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Author:
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ISBN: 9782754111805
Category :
Languages : fr
Pages :
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Author:
Publisher:
ISBN: 9782754111805
Category :
Languages : fr
Pages :
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Book Description
Author: Richard Aste
Publisher: Rizzoli International Publications
ISBN: 1785515993
Category : Art
Languages : en
Pages : 0
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Book Description
This splendid volume featuring fifty-nine works from the Brooklyn Museum’s renowned European collection celebrates France as the artistic centre of international modernism from the mid-nineteenth to the mid-twentieth century. The years between the Revolution of 1848 and the end of World War II were characterised by profound social, intellectual and political change in France. The art world, centred in Paris, also witnessed remarkable transformations as artists experimented with bold, expressive styles – Realism, Impressionism, Post-Impressionism, Symbolism, Fauvism, Cubism and Surrealism – that soon influenced the Western artistic canon.The Brooklyn Museum was pioneering in the collecting and exhibiting of French modernism decades before its landmark 1921 exhibition, Paintings by Modern French Masters: The Post Impressionists and Their Predecessors, which hailed the then ‘radical tradition of French painting.’ This splendid volume featuring 59 works from the Brooklyn Museum’s renowned European collection celebrates France as the artistic centre of international modernism from the mid-nineteenth to the mid-twentieth century. Ranging in scale, subject matter and style, these paintings and sculptures were produced by the era’s leading artists, both French-born and others who studied and worked in France. The 47 artists represented include Gustave Caillebotte, Paul Cézanne, Marc Chagall, Gustave Courbet, Edgar Degas, André Derain, Augustus John, Henri Matisse, Jean-François Millet, Claude Monet, Berthe Morisot, Odilon Redon, Pierre-Auguste Renoir, Auguste Rodin and Édouard Vuillard.Organised into four sections, the works in this book exemplify the successive avant-garde movements that defined modern art in the nineteenth and twentieth centuries, tracing a shift from naturalism to the rise of abstraction. The themes of ‘Landscape’, ‘Still Life’, ‘Portraits and Figures’ and ‘The Nude’ reveal illuminating comparisons and contrasts across time and mediums.
Author: T.J. Clark
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636
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Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Author: Louis D. Rubin, Jr.
Publisher: LSU Press
ISBN: 9780807119921
Category : Reference
Languages : en
Pages : 1064
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Book Description
In A Writer’s Companion, Louis D. Rubin, Jr., has drawn on his years of accumulated wisdom—as well as the advice of some fifty prominent writers from various fields—to put together in a single volume a vast array of information. Organized in such a way as to make it exceptionally easy to use, and enhanced by Rubin’s graceful and witty prose, A Writer’s Companion will merit a place on the desk of every serious wordsmith. It is also a book that will bring endless hours of pleasure to anyone who enjoys reading simply for the sake of gaining new knowledge. As Casey Stengel said, “You could look it up.”
Author: Marc Chagall
Publisher: Stanford University Press
ISBN: 9780804748315
Category : Art
Languages : en
Pages : 244
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Book Description
Marc Chagall (1887-1985) traversed a long route from a boy in the Jewish Pale of Settlement, to a commissar of art in revolutionary Russia, to the position of a world-famous French artist. This book presents for the first time a comprehensive collection of Chagall's public statements on art and culture. The documents and interviews shed light on his rich, versatile, and enigmatic art from within his own mental world. The book raises the problems of a multi-cultural artist with several intersecting identities and the tensions between modernist form and cultural representation in twentieth-century art. It reveals the travails and achievements of his life as a Jew in the twentieth century and his perennial concerns with Jewish identity and destiny, Yiddish literature, and the state of Israel. This collection includes annotations and introductions of the Chagall texts by the renowned scholar Benjamin Harshav that elucidate the texts and convey the changing cultural contexts of Chagall's life. Also featured is the translation by Benjamin and Barbara Harshav of the first book about Chagall's work, the 1918 Russian The Art of Marc Chagall.
Author: Benjamin Harshav
Publisher: Stanford University Press
ISBN: 9780804742146
Category : Biography & Autobiography
Languages : en
Pages : 1060
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Book Description
Renowned Israeli-American scholar Harshav presents the first comprehensive investigation of Marc Chagall's life and consciousness after the classic 1961 biography by Chagall's son-in-law Franz Meyer.
Author: Rose-Marie Hagen
Publisher: Taschen
ISBN: 9783822821008
Category : Art
Languages : en
Pages : 514
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Book Description
These are the kinds of question Rose-Marie and Rainer Hagen ask when faced with world-famous masterpieces. In the language of today they comment on the fashions and attitudes, trends and intrigues, love, vice and lifestyles of past times. Book jacket.
Author: Vikram Mansharamani
Publisher: John Wiley & Sons
ISBN: 1118028570
Category : Business & Economics
Languages : en
Pages : 287
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Book Description
A multi-disciplinary framework through which to spot financial bubbles before they burst. Based on a popular undergraduate seminar, entitled Financial Booms & Busts, taught by the author at Yale University, Boombustology presents a multi-disciplinary framework for identifying unsustainable booms and forthcoming busts. The magnitude of our recent financial crisis mandates a firm understanding of this phenomenon before the next crisis occurs. Boombustology provides an in-depth look at several major booms and busts and offers a solid framework for thinking about future occurrences. Examines why booms and busts are not random and can therefore be identified Focuses upon various theoretical and disciplinary lenses useful in the study of booms and busts Contains a framework for thinking about and identifying forthcoming financial bubbles including several tell-tale indicators of a forthcoming bust. Illustrates the framework in action by evaluating China as a potential bubble in the making. If you want to make better decisions in today’s turbulent investment environment, understanding the dynamics of booms and busts is the best place the start. Boombustology can help you achieve this elusive goal. Vikram Mansharamani is a Lecturer at Yale University and a global equity investor.
Author: Jackie Wullschlager
Publisher: Knopf
ISBN: 0307270580
Category : Biography & Autobiography
Languages : en
Pages : 641
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Book Description
“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival. Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alongside Modigliani and Léger in the tumbledown tenement called La Ruche, where “one either died or came out famous.” But turmoil lay ahead—war and revolution; a period as an improbable artistic commissar in the young Soviet Union; a difficult existence in Weimar Germany, occupied France, and eventually the United States. Throughout, as Jackie Wullschlager makes plain in this groundbreaking biography, he never ceased giving form on canvas to his dreams, longings, and memories. His subject, more often than not, was the shtetl life of his childhood, the wooden huts and synagogues, the goatherds, rabbis, and violinists—the whole lost world of Eastern European Jewry. Wullschlager brilliantly describes this world and evokes the characters who peopled it: Chagall’s passionate, energetic mother, Feiga-Ita; his eccentric fellow painter and teacher Bakst; his clever, intense first wife, Bella; their glamorous daughter, Ida; his tough-minded final companion and wife, Vava; and the colorful, tragic array of artist, actor, and writer friends who perished under the Stalinist regime. Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth. Drawing upon hitherto unseen archival material, including numerous letters from the family collection in Paris, and illustrated with nearly two hundred paintings, drawings, and photographs, Chagall is a landmark biography to rank with Hilary Spurling’s Matisse and John Richardson’s Picasso.
Author: James B. Twitchell
Publisher: Columbia University Press
ISBN: 9780231103251
Category : Art
Languages : en
Pages : 306
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Book Description
Why advertising has become the dominant meaning-making system in American culture and satisfies our desires in fundamental ways.
