Author: Karl Ruhrberg
Publisher: Taschen
ISBN: 9783822859070
Category : Performing Arts
Languages : en
Pages : 850
Book Description
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Art of the 20th Century
Author: Karl Ruhrberg
Publisher: Taschen
ISBN: 9783822859070
Category : Performing Arts
Languages : en
Pages : 850
Book Description
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Publisher: Taschen
ISBN: 9783822859070
Category : Performing Arts
Languages : en
Pages : 850
Book Description
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
FLOPSIDED CONVERSATIONS
Author: John O'Loughlin
Publisher: Centretruths Digital Media
ISBN: 1446696022
Category : Philosophy
Languages : en
Pages : 135
Book Description
FLOPSIDED CONVERSATIONS is volume two of John O'Loughlin's 'collected dialogues', with material culled from four prior collections dating from 1982-4 and continuing in the vein of its predecessor, 'Lopsided Conversations', if with a more determined ideological emphasis which takes this volume to an entirely new region of the mind.
Publisher: Centretruths Digital Media
ISBN: 1446696022
Category : Philosophy
Languages : en
Pages : 135
Book Description
FLOPSIDED CONVERSATIONS is volume two of John O'Loughlin's 'collected dialogues', with material culled from four prior collections dating from 1982-4 and continuing in the vein of its predecessor, 'Lopsided Conversations', if with a more determined ideological emphasis which takes this volume to an entirely new region of the mind.
Demolishing Whitehall
Author: Adam Sharr
Publisher: Routledge
ISBN: 9781409423874
Category : Architecture
Languages : en
Pages : 328
Book Description
This book is about a lost world - albeit one less than 50 years old. In the era of Harold Wilson's 'white heat', architect Sir Leslie Martin proposed a grand plan to demolish and rebuild a swathe of historic Whitehall, London's government district. At once optimistic and paternalistic, it simultaneously reinforced and challenged a rigidly hierarchical social order at the scales of building, city and nation, This project was never realized, but nevertheless, the plans and the political history surrounding them offer unique insights into Wilson's government, Wilson's Britain and Martin's distinctive scientific model of architecture, and more broadly into the connections between architecture, politics and society.
Publisher: Routledge
ISBN: 9781409423874
Category : Architecture
Languages : en
Pages : 328
Book Description
This book is about a lost world - albeit one less than 50 years old. In the era of Harold Wilson's 'white heat', architect Sir Leslie Martin proposed a grand plan to demolish and rebuild a swathe of historic Whitehall, London's government district. At once optimistic and paternalistic, it simultaneously reinforced and challenged a rigidly hierarchical social order at the scales of building, city and nation, This project was never realized, but nevertheless, the plans and the political history surrounding them offer unique insights into Wilson's government, Wilson's Britain and Martin's distinctive scientific model of architecture, and more broadly into the connections between architecture, politics and society.
Mondrian's Philosophy of Visual Rhythm
Author: Eiichi Tosaki
Publisher: Springer
ISBN: 9402411984
Category : Philosophy
Languages : en
Pages : 279
Book Description
This volume investigates the meaning of visual rhythm through Piet Mondrian’s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian’s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian’s own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin’s famous criticism of photography (“athlete-in-motion is forever frozen”) can be applied to Muybridge’s zoopraxiscope, the Futurists’ rendition of stroboscopic images, and Duchamp’s “Nude Descending a Staircase.” Through a comparative study between Mondrian’s painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm. “Mondrian’s simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian’s theories of rhythm, and particularly his conception of “static” rhythm. The result is a tour de force that will forever alter the reader’s encounter with the works of Mondrian.” Prof. Kathleen Higgins
Publisher: Springer
ISBN: 9402411984
Category : Philosophy
Languages : en
Pages : 279
Book Description
This volume investigates the meaning of visual rhythm through Piet Mondrian’s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian’s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian’s own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin’s famous criticism of photography (“athlete-in-motion is forever frozen”) can be applied to Muybridge’s zoopraxiscope, the Futurists’ rendition of stroboscopic images, and Duchamp’s “Nude Descending a Staircase.” Through a comparative study between Mondrian’s painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm. “Mondrian’s simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian’s theories of rhythm, and particularly his conception of “static” rhythm. The result is a tour de force that will forever alter the reader’s encounter with the works of Mondrian.” Prof. Kathleen Higgins
Mondrian Evolution
Author: Sam Keller
Publisher: Hatje Cantz Verlag
ISBN: 3775752374
Category : Art
Languages : en
Pages : 265
Book Description
Piet Mondrian hat die Entwicklung der Malerei von der Figuration zur Abstraktion maßgebend geprägt. Anlässlich seines 150. Geburtstags widmet sich Mondrian Evolution seinem vielgestaltigen Werk und seiner künstlerischen Entwicklung. Zunächst in der Tradition der niederländischen Landschaftsmalerei des späten 19. Jahrhunderts arbeitend, gewannen bald Symbolismus und Kubismus große Bedeutung für ihn. Erst seit Anfang der 1920er Jahre konzentrierte sich der Künstler auf eine komplett gegenstandslose Bildsprache, die sich auf die rechtwinklige Anordnung von schwarzen Linien mit Flächen in Weiß und den drei Grundfarben Blau, Rot und Gelb konzentriert. In einzelnen Kapiteln wird dieser Weg anhand von Motiven wie Windmühlen, Dünen und das Meer, sich im Wasser spiegelnden Bauernhöfen und Pflanzen in verschiedenen Formen der Abstraktion nachverfolgt.
Publisher: Hatje Cantz Verlag
ISBN: 3775752374
Category : Art
Languages : en
Pages : 265
Book Description
Piet Mondrian hat die Entwicklung der Malerei von der Figuration zur Abstraktion maßgebend geprägt. Anlässlich seines 150. Geburtstags widmet sich Mondrian Evolution seinem vielgestaltigen Werk und seiner künstlerischen Entwicklung. Zunächst in der Tradition der niederländischen Landschaftsmalerei des späten 19. Jahrhunderts arbeitend, gewannen bald Symbolismus und Kubismus große Bedeutung für ihn. Erst seit Anfang der 1920er Jahre konzentrierte sich der Künstler auf eine komplett gegenstandslose Bildsprache, die sich auf die rechtwinklige Anordnung von schwarzen Linien mit Flächen in Weiß und den drei Grundfarben Blau, Rot und Gelb konzentriert. In einzelnen Kapiteln wird dieser Weg anhand von Motiven wie Windmühlen, Dünen und das Meer, sich im Wasser spiegelnden Bauernhöfen und Pflanzen in verschiedenen Formen der Abstraktion nachverfolgt.
Artistic Circles
Author: Susie Hodge
Publisher: White Lion Publishing
ISBN: 0711255865
Category : Art
Languages : en
Pages : 194
Book Description
I Know an Artist is a collection of 84 beautifully illustrated portraits that reveal the fascinating connections between famous artists throughout history.
Publisher: White Lion Publishing
ISBN: 0711255865
Category : Art
Languages : en
Pages : 194
Book Description
I Know an Artist is a collection of 84 beautifully illustrated portraits that reveal the fascinating connections between famous artists throughout history.
Painting and Sculpture in Europe, 1880-1940
Author: George Heard Hamilton
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628
Book Description
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628
Book Description
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Biocentrism and Modernism
Author: OliverA.I. Botar
Publisher: Routledge
ISBN: 1351573721
Category : Art
Languages : en
Pages : 318
Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Publisher: Routledge
ISBN: 1351573721
Category : Art
Languages : en
Pages : 318
Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Modern Culture
Author: Roger Scruton
Publisher: A&C Black
ISBN: 9780826494443
Category : Social Science
Languages : en
Pages : 200
Book Description
The word, 'culture' lies at the centre of contemporary debates about the past and future of society. Here, the author argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics.
Publisher: A&C Black
ISBN: 9780826494443
Category : Social Science
Languages : en
Pages : 200
Book Description
The word, 'culture' lies at the centre of contemporary debates about the past and future of society. Here, the author argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics.
The Concise New Makers of Modern Culture
Author: Justin Wintle
Publisher: Routledge
ISBN: 1134021380
Category : Social Science
Languages : en
Pages : 1362
Book Description
A Who's Who of Western culture, from Woody Allen to Emile Zola... Containing four hundred essay-style entries, and covering the period from 1850 to the present, The Concise New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, with John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping rubs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. With its global reach, The Concise New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing as well as an index of names and key terms.
Publisher: Routledge
ISBN: 1134021380
Category : Social Science
Languages : en
Pages : 1362
Book Description
A Who's Who of Western culture, from Woody Allen to Emile Zola... Containing four hundred essay-style entries, and covering the period from 1850 to the present, The Concise New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, with John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping rubs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. With its global reach, The Concise New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing as well as an index of names and key terms.