the invention of moveable type in Korea, to Johannes Kepler's search for the harmony of the spheres, to the strange journey of an iron sculpture from Benin to the Louvre. Other essays cover the Popol Vuh of the Maya as exemplum of translation, the pioneering explorations of the early American naturalist John Bartram, and the balletic works of Louis–Ferdinand Céline. It is Christensen's gift to see the world whole, to offer a wealth of connections vital for us as citizens of a rapidly globalizing world.
Author: 冯斌
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 292
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Book Description
Author: Kaikodo (Gallery : New York, N.Y.)
Publisher:
ISBN:
Category : Art objects, Chinese
Languages : en
Pages : 80
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Book Description
Author: Michael Knight
Publisher: Asian Art Museum of San Francisco
ISBN:
Category : Architecture
Languages : en
Pages : 308
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Book Description
The growth of Shanghai viewed through its dynamic visual culture
Author:
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 474
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Book Description
Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 626
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Book Description
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 1588392910
Category : Landscape in art
Languages : en
Pages : 250
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Book Description
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
