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Author: James William Allen
Publisher: Xlibris Corporation
ISBN: 1499015518
Category : Art
Languages : en
Pages : 44
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Book Description
From Botticelli to Bouguereau, from Rembrandt to Van Gogh, Montage Reflections of the Great Masters is a comprehensive synopsis of art history from the Early Renaissance to the Post-Impressionist period. The book touches upon some of the greatest artists of all time, their techniques and styles, and the impetus behind their works. As you delve into various cultures, feast your eyes on a selection of the world’s most momentous creations on canvas, embedded in the luminance of the author’s carefully crafted montages. Behold details from Michaelangelo’s Sistine Chapel ceiling, a quintessential artistic tour de force; be a spectator at Renoir’s Luncheon of the Boating Party; and visit Monet’s garden – all in the space of one afternoon. This work is bound to inspire the reader to journey beyond what the eye perceives.
Author: James William Allen
Publisher: Xlibris Corporation
ISBN: 1499015518
Category : Art
Languages : en
Pages : 44
Get Book Here
Book Description
From Botticelli to Bouguereau, from Rembrandt to Van Gogh, Montage Reflections of the Great Masters is a comprehensive synopsis of art history from the Early Renaissance to the Post-Impressionist period. The book touches upon some of the greatest artists of all time, their techniques and styles, and the impetus behind their works. As you delve into various cultures, feast your eyes on a selection of the world’s most momentous creations on canvas, embedded in the luminance of the author’s carefully crafted montages. Behold details from Michaelangelo’s Sistine Chapel ceiling, a quintessential artistic tour de force; be a spectator at Renoir’s Luncheon of the Boating Party; and visit Monet’s garden – all in the space of one afternoon. This work is bound to inspire the reader to journey beyond what the eye perceives.
Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 438
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Book Description
Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 432
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 600
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Book Description
Author: Luka Arsenjuk
Publisher:
ISBN: 9781517903206
Category : PERFORMING ARTS
Languages : en
Pages : 249
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Book Description
Luka Arsenjuk considers Sergei Eisenstein as a filmmaker and a theorist, drawing on philosophers such as G.W.F. Hegel and Gilles Deleuze - as well as Eisenstein's untranslated texts - to reframe how we think about the great director and his legacy.
Author: Andrey Tarkovsky
Publisher: University of Texas Press
ISBN: 9780292776241
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
Author: Gloria Williams Sander
Publisher: Norton Simon Distribution
ISBN:
Category : Photography
Languages : en
Pages : 354
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Book Description
Publisher description
Author: Geoff Mulgan
Publisher: Elements in Creativity and Ima
ISBN: 100932165X
Category : Art
Languages : en
Pages : 77
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Book Description
This Element asks if the arts can help us imagine a better future society and economy, without deep social gulfs or ecological harm. It argues that at their best, the arts open up new ways of seeing and thinking. They can warn and prompt and connect us to a bigger sense of what we could be. But artists have lost their role as gods and prophets, partly as an effect of digital technologies and the ubiquity of artistic production, and partly as an effect of shifting values. Few recent books, films, artworks or exhibitions have helped us imagine how our world could solve its problems or how it might be better a generation or more from now. This Element argues that artists work best not as prophets of a new society but rather as 'prophets at a tangent'.
Author: Vern G. Swanson
Publisher: Gibbs Smith
ISBN: 9781586851118
Category : Architecture
Languages : en
Pages : 170
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Book Description
Utah Art, Utah Artists surveys 150 years of the extraordinary talent and achievements of Utah artists. This overview ranges from the sublime paintings of a resourceful ranching woman to the polished work of artists trained in Paris, Rome, and New York. It highlights the rural and the cosmopolitan, the traditional and the modern, the concrete and the transcendent that encompass Utah art. This sweeping exhibition showcases 300 works of art by 220 artists painstakingly compiled from a list of 10,000 Utah artists. Selection was made in light of five considerations: quality of the work; critical acclaim and professional success of the artist; belated but deserved recognition of the artist; young emerging artists who are the future of art in Utah; and a representative sampling of periods, styles, mediums and geographic regions of the state. One hundred twenty of the artworks are reproduced in rich color, most illustrated for the first time. Selected works and biographical material on the artists are presented chronologically, providing a perspective on Utah art that will make this volume an essential reference for collectors, scholars, and enthusiasts of Utah art. Vern G. Swanson, Ph.D., has been the director of the Springville Museum of Art since 1980. He has written numerous books and articles and he is coauthor with Drs. R. S. Olpin and W. C. Seifrit of Utah Art, Utah Painting and Sculpture, and Utah Arts. Robert S. Olpin, Ph.D., a University of Utah Professor of Art History, has become a familiar face on his eighteen-part television course on the Art Life in Utah series. He has acted as a consultant to such organizations as the National Gallery and Vose Galleries. Donna L. Poulton, Ph.D., is the Assistant Curator of Exhibitions at the Springville Museum if Art. For the past three years she has been documenting and chronicling, on film, the lives and works of Utah artists. Janie L. Rogers, M.A., wrote her master's thesis on Utah architecture. Rogers is a founding member of the Associated Art Historians, Inc., Salt Lake City.
Author: Herbert Marshall
Publisher: Routledge
ISBN: 1317928709
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
Eisenstein, Pudovkin, Dovzhenko, Vertov: these Soviet film directors are acknowledged to be among the greatest in the history of cinematography. To Eisenstein we owe such films as Battleship Potemkin and October; to Pudovkin Mother and The End of St Petersburg; to Dovzhenko Earth and Zvenigora; and to Vertov The Man With a Movie Camera and The Three Songs of Lenin. Herbert Marshall knew each of them personally, both as artists and as friends, and shared their cinema world when he was a student at the GIK (The Moscow State Institute of Cinematography) in the heady years following the Revolution into the period of the first Five Year Plan. His material is culled from personal recollections, diaries, notes, unpublished and published biographies, letters, press cuttings, articles and books in various languages, but mainly from Soviet sources and the Soviet cinema world. Taking the subjects one by one, this indispensible book discusses their major films including an account of their creation and reception in the USSR and abroad. It shows the tragedy of these four Soviet artists who were lucky enough not to be arrested or deprived of their limited freedom, yet who nevertheless ended up with ‘crippled creative biographies’. The author then examines the changed viewpoint in the climate of 1983 when the book was originally published.
