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Author: Kojo Ngué
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
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Book Description
Photographer Cristina De Middel (1975, Spain) chose as the starting point for her project The Afronauts a little-known episode from Zambia's history. This was a space programme started by an educator which suddenly entered Zambia in the space race with the United States and Russia. Its aim was to put the first African on the moon. Due to a lack of financial resources, however, the ambitious initiative was doomed to failure. Fifty years later, De Middel reconstructs this story, using her own imagination. In The Afronauts, De Middel combines set-up photography with copies of typed letters and reproductions of vintage photos. Although The Afronauts is in fact based on a failed undertaking, the project includes nothing that refers to the failure - to the contrary. The photos have an upbeat look thanks to De Middels's fanciful space suits, playful astronaut training sessions and a Zambian flag with a smiley face. Other characters also appear against the background of the rugged landscape of Alicante, including an elephant presented as a space creature and a cat dressed in a starred costume, which according to the story also was planned to be launched into space.
Author: Kojo Ngué
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
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Book Description
Photographer Cristina De Middel (1975, Spain) chose as the starting point for her project The Afronauts a little-known episode from Zambia's history. This was a space programme started by an educator which suddenly entered Zambia in the space race with the United States and Russia. Its aim was to put the first African on the moon. Due to a lack of financial resources, however, the ambitious initiative was doomed to failure. Fifty years later, De Middel reconstructs this story, using her own imagination. In The Afronauts, De Middel combines set-up photography with copies of typed letters and reproductions of vintage photos. Although The Afronauts is in fact based on a failed undertaking, the project includes nothing that refers to the failure - to the contrary. The photos have an upbeat look thanks to De Middels's fanciful space suits, playful astronaut training sessions and a Zambian flag with a smiley face. Other characters also appear against the background of the rugged landscape of Alicante, including an elephant presented as a space creature and a cat dressed in a starred costume, which according to the story also was planned to be launched into space.
Author: DK
Publisher: Penguin
ISBN: 1465455280
Category : Reference
Languages : en
Pages : 434
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Book Description
Complete Atlas of the World, 3rd Edition is now fully revised and updated to reflect the latest changes in world geography, including the annexation of Crimea and the new nation of South Sudan. Bringing each featured landscape to life with detailed terrain models and color schemes and offering maps of unsurpassed quality, this atlas features four sections: a world overview, the main atlas, fact files on all the countries of the world, and an easy-to-reference index of all 100,000 place names. All maps enjoy a full double-page spread, with continents broken down into 330 carefully selected maps, including 100 city plans. You will also find a stimulating series of global thematic maps that explore Earth's place in the universe, its physical forms and processes, the living world, and the human condition. From Antarctica to Zambia, discover the Earth continent-by-continent with Complete Atlas of the World, 3rd Edition.
Author: Benjamin Eli Smith
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1148
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Book Description
Author: Monica Alcazar-Duarte
Publisher:
ISBN: 9780995523814
Category :
Languages : en
Pages :
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Book Description
Author: Thomas W. Laqueur
Publisher: Princeton University Press
ISBN: 0691180938
Category : History
Languages : en
Pages : 736
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Book Description
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.
Author: Alessandro Ludovico
Publisher:
ISBN: 9789491677946
Category : Book industries and trade
Languages : en
Pages : 192
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Book Description
Digital technology is now a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico rereads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than 20 years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art.
Author: Elizabeth A. Kessler
Publisher:
ISBN: 9780816679560
Category : PHOTOGRAPHY
Languages : en
Pages : 0
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Book Description
The vivid, dramatic images of distant stars and galaxies taken by the Hubble Space Telescope have come to define how we visualize the cosmos. In their immediacy and vibrancy, photographs from the Hubble show what future generations of space travelers might see should they venture beyond our solar system. But their brilliant hues and precise details are not simply products of the telescope's unprecedented orbital location and technologically advanced optical system. Rather, they result from a series of deliberate decisions made by the astronomers who convert raw data from the Hubble into spectacular pictures by assigning colors, adjusting contrast, and actively composing the images, balancing the desire for an aesthetically pleasing representation with the need for a scientifically valid one. In Picturing the Cosmos, Elizabeth A. Kessler examines the Hubble's deep space images, highlighting the remarkable resemblance they bear to nineteenth-century paintings and photographs of the American West and their invocation of the visual language of the sublime. Drawing on art history and the history of science, as well as interviews with astronomers who work on the Hubble Heritage Project, Kessler traces the ways that the sublime, with its inherent tension between reason and imagination, not only forms the appearance of the images, but also operates on other levels. The sublime informs the dual expression--numeric and pictorial--of digital data and underpins the relevance of the frontier for a new era of exploration performed by our instruments rather than our bodies. Through their engagement with the sublime the Hubble images are a complex act of translation that encourages an experience of the universe as simultaneously beyond humanity's grasp and within the reach of our knowledge. Strikingly illustrated with full-color images, this book reveals the scientific, aesthetic, and cultural significance of the Hubble pictures, offering a nuanced understanding of how they shape our ideas--and dreams--about the cosmos and our places within it.
Author: Marjorie Bowen
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 289
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Book Description
"Sundry Great Gentlemen: Some Essays in Historical Biography" is a collection of biographies of prominent historical leaders like the King of France Louis XII, King of Portugal and Algarve Dom Sebastião, Louis II d'Orléans also known as Louis XII, Frederic II of Hohenstaufen who was Emperor of the West, King of Sicily and Jerusalem, Carlos II of Spain, Maurice de Saxe, Maréchal Général de France.
Author: Fredrik Fahlander
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 296
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Book Description
Author: Michael Christopher Brown
Publisher: Twin Palms Publishers
ISBN: 9781936611096
Category : History
Languages : en
Pages : 0
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Book Description
Centered around the 2011 Libyan Revolution, Libyan Sugar is a road trip through a war zone, detailed through photographs, journal entries, and written communication with family and colleagues. A record of Michael Christopher Brown's life both inside and outside Libya during that year, the work is about a young man going to war for the first time and his experience of that age-old desire to get as close as possible to a conflict in order to discover something about war and something about himself, perhaps a certain definition of life and death.
