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Author: Maaheen Ahmed
Publisher: Univ. Press of Mississippi
ISBN: 1496825306
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Monsters seem inevitably linked to humans and not always as mere opposites. Maaheen Ahmed examines good monsters in comics to show how Romantic themes from the eighteenth and the nineteenth centuries persist in today’s popular culture. Comics monsters, questioning the distinction between human and monster, self and other, are valuable conduits of Romantic inclinations. Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels. She highlights the persistence of recurrent Romantic features through monstrous protagonists in English- and French-language comics and draws out their implications. Aspects covered include the dark Romantic predilection for ruins and the sordid, the solitary protagonist and his quest, nostalgia, the prominence of the spectacle as well as excessive emotions, and above all, the monster’s ambiguity and rebelliousness. Ahmed highlights each Romantic theme through close readings of well-known but often overlooked comics, including Enki Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris’s My Favorite Thing Is Monsters, as well as the iconic comics series Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring the otherness of the monster, these protagonists retain the exaggeration and uncontrollability of all monsters while incorporating Romantic characteristics.
Author: Maaheen Ahmed
Publisher: Univ. Press of Mississippi
ISBN: 1496825306
Category : Literary Criticism
Languages : en
Pages : 264
Get Book
Book Description
Monsters seem inevitably linked to humans and not always as mere opposites. Maaheen Ahmed examines good monsters in comics to show how Romantic themes from the eighteenth and the nineteenth centuries persist in today’s popular culture. Comics monsters, questioning the distinction between human and monster, self and other, are valuable conduits of Romantic inclinations. Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels. She highlights the persistence of recurrent Romantic features through monstrous protagonists in English- and French-language comics and draws out their implications. Aspects covered include the dark Romantic predilection for ruins and the sordid, the solitary protagonist and his quest, nostalgia, the prominence of the spectacle as well as excessive emotions, and above all, the monster’s ambiguity and rebelliousness. Ahmed highlights each Romantic theme through close readings of well-known but often overlooked comics, including Enki Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris’s My Favorite Thing Is Monsters, as well as the iconic comics series Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring the otherness of the monster, these protagonists retain the exaggeration and uncontrollability of all monsters while incorporating Romantic characteristics.
Author: Marie-Hélène Huet
Publisher: Harvard University Press
ISBN: 9780674586512
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
What woeful maternal fancy produced such a monster? This was once the question asked when a deformed infant was born. From classical antiquity through to the Enlightenment, the monstrous child bore witness to the fearsome power of the mother's imagination. What such a notion meant and how it reappeared, transformed, in the Romantic period are the questions explored in this book, a study of theories linking imagination, art and monstrous progeny.
Author: Maaheen Ahmed
Publisher: Univ. Press of Mississippi
ISBN: 1496825284
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Monsters seem inevitably linked to humans and not always as mere opposites. Maaheen Ahmed examines good monsters in comics to show how Romantic themes from the eighteenth and the nineteenth centuries persist in today’s popular culture. Comics monsters, questioning the distinction between human and monster, self and other, are valuable conduits of Romantic inclinations. Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels. She highlights the persistence of recurrent Romantic features through monstrous protagonists in English- and French-language comics and draws out their implications. Aspects covered include the dark Romantic predilection for ruins and the sordid, the solitary protagonist and his quest, nostalgia, the prominence of the spectacle as well as excessive emotions, and above all, the monster’s ambiguity and rebelliousness. Ahmed highlights each Romantic theme through close readings of well-known but often overlooked comics, including Enki Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris’s My Favorite Thing Is Monsters, as well as the iconic comics series Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring the otherness of the monster, these protagonists retain the exaggeration and uncontrollability of all monsters while incorporating Romantic characteristics.
Author: Boria Sax
Publisher: Reaktion Books
ISBN: 1780232136
Category : Social Science
Languages : en
Pages : 280
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Book Description
An extraordinary menagerie of fantastical and unreal beasts featuring hundreds of illustrations, from griffins to dog-men, mermaids, dragons, unicorns, and yetis. Fire-breathing dragons, beautiful mermaids, majestic unicorns, terrifying three-headed dogs—these fantastic creatures have long excited our imagination. Medieval authors placed them in the borders of manuscripts as markers of the boundaries of our understanding. Tales from around the world place these beasts in deserts, deep woods, remote islands, ocean depths, and alternate universes—just out of our reach. And in the sections on the apocalypse in the Bible, they proliferate as the end of time approaches, with horses with heads like lions, dragons, and serpents signaling the destruction of the world. Legends tell us that imaginary animals belong to a primordial time, before everything in the world had names, categories, and conceptual frameworks. In this book, Boria Sax digs into the stories of these fabulous beasts. He shows how, despite their liminal role, imaginary animals like griffins, dog-men, yetis, and more are socially constructed creatures, created through the same complex play of sensuality and imagination as real ones. Tracing the history of imaginary animals from Paleolithic art to their roles in stories such as Harry Potter and even the advent of robotic pets, he reveals that these extraordinary figures help us psychologically—as monsters, they give form to our amorphous fears, while as creatures of wonder, they embody our hopes. Their greatest service, Sax concludes, is to continually challenge our imaginations, directing us beyond the limitations of conventional beliefs and expectations. Featuring over 230 illustrations of a veritable menagerie of fantastical and unreal beasts, Imaginary Animals is a feast for the eyes and the imagination.
Author: Kerry H. Robinson
Publisher: Bentham Science Publishers
ISBN: 1608053393
Category : Psychology
Languages : en
Pages : 247
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Book Description
Queer and Subjugated Knowledges: generating subversive Imaginaries makes an invaluable contribution to gender and sexuality studies, engaging with queer theory to reconceptualize everyday interactions. The scholars in this book respond to J. Halberstam's call to engage in alternative imaginings to reconceptualize forms of being, the production of knowledge, and envisage a world with different sites for justice and injustice. The recent work of cultural theorist, Judith Halberstam, makes new investments in the notion of the counter-hegemonic, the subversive and the alternative. For Halberstam.
Author: Patrick McGee
Publisher: Bloomsbury Publishing USA
ISBN: 150132005X
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Political Monsters and Democratic Imagination explores the democratic thought of Spinoza and its relation to the thought of William Blake, Victor Hugo, and James Joyce. As a group, these visionaries articulate: a concept of power founded not on strength or might but on social cooperation; a principle of equality based not on the identity of individuals with one another but on the difference between any individual and the intellectual power of society as a whole; an understanding of thought as a process that operates between rather than within individuals; and a theory of infinite truth, something individuals only partially glimpse from their particular cultural situations. For Blake, God is the constellation of individual human beings, whose collective imagination produces revolutionary change. In Hugo's novel, Jean Valjean learns that the greatest truth about humanity lies in the sewer or among the lowest forms of social existence. For Joyce, Leopold and Molly Bloom are everybody and nobody, singular beings whose creative power and truth is beyond categories and social hierarchies.
Author: Shiamin Kwa
Publisher: Rutgers University Press
ISBN: 1978826540
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.
Author: Suzanne Selfors
Publisher: Hachette UK
ISBN: 1405523271
Category : Juvenile Fiction
Languages : en
Pages : 224
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Book Description
Pearl Petal and Ben Silverstein can't wait for their first official day as apprentices to Dr Woo, veterinarian for imaginary creatures. That is, until they are tasked with clipping the bigfoot's big toenails. Gross! Then Pearl spots a lake monster in the water behind the hospital. Even though they've been told not to leave the building for any reason, Pearl and Ben set off for a closer look. But when Ben is captured by the creature and held hostage in the middle of the lake, it's up to Pearl to hatch a rescue mission. Will she save the day, or cement her reputation as town troublemaker?
Author: Emily Winfield Martin
Publisher: Random House Books for Young Readers
ISBN: 0553511033
Category : Juvenile Fiction
Languages : en
Pages : 81
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Book Description
Best-selling author/illustrator of The Wonderful Things You Will Be, Emily Winfield Martin, shares her "Imaginaries": paintings from over the last ten years, captioned with one enigmatic sentence, designed to inspire. From mermaids and giant flowers to magical robes and mysterious characters, this full-color collection of old and new art from Emily Winfield Martin will inspire the artist and writer in you! Each glorious image is given a mysterious or magical one-line caption--the beginning of a story, or maybe the middle--you imagine the rest. The captions are hand-written on vintage scraps of paper, envelopes, postcards and more. Akin to the Chris van Allsburg book The Mysteries of Harris Burdick, The Imaginairies is destined to become a cult classic in its own right. The book is unjacketed with foil and a matte finish on the cover; a treasure to keep and display and pore over for years.
Author: Andreas Immanuel Graae
Publisher: Manchester University Press
ISBN: 1526145928
Category : Social Science
Languages : en
Pages : 350
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Book Description
There should no longer be any doubt: drones are here to stay. In civil society, they are used for rescue, surveillance, transport and leisure. And on the battlefield, their promises of remote protection and surgical precision have radically changed the way wars are fought. But what impact are drones having on our identity, and how are they affecting the communities around us? This book addresses these questions by investigating the representation of civilian and military drones in visual arts, literature, and architecture. What emerges, the contributors argue, is a compelling new aesthetic: ‘drone imaginary’, a prism of cultural and critical knowledge, through which the complex interplay between drone technology and human communities is explored, and from which its historical, cultural and political dimensions can be assessed. The contributors offer diverse approaches to this interdisciplinary field of aesthetic drone imaginaries. With essays on the aesthetic configurations of drone swarming, historical perspectives on early unmanned aviation, as well as current debates on how drone technology alters the human body and creates new political imaginaries, this book provides new insights to the rapidly evolving field of drone studies. Working across art history, literature, photography, feminism, postcolonialism and cultural studies, Drone imaginaries offers a unique insight into how drones are changing our societies.
